Supernova
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Supernova (2000/I) More at IMDbPro »


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2 items from 2016


The 33 movie review: swallowed up by the earth

27 January 2016 9:11 AM, PST | www.flickfilosopher.com | See recent FlickFilosopher news »

A missed opportunity to tell what should be a captivating real-life disaster tale that is instead plodding, scattershot, and lacking in dramatic impetus. I’m “biast” (pro): nothing

I’m “biast” (con): nothing

I have not read the source material

(what is this about? see my critic’s minifesto)

In 2010, as you may recall from the news, 33 men were trapped thousands of feet underground when the Chilean gold mine they were working in collapsed. They had minimal supplies, and, at first, no way of even letting those aboveground know that they were still alive. When they finally emerged 69 days later, it was the result of a global effort, and was seen on TV around the planet by more than a billion people. Basically, it’s The Martian times 33, except real. So it’s a shame that The 33 is a missed opportunity to tell what should be a »

- MaryAnn Johanson

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Through the Looking-Glass…Top 200 Most Anticipated Films of 2017: #6. Walter Hill’s Tomboy, A Revenger’s Tale

15 January 2016 9:00 AM, PST | ioncinema | See recent ioncinema news »

Tomboy, A Revenger’s Tale

Director: Walter Hill

Writers: Walter Hill, Denis Hamill

Following a remarkable year in cinematic transgender representation with films like Sean Baker’s Tangerine, Tom Hooper’s The Danish Girl, and Gaby Dellal’s About Ray, not to mention prolific public figures such as Caitlyn Jenner and Laverne Cox maintaining notable visibility, positive depictions of the transgender community have marked 2015 as a watershed year. But not unlike the first wave queer theory which bitterly criticized historically negative depictions of Lgbt characters prior to the early 90s New Queer Cinema movement, Trans representation is under increased scrutiny, which results in severe cultural policing. One of the reasons we fail to see queer characters utilized in contemporary genre film is due to an exploitative history we’ve been unable to divorce ourselves from, those unseemly memories of demeaning cinematic representation. Comedy and horror were once the only ‘low »

- Nicholas Bell

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2002 | 2001

2 items from 2016


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