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Betsan Morris Evans
Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson. Unfortunately, Thief Taker General Chance, who also is quite fond of Rebecca, is getting closer and closer to getting both: The Gentlemen Highwaymen and Rebecca, who, needless to say, don't want to get any closer to him. But Plunkett still has a thing to sort out with Chance, and his impulsiveness gets all of them in a little trouble. Written by
Julian Reischl <email@example.com>
The French title for this film is "Guns 1748". See more »
During the sewer scene, when Plunkett look back, a crew member with glasses can be clearly seen on the left of the screen. See more »
Captain James Macleane, for drunkenness, unruly behavior, causing an affray and disturbing the King's, I hereby sentence you to be placed in the Knightsbridge debtors' jail and to be held there until you are sober. Take him away.
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The person in charge of overseeing the duel between Chance and Plunkett is listed as the "Dual Referee". See more »
Big frocks, big choons, big laughs and edge of seat stuff
Ah, how refreshing to see a vision of 18th century England complete with mud, the pox and gibbets... and accompanied by a delightful techno soundtrack to boot. This is the story of downtrodden highwayman Plunkett (Robert Carlisle) and Gentleman-fallen-on-hard-times Captain Macleane (Jonny Lee Miller), and how they get together and rob the aristo pigs. Plunkett is a hard nut, but MaCleane is far too polite for that, and thus becomes 'the gentleman highwayman'. He falls in love with Lady Rebecca (Liv Tyler), (who to be frank is the only weak part of the whole shebang) and wants to impress her.
The costumes are fantastic. Big, colourful, historically innacurate beautiful togs. Alan Cummings gets all the best threads, and the best lines as Lord Rochester, sporting a very non-18th century eyebrow piercing. The music shifts between swooping glorious choirs and thumping bass-laden techno, which doesn't jarr as you think it should do in a historical film. The script is fast-moving and peppered with modern-day colloquialisms; Merchant Ivory, this is not. There are hilarious parts, disgusting parts, sit-on-the-edge-of-your-seat-and-nibble-your-fingernails parts, but the whole thing chugs along and is wonderfully entertaining throughout. This is cheer-in-the-cinema stuff. Unmissable.
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