| Rob Lowe | ... | Tom Casey | |
| Jennifer Grey | ... | Sally Casey | |
| Kathryn Harrold | ... | Deena Bateman | |
| Eric Michael Cole | ... | Jeffrey Bateman | |
| Shane Meier | ... | Mark | |
| Cyrus Thiedeke | ... | Fats | |
| Jerry Wasserman | ... | Officer Dan McRyan | |
| Nathaniel DeVeaux | ... | The Other Officer | |
| Robert Wisden | ... | Manny Baylis | |
| Jennifer Clement | ... | Manny's Wife | |
| Fulvio Cecere | ... | Jim | |
| Bob Morrisey | ... | Braxton | |
| Lesley Ewen | ... | Duty Officer | |
| Christine Willes | ... | Judge | |
| Johnny Kirkpatrick | ... | Waiter | |
| Jayme Knox | ... | Carol | |
| Greg Rogers | ... | Client | |
| Michael Kopsa | ... | Officer #1 | |
| Robin Collins | ... | Boy | |
| Reg Tupper | ... | Mark's Father | |
| Allan Morgan | ... | Fats' Father | |
| Colin Lawrence | ... | Captain | |
| Deryl Hayes | ... | Clerk | |
| Rick Poltaruk | ... | Inmate Man #1 | |
| Adrien Dorval | ... | Inmate Man #2 (as P. Adrien Dorval) | |
| Brock Johnson | ... | Sneaker Inmate | |
| David Longworth | ... | Seedy Hotel Man | |
| Rob Daprocida | ... | Phone Man | |
| Peter Bryant | ... | Street Officer |
Directed by | |||
| Robert Allan Ackerman | |||
Writing credits(WGA) | ||
| Ellen Weston | (written by) | |
Produced by | |||
| Kevin Cooper | .... | executive producer | |
| Francis Ford Coppola | .... | executive producer | |
| Preston Fischer | .... | producer | |
| Fred Fuchs | .... | executive producer | |
| Ellen Weston | .... | co-executive producer | |
Original Music by | |||
| David Mansfield | |||
Cinematography by | |||
| Tobias A. Schliessler | |||
Film Editing by | |||
| Ralph Brunjes | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| Jill Scott | |||
Production Management | |||
| George Horie | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard Coleman | .... | first assistant director | |
| John Penhall | .... | second assistant director | |
Art Department | |||
| Clive Edwards | .... | property master | |
| Peter Grace | .... | construction coordinator | |
| Mark Prior | .... | assistant decorator | |
Sound Department | |||
| Michael Baskerville | .... | sound re-recording mixer | |
| Mark Beck | .... | supervising sound editor | |
| Rick Bold | .... | boom operator | |
| John Gare | .... | sound re-recording mixer | |
| David Husby | .... | sound | |
| Jonas Kuhnemann | .... | dialogue editor | |
Stunts | |||
| Celia Bond | .... | stunt double | |
Camera and Electrical Department | |||
| Fred Boyd | .... | gaffer | |
| Jean-Luc Dinsdale | .... | second assistant camera | |
| Patrick Stepien | .... | "a" camera first assistant | |
| William Waring | .... | camera operator | |
Casting Department | |||
| Michelle Allen | .... | casting: Canada | |
| Tami Nasu | .... | casting associate | |
Editorial Department | |||
| George Carlston | .... | colorist: dailies | |
Transportation Department | |||
| Steve Ellis | .... | transportation | |
Other crew | |||
| Scott Graham | .... | assistant location manager | |
| Julia Neville | .... | production coordinator | |
| Kimi Webber | .... | script supervisor | |
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| Gone in Sixty Seconds | The Yards | Gun Crazy | River's Edge | The Dead Pool |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
Though the movie was well made, it left me with an outrage of how the justice sometimes works. I believe that this movie has mainly one purpose, to show that an innocent and concerned citizen can actually become victimized by the judiciary system with its many loopholes that will actually protect the guilty and punish the true victim. It was best demonstrated when the judge sent a man who had a loaded gun in his car and no previous conviction to prison and ignored the true crime of braking into cars to steal radios by someone whose mother was a lawyer. I recommend this movie for everyone to see the outrage of a man who hasn't done anything wrong and suffered from the criminal actions against him. Well, the title is most fitting.