Mourning his dead child, a haunted Vietnam war veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
As youths in Azusa, Vinnie, Carter, and Rosie pull off a racing scam, substituting winners for plodders and winning big bucks on long odds. When an official uncovers the scam, they set him ... See full summary »
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
Henry Poole moves in to a house in his old neighborhood, to spend what he believes are his remaining days alone. The discovery of a "miracle" by a nosy neighbor ruptures his solitude and restores his faith in life.
Widowed when his FBI agent wife is killed in an operation against suspected terrorists, a college professor becomes increasingly obsessed with the culture and sub-society of these dangerous groups. The arrival of new neighbors, gives him new spirit, as they are gregarious and friendly, with a ten-year-old boy that his son can be friends with. He is even beginning to see another woman. However, he begins to suspect something is odd about the neighbors, something about the way they don't want him to see certain parts of the house, or a set of blueprints they have there. Are his neighbors terrorists... or is the stress of losing his wife merely driving him past the point of paranoia? Written by
The car crash during the climactic chase scene was unplanned; the plan was for the car to duck behind the oncoming bus and complete the left turn. When the collision occurred, the car trunk sprung open, revealing the bright blue sandbags that had been placed there to allow certain stunts. The quick cuts following the collision are necessary to avoid showing the sandbags. Subsequent shots including the car had already been filmed, and show a markedly less-damaged car. See more »
When Oliver Lang is speaking with Michael Faraday at the batting cages, he is holding the bat with both left and right hand grips alternating in several quick cuts. See more »
I'm a messenger Michael, I'm a messenger! There's millions of us, waiting to take up arms, ready to spread the word... millions of us!
No! The government's not who you're killing!
Yes. Yes... they'll pay. They'll pay for their sins. Their lies.
You're killing children! Children die!
Children... I know that. This is war, Michael. In a war, children die.
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Written by Simon Shackleton & Howard Saunders
Performed by Lunatic Calm
Published by MCA Music Ltd. And Junkbond Ltd.
All rights for the Western Hemisphere and Southeast Asia
Controlled and administered by MCA Music Publishing, a Division of Universal Studios, Inc. (ASCAP)
Lunatic Calm courtesy of MCA Records UK
Under license from Universal Music Special Markets See more »
I have watched this twice, and despite its many flaws, I thought this movie was dynamite. This movie has the most effective opening sequence ever. The pulsating techno score, the giddy camerawork, if this movie didn't have that opening, I would have given Arlington Road a 7 instead of a 8.5. The movie had excellent, if sometimes overracted performances, particularly from Jeff Bridges, but I'll give special mention to Joan Cusack, her performance was chilling. Tim Robbins, was disappointing. He doesn't cut it as the villain. He was excellent in Jacob's Ladder, but here doesn't make the grade. The script faltered sometimes, towards the end (But not the ending), because it grew a bit confusing. However the dialogue was excellent and always realistic. The direction was outstanding. I could see no flaw in the direction. The cinematography was also excellent, the editing, too. And the music, just fabulous.
I'd like to discuss the ending. After seeing the commercial for this movie and reading the reviews, I knew there was going to be a big, surprise ending. Then how come I predicted the ending to occur?
But in a movie like this it didn't matter. Just sit back, and enjoy this for the acting, direction, music and cinematography. And if you don't predict it, the ending will be a big, satisfying surprise for you. 8.5/10.
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