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Morgan J. Freeman
Brendan Sexton III,
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New Year's Eve, 1981, the Lower East Side. Monica's having a party, but as late as 9, no one's there. She stews (and drinks). Folks are on their way, all looking for love, sex, or both. En route, paths cross, gambits misfire: a performance artist, her boyfriend until today and his long-time pal Lucy, two Long Island high-school girls, two punk rockers, a bartender, a Scottish painter who's lousy in bed, a pretty face named Jack who runs when women say they love him, his cute but clumsy date Cindy, two trendy vamps, a loquacious cabby, the man-crazed Hillary, and Elvis Costello. Nearly everybody smokes, and nearly everybody scores. And all get who and what they deserve. Written by
I'm 37, so I'm about the same age of the people in this period. I had heard bad commentary on this movie and granted my expectations were lowered. Yes, the characters are shallow to a large degree, and the person I watched with got quite bored with this dialoge driven comedy. That being said, it has been a great while since I enjoyed a comedy as much as this. Like an Arthur Hailey novel you constantly bounce around to 5 or 6 parties and their very different issues. I could relate in alot of ways; please remember this is a couple years before the Aids crisis. I never found it to be dull, indeed I was draw in by the characters as things went along. I think what bothered many who've commented on the movie, is you are lead to believe everyone will be meeting at the 'Party'. Have patience; remember the film is about the people, not the party. The end of the movie was probably the best part. If you're intriged by what I've described here, definitly make this a Must-See"
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