Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
In order to foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan turns from bad to worse when the same criminal impersonates the cop.
Private investigator Tom Welles is hired by the recently widowed Mrs. Christian who has found a startling pornographic film in her late husband's possessions. In the film a teenage girl is apparently killed and Welles is pretty sure it's a genuine snuff film. He takes the case, first going through records of runaways finally identifying the girl and learning that she may have run off to California. There he enters the seedy underworld of pornography with the help of Max California, a porn store clerk. His principal clue is the masked man who killed the girl as he has a unique tattoo on his hand. He soon finds the culprits but there is little satisfaction in resolving the mystery. Written by
Nicolas Cage's Oscar award (for Leaving Las Vegas (1995)) makes a cameo in the film. Look for it, wrapped up in black string/laces on Eddie Poole's desk when Cage breaks in to tap Poole's phone. See more »
Tom Welles begins by examining the 8mm film on a PC with Windows but it changes to a Mac. See more »
Welcome to Miami. While in the airport, please observe Florida and local laws which prohibit any smoking in the terminal. Thank you for not smoking.
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I walked into the movie theater last Friday not expecting at all what I was about to see. I'd heard about it, thought "Oh, another Seven". Same screenwriter, but I was way off track. I can stomach a lot, having no problem stuffing down popcorn during very graphic scenes. In 8MM, my coke had trouble going down. 8MM did not have consistent gory/violent scenes, but the way the movie was made made you fill in the blanks of what the makers of the movie could not screen. And if you pay attention and immerse yourself, you fill in more blanks than you really think you could, or want. As Max put it: "the devil changes you." The perversity and deep rottenness of the human minds displayed in 8MM is what disturbs you. Then you realize, that "snuff"-movies are real, that there are individuals twisted enough to endorse/enjoy/take part in it. And worst of all, that these individuals don't look like monsters, they're perhaps just overweight nearsighted men who look like your dad, your son, your brother, even yourself. And if you don't look out,(no matter how secluded you think you are in your suburban home, with a wife, a daughter, and a dog named Shep) you dive into the pit of perversion and rottenness as well, finding no way out. In conclusion: excellent music, acting very sufficient, the plot: a must see. Just don't bring popcorn, and prepare to walk out of the movie theatre disturbed, asking questions, and a little bit more suspicious of those walking around you, and yourself.
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