This film is a winner, it being one of the most laughable of mysterious picture ever made. An extremely lean man and an extremely fat man are engaged in a wrestling match. The lean man ...
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One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on ... See full summary »
In this scene is shown a magician behind an ordinary table, upon which he suddenly and mysteriously causes to appear a large box, into which he leaps. The sides of the box fall to the ... See full summary »
A man sleeps fitfully then dreams that a lovely woman is sitting at the foot of his bed. He reaches to embrace her and she becomes a minstrel, then Pierrot. The clown gestures to the moon ... See full summary »
This film is a winner, it being one of the most laughable of mysterious picture ever made. An extremely lean man and an extremely fat man are engaged in a wrestling match. The lean man attacks the fat one viciously but cannot budge him from the floor. After wrestling furiously for awhile, the fat man falls upon the lean one and crushes him as flat as a pancake. The fat man then rolls him up in a package about the size of a carpet bag and lays him on the floor, and winds up by tossing him high in the air. The lean man in coming down falls on the fat man's head, knocking him to the floor and causing hiim to explode in a great cloud of smoke, his body being distributed all over the stage. The portions of the fat man's body then begin slowly to come to life, the fat man jumping to his feet and making a hasty exit, seeming glad to get out of the way of his terrible opponent. Written by
In this film, master cinematic experimenter Georges Méliès uses his celebrated trickery to depict a wrestling match. The effect is like a live action cartoon. Except that this is 1901 and animated cartoons hadn't even been invented yet! In other words it's quite original. And it's really still quite amusing too. Méliès fills its short running time with a barrow load of comic invention. We have women morphing into men; a man having his head and limbs knocked off and reassembled; and a fellow who is flattened like a pancake. What this movie shows, apart from Méliès mastery of visual trickery, is his sense of humour and comic timing. Some comedy shows from a few years ago are no longer amusing, so it's really quite impressive that this feature from over one hundred years ago still manages to raise a few smiles.
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