Incredibly, the bride at the altar falls in love with the best man on first sight, and even though he makes efforts to avoid her infatuation with him, she is determined to annul her ... See full summary »
Nello Balocchi, a 35-year-old teacher of Greek and Latin, is invited to Bologna by his father, the owner of the Papal tailor's shop in Rome. His father hopes Nello will find a soul mate in ... See full summary »
The film opens with 4 tuxedo clad men showing up at a penitentiary to meet a friend who has just been released after three years in prison and is going straight from the jail to marry his ... See full summary »
51-year-old Herbert Strehlow, a furniture restorer, falls in love with 21-year-old Lea, who has not spoken a word since childhood when her father killed her mother. She bears a striking ... See full summary »
Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter ... See full summary »
Since the earliest days in her childhood Lara has had a difficult but important task. Both her parents are deaf-mute and Lara has to translate from sign-language to the spoken word and vice... See full summary »
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during... See full summary »
Bologna, 1954. Taddeo, a young man of 18 whom everyone calls Kid, dreams of becoming one of the regulars of the mythical Margherita Café, located under the portico across from his family's ... See full summary »
Fabio De Luigi
Incredibly, the bride at the altar falls in love with the best man on first sight, and even though he makes efforts to avoid her infatuation with him, she is determined to annul her marriage and marry the best man. And although she is able to dissolve her marriage, because she has never consummated it, the best man leaves... only to return to her many months later. Written by
BOB STEBBINS <email@example.com>
the two negative comments widely miss the mark on this movie , and show why Italian cinema is so much more appealing , often , that ideologically-drenched politically-correct dumbed down American movies often enough these days.
first , the film showed a certain epoque as it was , and as such no reason to portray a character confirming with today's poliical correctness. as far as the dialogue which revealed both subtle individual and societal personalties and trends , they were much deeper than the previous poster recognized. second, the wishes for the turn of the century are reflected in literature and newspapers of the period, my grandparents often commented on this - and the tragedies of the 20th century were quite at odds with what Europeans in the West thought progress would bring.
Last, the final scene in the movie by itself is worth the whole film, romantic and touching . definitely Ines Sastre's finest moment in her career in my opinion. Having lived in the "old" Italy of the 1960's much in this film hit a chord. A wonderful movie, and thank god no American political correctness !
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