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Breast Men (1997)

TV Movie  -   -  Comedy | Drama  -  13 December 1997 (USA)
5.8
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Ratings: 5.8/10 from 3,677 users  
Reviews: 30 user | 4 critic

A movie about two doctors who created breast implants as it follows them over the years.

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Title: Breast Men (TV Movie 1997)

Breast Men (TV Movie 1997) on IMDb 5.8/10

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Cast

Cast overview, first billed only:
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Laura Pierson
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Gerald Krzemien
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Hersch Lawyer
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Robert Renaud
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Vanessa
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Mrs. Saunders
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Harry
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Dave
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Committee Head (as Pat Cronin)
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Lola
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Storyline

A young plastic surgery intern gets tired of watching exciting developments in other fields (artificial hearts, etc). He finds a new, safe type of breast implants. All he has to do is convince his supervising surgeon it will work, and find a volunteer for the first patient. Written by <rstory@revelstone.com>

Plot Summary | Add Synopsis

Taglines:

Two young doctors with a dream of making it big...Really big! See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for sexuality and nudity, language and drug use | See all certifications »
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Details

Country:

Language:

Release Date:

13 December 1997 (USA)  »

Also Known As:

Breast Men  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Star Drug Store has been a Galveston fixture since 1917. Its exterior, with its distinctive ceramic Coca-Cola sign, is seen in several scenes, and Schwimmer's character uses a pay phone in the back of the soda fountain. It burned in 1998, shortly after the movie was released, and was closed for several years before reopening in 2001. See more »

Goofs

The final credits list David Schwimmer's character as Dr. Christopher Saunders, but the character is called Kevin throughout the film, and is not once called Christopher. See more »

Quotes

Male Interviewer: Arlene - Mary Kay Rep.
[claps board]
Arlene: Can I borrow your pencil?
[With her face out of view, Arlene receives a pencil, then opens her blouse, baring her breasts. She talks to us]
Arlene: This is called the pencil test. It's supposed to fall to the floor.
[She puts the pencil under her left breast. The pencil doesn't fall]
Arlene: I love my children, but I'm a little resentful for what they did to my breasts.
[She removes the pencil and returns it]
Arlene: Thanks. It's like someone blew up a balloon and then they let all the...
See more »

Crazy Credits

The following is basically a true story, slightly augmented. See more »

Connections

Spoofs Donahue (1967) See more »

Soundtracks

Papa-Oom-Mow-Mow
Written by Al Frazier (as Alfred Frazier), John Harris (as John Earl Harris),
Turner Wilson Jr. & Carl White
Performed by The Rivingtons
Courtesy of Dominion Entertainment, Inc.
See more »

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User Reviews

 
Bizarre black comedy/drama

This is a truly odd film, with a style and tone quite unlike any other I've seen; while the first two thirds is darkly comic in a quite gentle, embarrassment-not-pain kind of way, the end descends into a very sombre, serious half hour before the final shocking moment. Presented as a life-story of some (presumably at least semi-fictitious) pioneers of silicon breast enlargement, along with snippets from some "documentary" (real or otherwise, it's not clear) featuring women discussing (and exposing) their breasts, it spans over several decades in a typical up-down-up trajectory. David Schwimmer, looking youthful and a little goofy, plays the lead, a young, ambitious, slightly breast-fixated (here's most of the comedy bits) doctor who comes up with an idea for a new form of breast enhancement. The idea is followed through initial scorn, industrial manipulation, to success and popularity before the hideous problems associated with inserting silicon into the body become clear. Many of the issues involved in the topic are addressed in some form or other, from those who need such surgery due to genuine breast problems down to the question of how far such enhancement can be justified ethically, balancing the desire of women to be perceived as "normal" and attractive against the creation of circus freaks with unnaturally large bosoms. The film does give a good, balanced insight into the subject matter, but the presentation is odd, the mood of the film strangely skewed; neither Schwimmer's lead nor his mentor present particularly likeable characters, the change of tone near the end leaves the viewer with the feeling of having watched a gritty drama rather than the comedy advertised, and the portrayal of women in the piece is far from empowering; those in the film itself are rarely more than caricatures, pairs of breasts to be reconstructed, while the "talking heads" featured in the documentary snippets are more "talking breasts", the lack of faces somehow dehumanising the interviewees and turning them into the freakshow some of them so want to escape (though some are clearly quite happy that their breasts are their defining characteristic). The filmmakers have made a lot of effort here, and it is perhaps a little unfortunate that the balance between humour and serious issue-probing is not well worked. A patchy, interesting but very strange movie which could have been a lot better, it is still worth a watch, but perhaps more as education than entertainment.


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