| Margot Fonteyn | ... | Herself | |
| Rudolf Nureyev | ... | Himself | |
| David Blair | ... | Himself | |
| Antoinette Sibley | ... | Herself | |
| Graham Usher | ... | Himself | |
| Merle Park | ... | Herself |
Directed by | |||
| Anthony Asquith | |||
| Anthony Havelock-Allan | |||
Cinematography by | |||
| Christopher Challis | (segment "Les Sylphides") | ||
| Geoffrey Unsworth | (segments "La Valse", "Les Corsaire" and "Aurora's Wedding") | ||
Makeup Department | |||
| George Claff | .... | director of makeup | |
Second Unit Director or Assistant Director | |||
| Michael Birkett | .... | assistant director | |
| Jack Causey | .... | assistant director | |
| René Dupont | .... | assistant director | |
Sound Department | |||
| Stephen Dalby | .... | sound recordist | |
Camera and Electrical Department | |||
| Eric Besche | .... | camera operator | |
| Gerry Fisher | .... | camera operator | |
| Bob Kindred | .... | camera operator | |
| Jeff Seaholme | .... | camera operator | |
| Tony White | .... | camera operator | |
Other crew | |||
| Shirley Barnes | .... | continuity | |
| Muirne Van Wyk | .... | continuity | |
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| Isadora | Celebration: The History of the Sadlers Wells Royal Ballet | The Margot Fonteyn Story | Steps of the Ballet | Bourne to Dance |
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| Full cast and crew | Company credits | IMDb Documentary section |
| IMDb UK section |
What a treasure to have these ballet performances from 1963 recorded! This movie features excerpts from "Le Corsaire", "La Valse", "Les Sylphides", "The Sleeping Beauty". The quality of the video is surprisingly good: very clear, lots of detail and beautiful colors. The audio is wonderful, too. The dances chosen have a range of emotions and nicely showcase Britain's Royal Ballet and especially Margot Fonteyn, Rudolf Nureyev and David Blair. The choreography by Frederick Ashton, Michel Fokine, Rudolf Nureyev, and Marius Petipa is stunning. Nureyev's "Le Corsaire" is worth the price alone; he and Margot Fonteyn are absolutely amazing in their athletic abilities. "Les Syphides" and "La Valse" are reminiscent of the great Busby Berkeley musicals from the 1930s and 1940s in that every person on stage is meticulously placed and posed throughout every scene. The scenery provides beautiful, yet non-distracting, backdrops for the various ballets. And finally, the costumes. To quote my seven-year old daughter "Their costumes are *glorious*!" I heartily agree (specially during "La Valse" and "The Sleeping Beauty") they truly are lovely.