Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for ... See full summary »
In the 1920s, the anarchist revolutionary Sakae Osugi is financially supported by his wife, journalist Itsuko Masaoka. He spends his time doing nothing but philosophizing about political ... See full summary »
In 17th century Kyoto, Osan is married to Ishun, a wealthy miserly scroll-maker. When Osan is falsely accused of having an affair with the best worker, Mohei, the pair flee the city and ... See full summary »
In 1890, Pontus, the starving writer, wanders the streets of Christiania, in search of love and a chance to get his work published. All he meets is defeat and suffering while his sense of ... See full summary »
Cute and innocent family comedy that really managed to charm me
Kobayashi's debut is not only the anti-thesis of the films he's most known for - It's warm, bubbling and charmingly innocent - but also an thoroughly impressive first film. Though constantly threading close to the silly this romanticized drama comedy about an average Japanese family and their son who is becoming a man, was just too irresistible. I can easily see why many wouldn't consider it a great work however, and some contrivances were pushing it. It's saving grace here is the consistent style that allows this. Can't see any veteran doing this better, and my, in hindsight, the contrast to his latter work is as if planned. Having yet to discover most of his early films I can't wait to see the rest of his evolution and how he went from this to Black River, that until now was the earliest film I had seen from him. The change could not be greater, the only thing they have in common is his craftsmanship.
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