Widowed when his FBI agent wife is killed in an operation against terrorists, a college professor becomes increasingly obsessed with the culture and sub-society of these dangerous groups. The arrival of new neighbors, gives him new spirit, as they are gregarious and friendly, with two children that his son can be friends with. He is even beginning to see another woman. However, he begins to suspect something is odd about the neighbors, something about the way they don't want him to see certain parts of the house, or a set of blueprints they have there. Are his neighbors terrorists... or is the stress of losing his wife merely driving him past the point of paranoia? Written by
The car crash during the climactic chase scene was unplanned; the plan was for the car to duck behind the oncoming bus and complete the left turn. When the collision occurred, the car trunk sprung open, revealing the bright blue sandbags that had been placed there to allow certain stunts. The quick cuts following the collision are necessary to avoid showing the sandbags. Subsequent shots including the car had already been filmed, and show a markedly less-damaged car. See more »
After the bombing at the end of the film, a red ford Taurus is seen driving down a thruway, the same car with visual resemblance to the one driven by Michael Faraday before the bombing. See more »
[Talking about Grant]
He's a good kid. A strong kid. Reminds me of a boy I grew up with. Maybe you've heard of him. Oliver Lang? I found him in the woods one day. I would hate for Grant to see the same thing.
You sick fuck!
You're the sick fuck!
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Written by Simon Shackleton & Howard Saunders
Performed by Lunatic Calm
Published by MCA Music Ltd. And Junkbond Ltd.
All rights for the Western Hemisphere and Southeast Asia
Controlled and administered by MCA Music Publishing, a Division of Universal Studios, Inc. (ASCAP)
Lunatic Calm courtesy of MCA Records UK
Under license from Universal Music Special Markets See more »
Bridges plays the same character as always, but fits nicely into this part. Robbins plays a very back stage part for most of the film, the main concentration is on the small minded paranoia of Bridges. Brilliant film which brings home some harsh, hard truths about American society and security. An interesting storyline, which excels beyond the average Hollywood thriller, the typical guessing game of the goodies and baddies plays a secondary role to the real story. A uniquely intelligent terrorist thriller from Hollywood. Don't miss it.
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