Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for ... See full summary »
Kiyoshi is a brooding young man who treats women solely as objects. Makoto is a young woman who is just reaching her sexual awakening. She and her friends accept car rides from middle aged ... See full summary »
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the ... See full summary »
With his closest friend, Matahachi, Takezo (the town's wild, orphan kid) leaves his village to join an army on its way to battle. After their side loses, they seek shelter in the isolated ... See full summary »
In the 1920s, the anarchist revolutionary Sakae Osugi is financially supported by his wife, journalist Itsuko Masaoka. He spends his time doing nothing but philosophizing about political ... See full summary »
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's... See full summary »
Zatoichi tries to unrest the mob rule over a small village all while the gang leader's bodyguard is actually the Yojimbo, secretly taking the gang down from the inside. Will the two heroes realize in time that they are on the same side?
Cute and innocent family comedy that really managed to charm me
Kobayashi's debut is not only the anti-thesis of the films he's most known for - It's warm, bubbling and charmingly innocent - but also an thoroughly impressive first film. Though constantly threading close to the silly this romanticized drama comedy about an average Japanese family and their son who is becoming a man, was just too irresistible. I can easily see why many wouldn't consider it a great work however, and some contrivances were pushing it. It's saving grace here is the consistent style that allows this. Can't see any veteran doing this better, and my, in hindsight, the contrast to his latter work is as if planned. Having yet to discover most of his early films I can't wait to see the rest of his evolution and how he went from this to Black River, that until now was the earliest film I had seen from him. The change could not be greater, the only thing they have in common is his craftsmanship.
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