The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him. Bad move.
This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail ... See full summary »
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
The space transport vessel "Hunter-Gratzner" carrying 40 people on-board crashes on a desert planet when the ship is struck in a meteor storm. There are only 11 survivors, among them are pilot Carolyn Fry (Who has assumed command after the ship's captain is killed), bounty hunter William J. Johns, religious man Abu Al-Walid, Antiques dealer Paris P. Ogilvie, runaway teenager Jack, settlers John 'Zeke' Ezekiel and his lover Sharon 'Shazza' Montgomery, and Richard B. Riddick, a dangerous escaped convict. Marooned, the survivors discover the barren and hot desert-scape has sunlight from three suns. Not only must they find food and water and worry about Riddick, the survivors find themselves being hunted by the planet's flesh-eating alien inhabitants when the planet is engulfed in darkness, which happens every 22 years, as they emerge from underground to hunt and eat all signs of life. Fry and the survivors find Riddick is their best chance of survival, as Riddick has surgically-enhanced ... Written by
In David Twohy's original draft, there were extended scenes of the boneyard creatures, still alive, as well as them being killed and eaten by the other creatures. Paris and Johns would've survived until the third act, underground, which would've explained the planet's climate and temperature changes, the way the star-system worked, and the life-cycle of the creatures along with an entire underground ecosystem of the aliens. See more »
In the darkened hallway immediately after the eclipse, the shadow of a camera is visible (at least in the wide-screen version) on the left third of the screen. See more »
They say most of your brain shuts down in cryo-sleep. All but the primitive side, the animal side. No wonder I'm still awake. Transporting me with civilians. Sounded like 40, 40-plus. Heard an Arab voice. Some hoodoo holy man, probably on his way to New Mecca. But what route? What route? I smelt a woman. Sweat, boots, tool belt, leather. Prospector type. Free settlers. And they only take the back roads. And here's my real problem. Mr. Johns... the blue-eyed devil. ...
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The persons and events in this production are fictitious. No similarity to actual persons or predators, living or dead, is intended or should be inferred. See more »
This film gets off to a bad start. An incredibly corny monologue is followed immediately by a brilliantly-done, truly amazing spaceship crash. Then things go downhill again, as you realize that the survivors are all a) bad actors (apart from the docking pilot and the psychopath) and b) almost all of them fit too nicely into the role of monster-fodder. Hell, half of them don't even speak English, preventing the audience from getting to know the characters at all. You feel as if you were watching "Deep Blue Sea" meets "Silence of the Lambs", minus the good bits. And unfortunately, the entire thing tries to hard to be "Crashed on a desert planet with Hannibal Lecter" during the daylight scenes. Vin Diesel is a great actor - but he is no Anthony Hopkins, and he frankly annoys as the smart hyper-cool psycho. There is at least one very good scene involving an unexpected survivor - but apart from that you could just as well have cut out the first thirty minutes or so...
But then things take a turn. I can't exactly pinpoint the moment, but soon the movie gets a lot better. It also feels less chopped - the scenes actually begin to follow each other with a consistent narrative, and Vin Diesel becomes much less annoying and soon he is a show-stealer. By the time the first monsters appear, the film is actually quite enjoyable. By the time night falls, it is great. Thrilling, horrifying and exciting. And even the character development of most main characters is well-done. If you can just sit through the poor bits at the start you're in for some GREAT entertainment.
Besides, the visuals are eye-candy, and I honestly admit: I love the colour and the tone of this movie.
7/10 (could have been 9/10, if only....)
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