An academic obsessed with "roadside attractions" and his tv-star daughter finally discover the world's largest ice cream cone, the centerpiece for an old gold-rush town struggling to stay ... See full summary »
Morgan J. Freeman
Brendan Sexton III,
A talented young photographer, who enjoys snapping photos of his satirical, perverted Baltimore neighborhood and his wacky family, gets dragged into a world of pretentious artists from New York City and finds newfound fame.
An actor from a popular television sitcom agrees to appear at the Grand Opening of a Houston Super Kmart. On his journey to and appearance at the Kmart, he learns lessons about his career, ... See full summary »
New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute but clumsy date Cindy, two trendy vamps, a loquacious cabby, the man-crazed Hillary, and Elvis Costello. Nearly everybody smokes, and nearly everybody scores. And all get who and what they deserve. Written by
The main reason I saw this film was because of the cast- it has a great line up of young talent, some who are fairly new and some that have been around for ages. The film itself is fairly incoherent in places, with many storylines running at the one time. I thought Kate Hudson was fantastic in her first main role, and Paul Rudd was good as always. Gaby Hoffman probably put in the most irritating performance of her career to date, while Ben Affleck didnt really have much to do. The story itself is pretty simplistic, focusing on new years eve where a bunch of people are slowly making their way to a party hosted by Martha Plimpton's character. Only a few of the characters have any real depth to them, with many just skimming the surface, thus remaining shallow like most of the dialogue in the film. There are some scenes that work, others that don't - a real hit and miss - if you like the actors in it- then watch it- if you don't, then stay well clear.
16 of 23 people found this review helpful.
Was this review helpful to you?