5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail ... See full summary »
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him. Bad move.
The space transport vessel "Hunter-Gratzner" carrying 40 people on-board crashes on a desert planet when the ship is struck in a meteor storm. There are only 11 survivors, among them are pilot Carolyn Fry (Who has assumed command after the ship's captain is killed), bounty hunter William J. Johns, religious man Abu Al-Walid, Antiques dealer Paris P. Ogilvie, runaway teenager Jack, settlers John 'Zeke' Ezekiel and his lover Sharon 'Shazza' Montgomery, and Richard B. Riddick, a dangerous escaped convict. Marooned, the survivors discover the barren and hot desert-scape has sunlight from three suns. Not only must they find food and water and worry about Riddick, the survivors find themselves being hunted by the planet's flesh-eating alien inhabitants when the planet is engulfed in darkness, which happens every 22 years, as they emerge from underground to hunt and eat all signs of life. Fry and the survivors find Riddick is their best chance of survival, as Riddick has surgically-enhanced ... Written by
The character of Riddick was a woman in an early rough draft of the script. See more »
During a solar eclipse it is impossible to see the full shape of the eclipsing object - you can only see the sun's disc being obstructed. This is due to the fact that the back side cannot be darker than the dark sky around - which is still true when there is an atmosphere which diffuses the sunlight at the location of observation. However, during the eclipse scene, the obstructing planet is clearly visible from its back side. This would be entirely possible in a three-star system. See more »
They say most of your brain shuts down in cryo-sleep. All but the primitive side, the animal side. No wonder I'm still awake. Transporting me with civilians. Sounded like 40, 40-plus. Heard an Arab voice. Some hoodoo holy man, probably on his way to New Mecca. But what route? What route? I smelt a woman. Sweat, boots, tool belt, leather. Prospector type. Free settlers. And they only take the back roads. And here's my real problem. Mr. Johns... the blue-eyed devil. ...
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The persons and events in this production are fictitious. No similarity to actual persons or predators, living or dead, is intended or should be inferred. See more »
All you people are so scared of me. Most days I'd take that as a compliment. But it ain't me you gotta worry about now.
Pitch Black is directed by David Twohy and collectively written by Twohy and Ken and Jim Wheat. It stars Vin Diesel, Radha Mitchell, Cole Hauser, Keith David, Lewis Fitz-Gerald, Claudia Black and Rhiana Griffith. Music is by Graeme Revell and cinematography is by David Eggby.
The year 2000 was awash with sci-fi movies, not all were stellar of course, but siting at the top end of the scale was this, Twohy's super slice of action/horror/sci-fi cake.
Right from the off we are thrust on board the cargo ship Hunter- Gratzner, which as it happens is plummeting through space. The ship has been hit by meteorite debris and junior officer Caroline Fly (Mitchell), after coming out of hyper sleep, manages to crash land on a nearby planet. Only a handful of passengers survive the crash, including infamous convict Richard B. Riddick (Diesel), but as the survivors struggle to cope with the threat from within the group, it becomes apparent that there's a bigger threat soon to join the party, a deadly alien species, a species that can only operate in the dark. Pity, then, that an eclipse is due...
Okies, so lets get the obvious out in the open right away, Pitch Black is a variant of Alien, one of a ream of films that grabbed the coat tails of Ridley Scott's game changer. Yet this is still a fresh movie, a lesson in low budget film making with grace, style, blood, brains and balls - the execution grade "A" from those involved.
It's maybe surprising given the synopsis, to find that it's a very character driven piece, with Twohy continually building his characters even as the carnage and terror is unleashed - and these are a very diverse bunch of characters. One of the universe's baddest criminals, a spunky lady officer having to take command, a morphine addicted bounty hunter, an Islamic priest and his young companions, a camp alcoholic and a couple of strays. It's the not so wild bunch, but everyone of them are afforded chance to impact on the story before and during the inevitable picking off one by one at the claws of the beasts.
The narrative strength comes via Diesel's hulking convict, he's double jointed and has had optical surgery so he can see his enemies in the dark! The group must come to rely on him for he is clearly their best hope of survival, but can he be trusted? What is his ultimate ulterior motive? Riddick is the épée to Fry's foil, it's at times like a devil and angel trying to become one in the simple name of survival. These crux characters lift the simple premise to greater heights, that Mitchell (sexy/vulnerable/hard/smart) and Diesel (moody/beefy/gravelly/menacing) are bang on form helps no end. As does the work of the tech department.
The setting created here is a splendid veer from one of the curses of sci-fi films, that of an unbelievable world. Twohy, Eggby and the art department achieve a world of 3 suns, of a scorched barren landscape, with the photography switching between bleached and metallic filters for maximum sci-fi impact. While the effects work belies the budget, check out the pre-eclipse sequence. What of the creatures themselves? They are legion, a sort of pterodactyl nightmare who let out high pitched bleats, they smell blood and move at high speeds, and like Riddick they have special vision in the dark, it's the light that they are afraid of, thus this gives our survivors a glimmer (ahem) of hope in how to stave them off...
The science and logic is hokey, but so what? This is a classy and taut sci-fi film brought about by a very under valued director, one that puts many a bigger budgeted Hollywood production to shame. Come the finale, where there's still time to have your draw dropped, you may be minus nails and on the edge of your seat. 9/10
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