Supernova chronicles the search and rescue patrol of a medical ship in deep space in the early 22nd century and its six-member crew which includes a Captain and Pilot, a co-pilot, a medical...
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When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting a unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.
Richter Boudreau, the son of local celebrity Cynthia, is not very successful and works as a film critic for a local newspaper. In a short time he loses his job and his heritage, and one of ... See full summary »
Deborah Kara Unger
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
Supernova chronicles the search and rescue patrol of a medical ship in deep space in the early 22nd century and its six-member crew which includes a Captain and Pilot, a co-pilot, a medical officer, a medical technician, a search and rescue paramedic, and a computer technician. When their vessel, the Nightingale 229, answers an emergency distress signal from a comet mining operation in a distant galaxy, the crew soon finds itself in danger from the mysterious young man they rescue, the alien artifact he's smuggled aboard, and the gravitational pull of a giant star about to supernova. The resulting explosion will be the most massive explosion in the universe. Written by
Originally, main villain Karl transformed into a demon-like monster during the final part of the movie. Although much time and effort was spend on special make up effects for these scenes, MGM decided that they didn't like that because they "couldn't see the actor", so all the creature footage was cut and re-shot with Karl being only partially transformed in the final cut. See more »
At the end of the movie one of Nick's eyes is blue and one is brown. When they show him again from the side the other eye is blue. See more »
Look. Since we don't bring out the pleasant side of each other, why don't you tell me what the hell bothers you so much about me, so I can...
Dr. Kaela Evers:
I don't like Hazen. It's just not a type-H mind-altering escape. I don't like what it does to people who take it; I don't like what they do to others. I used to know someone...
I'm not someone.
Dr. Kaela Evers:
I didn't say you were.
There's nothing I can do to change the past, yours or mine.
Dr. Kaela Evers:
[places unused Hazen-withdrawl medication in front of her]
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Much better than its reputation has it, but no gem
A deep space "ambulance" ship receives a distress call from a mining outpost on a rogue moon (it's been removed from its orbit) 3 thousand light years away. Normally, that wouldn't be so unusual, but the distress signal was specifically hailing this particular ship (like calling someone inside an ambulance directly instead of dialing 911) and when the source is revealed, female crew member Kaela Evers (Angela Bassett) realizes that she knows the person who sent it. Worse, it's someone whom she's had an extensive personal history with and whom she considers a walking nightmare. Before she can warn Captain A.J. Marley (Robert Forster), they're in hyper drive on their way to the moon and unwittingly headed into trouble.
This film was plagued with problems--the originally attached director, Geoffrey Wright, quit. The replacement director, Walter Hill, had creative differences with the studio, which demanded re-shoots and new cuts from none other than Francis Ford Coppola and Jack Sholder. Hill ended up requesting that his name be removed, and used the new version of the infamous "Alan Smithee" designation--"Thomas Lee".
And that wasn't the end of it. Upon its release, Supernova received a critical drubbing. Rotten Tomatoes, for example, a website that collates professional and semi-professional reviews on films, showed a 90% negative reading on Supernova. The reaction from everyday viewers mirrored this reception, with mostly negative comments right here on IMDb.
But Supernova isn't that bad of a film. It's no gem, but it does a lot of things right: The premise is certainly stimulating. The transition from a stock, Alien (1979)-like sci-fi film to a thriller in space is well done. The characters are interesting. The suspense level gradually increases until the very end of the film.
There are thoughtful subtexts about giving oneself over to a "feel-good" substance, "survival of the fittest" evolution, and cyclical regeneration. The "fountain of youth" device is intriguing, and even though the "Ninth Dimension" stuff is gobbledy-gook, it's good gobbledy-gook--it makes some sense as fantasy material, and it provides a lot of suspense. There is a subtle social commentary/criticism on attitudes about violence in the media, population problems and eugenics.
A lot of the cast is also good--I like Robert Forster a lot, although unfortunately he disappears from the picture too soon. I'm also a fan of Lou Diamond Phillips, even if his presence more often than not signifies a "C", "D" or lower film. James Spader's characterization of Nick Vanzant is nice and complex. And the rest of the cast is at least decent, even if Peter Facinelli overacts a bit towards the end--but the role calls for that.
However, as a 7, Supernova has its share of problems, too. I don't usually subtract points for a film being clichéd, but it's difficult not to do so in this case. The beginning of the film is right out of Alien--with the ship waking up a crew member unexpectedly, after running some "tests". This is saved a bit by funny dialogue at the end of the scene. The computer, "Sweetie", is reminiscent at times of "Hal" from 2001: A Space Odyssey (1968). The holographic chess game is right out of Star Wars (1977). The distress signal scenario is again out of Alien, and the exploration of the abandoned mine on the rogue moon is similar to Aliens (1986).
The dialogue in the opening of the film is also a bit too jargonistic and quickly delivered for its own good. It can be difficult to get the gist of it without subtitles. There are a number of editing problems, most prominently during the "near miss" of the out of control ship with the moon--shaky cam cinematography doesn't help, either. And for so many directors being involved, the direction, while not incompetent, comes across as primarily "flat".
Is Supernova worth seeing? If you're a huge sci-fi fan (meaning that you watch and like most sci-fi films) and you do not mind familiar material that's slightly clunky at times, yes. There are enough positives to make it worthwhile. Like usual with 7s, the film is best approached with lowered expectations. Given the reputation of this film, that should be no problem.
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