A weekend group goes to a remote cabin for "fear therapy". While each person is working to conquer their worst fears, they all become terrorized by a living monster made of wood which ... See full summary »
This psychological mystery/thriller, adapted from Ruth Rendell's novel of the same name, depicts a family on the edge. Two sisters, the elder obsessive Vera, and the younger, manipulative ... See full summary »
Helena Bonham Carter,
Made for TV movie revolving around the lives of three young women as they deal with the incidents around them. Along the way they find romance and become swept up in family intrigue. Events... See full summary »
A grand hotel fallen into decay, two women with secrets and a dangerous political situation about to boil over - these intriguing elements all combine in this gripping drama from the ... See full summary »
Sports reporter (and widower/single-dad) Stuart Morrison's paper is in financial trouble, and hotshot businesswoman Cara Rossi's been assigned to make it profitable. Cara, eager to escape ... See full summary »
Producer Kenith Trodd was part of a 1984 team brought together to study how the BBC should respond to Channel Four's pioneering efforts in making films for both television and theatrical ... See full summary »
It's been a long time since I saw this mini-series dealing with London gangsters, and I didn't get to see all of it, but I remember being extremely impressed by the acting and by the general presentation. Production values were outstanding. It seemed relatively slow-moving in terms of plot, more slice of life than fast-paced actions or twists and turns, but there was a real plot. This program was very dark in tone, not because of excessive violence, but because of its portrayal of a criminal subculture where no-one can be trusted or relied upon, where success is fleeting, and where even successes are hollow. Unlike Tarantino's gangster flicks or Japanese yakuza films, there are no amusing quirks of character or cartoonish elements to provide comic relief. The lead character has the expensive cars and clothes, and the trophy wife, but it's still not enough to fulfil his ambitions. His sneer of cold command and chilly, controlling demeanour suggests a total emotional vacuum. His wife can't stand his lifestyle, he doesn't even truly know his best friend, his gang consists of imbeciles and traitors, and the timid Irish accountant that he thinks he controls is actually putting the screws on him. The other gangsters he deals with are similarly disillusioned. One talks of how he hates his kids, another says that to him the 60's meant little fun and a lot of hard work. Nobody ends up feeling satisfied despite their desperate and dangerous striving, and perhaps this is what resonated with me so powerfully and made it so memorable.
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