Alex is the film student forced by his college professor to stop making Jackie Chan "homage" films and make "something from the heart" in order to graduate. Lars is the painting student and...
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Alex is the film student forced by his college professor to stop making Jackie Chan "homage" films and make "something from the heart" in order to graduate. Lars is the painting student and Alex's roommate who is looking for a way to become a tortured artist... as long as he can keep his BMW and American Express Gold Card. Together, they meet Blue, who has recently moved into their apartment building. After discovering that she's a "hit woman," Alex appeals to her senses as a film fan and persuades her to let him film a documentary on her last "hit." Heading towards the inevitability of the "hit" in Miami, Alex interviews Blue. Through his B&W lens he finds out why she does what she does, why she's afraid to fly, and about the foster father that sexually abused her until she ran away at the age of eleven. As Alex becomes increasingly blinded by his obsession with capturing his documentary he risks everything and everyone, by convincing Blue to travel to New Orleans to find her foster ... Written by
Writer director Leutwyler has a unique idea here but he doesn't know if wanted to do a comedy or a drama. Alex, Palladino, is a film student getting tuition money from a local loan shark, Mr. Z. It seems his films all bear a striking resemblance to bad imitations of Jackie Chan's martial art works and his professor is threatening to end his college career unless he can come up with something original and Mr. Z is threatening him with more unless he can make his payments.
Well, his new neighbor, Blue, Jennifer Rubin, turns out to be a hired killer who wants to get out of the business after one last job. Bingo, he gets the idea of making a documentary film about her career and last job. Naturally she goes along with the idea and Alex's roommate, Lars, goes along as his sound assistant. Sort of a combo "The Whole Nine Yards" and "Three for the Road"?
But what we now have is a poorly shot and boring Los Angeles to Miami road trip with Blue bearing her soul and Lars killing any humor with poor sight jokes about his lactose intolerance.
If that isn't bad enough we have a stop over on the way home so that Blue can get revenge on her pedohilic step father and Alex can fight over the moral dilemma of having filmed a paid killer in action.
Rubin, a genuinely attractive woman and underrated actress is wasted in this mess and Palladino, who shows some comedic ability, is as confused as the writer/director is. Anthony Denison has a few funny scenes as the polite, art loving loan shark but this is the kind of movie that should have been given a D by any honest Professor of Film.
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