Mourning his dead child, a haunted Vietnam War veteran attempts to discover his past while suffering from a severe case of dissociation. To do so, he must decipher reality and life from his own dreams, delusion, and perception of death.
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
In suburban Reston, Virginia, George Washington University American History professor Michael Faraday is still mourning the death of his wife, FBI agent Leah Faraday, after three years. His inside knowledge of the agency colors what he teaches in his classes. Although on good terms with Leah's ex-partner, Whit Carver, and the agency in general, Michael wants the agency at least to acknowledge their responsibility in her death in the line of duty. Michael is moving on with his personal life, he being in a serious relationship with his former teaching assistant Brooke Wolfe. Although he likes Brooke, Michael and Leah's nine year old son, Grant Faraday, may not yet be quite ready for Brooke to be a permanent part of their lives. It is only in helping adolescent Brady Lang who he sees in medical distress that Michael meets his new neighbors, Oliver and Cheryl Lang, Brady's parents. In the process, Michael and Brooke becomes friends with the Langs, as Grant and Brady become friends. ... Written by
The car crash during the climactic chase scene was unplanned; the plan was for the car to duck behind the oncoming bus and complete the left turn. When the collision occurred, the car trunk sprung open, revealing the bright blue sandbags that had been placed there to allow certain stunts. The quick cuts following the collision are necessary to avoid showing the sandbags. Subsequent shots including the car had already been filmed, and show a markedly less-damaged car. See more »
When the FBI building blows up the wide shot from the Washington Monument shows it as being on the left hand side of the White House. However, in reality the FBI building is in fact on the right hand side of the White House. See more »
Compelling thriller with amazingly un-Hollywood politics and excellent performances.
An excellent cast puts real suspense into this story of the 'Banality of Evil' and how the need for closure in horrific events overwhelms deeper exploration into their causes. Also delves into 'psychological karate' where a person's thoughts and ideas can be used as a pivot to get them to act against themself. A very complex, yet easily understood, plot which is made compelling by an excellent cast. There is no waste in the script.
7 of 10 people found this review helpful.
Was this review helpful to you?