A combination gambling den and bawdy house is set up so that croupiers, patrons, prostitutes, and the owner can quickly change it all into a mercantile establishment when the cops stage a ... See full summary »
A bearded magician holds up a large playing card and makes it larger. He tears up a card of a queen, burns the torn bits, and a life-size Queen of Hearts card appears; then, it becomes ... See full summary »
The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil magician, steals the lamp for ... See full summary »
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch... See full summary »
Pluto, having seen the earth, comes back home amazed at the success of that well-known dance, the "cake-walk." He has brought back with him two noted well-known dancers, who start their ... See full summary »
A chemist in his laboratory places upon a table his own head, alive; then fixing upon his head a rubber tube with a pair of bellows, he begins to blow with all his might. Immediately the ... See full summary »
A combination gambling den and bawdy house is set up so that croupiers, patrons, prostitutes, and the owner can quickly change it all into a mercantile establishment when the cops stage a raid. The women become shop girls and customers, the men become clerks and shoppers. The craps table becomes a long counter. The police do raid the joint, and the nearly-instantaneous conversion into a dry goods store covers all the evidence. The police leave in dismay and disgust. But will they be back? What is their real motive? Written by
Watching this film, I was reminded of the classic scene in 'Sgt. Bilko (1996)' when Steve Martin, with a few minor readjustments, instantaneously transforms a gambling house into a busy-looking army motor pool garage. 'The Scheming Gambler's Paradise (1905)' works along the same lines: a busy casino, warned of the arrival of police, neatly folds itself a clothes store. There don't seem to be any in-camera effects here, only clever use of film sets. This absence of cinematic effects is a little disappointing, since that is why one usually watches a Méliès film, but nevertheless this is still a mildly amusing comedic skit. As always, the director can't resist a bit of stage showmanship, occasionally gesturing directly at the camera, as though to say: "watch this!"
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