A twisted take on 'Little Red Riding Hood' with a teenage juvenile delinquent on the run from a social worker traveling to her grandmother's house and being hounded by a charming, but sadistic, serial killer/pedophile.
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David Blair directs this powerful British Drama, loosely inspired by John Steinbeck's novel 'Of Mice and Men'. Set in Nottingham, the film revolves around the relationship between the ... See full summary »
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
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Robert J. Steinmiller Jr.,
Bryce (Josh Brolin) is a successful man who returns to his tiny hometown for a visit. While there, he runs into his old friend Nick (Alessandro Nivola). The two decide to go out for the night. When they enter a bar, Bryce encounters Kathy (Reese Witherspoon), a blonde temptress whom he eventually takes home for the night. When he awakens, Kathy informs him that she is underage and threatens to tell the police that Bryce has committed statutory rape. Bryce panics and decides to tie her up and hide her away in the basement. He then makes a call to Nick. Unbeknownst to Bryce, Kathy is actually Nick's girlfriend Lissa. The two had schemed to use Bryce's money to pay off a $15,000 debt they owe small-time hood Jimmy (Terrence Howard). Written by
I thought you were leaving.
I thought I was too. Then I realized I didn't have any money.
Anywhere. Away from here.
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The only reason I watched this is because my girlfriend threatened me to. This is movie is sooo desperate to be a post modern crime thriller that it looks and feels so relentlessly superficial.
Most scenes are decked out in unpleasant pastel colors and interiors are always lit with warm lights. It's nice to look at but has a student filmmaking feel to it that distracts me.
Something else that is quite unreal is the scene in which Nivola and Witherspoon discuss their forthcoming crime...on a roof in front of a neon sign on a sofa. Yeah...like people keep sofas on roofs in front of neon signs. This was obviously an attempt by the director to add a little sparkle to an otherwise BORING scene. Which is also the reason he throws in some cliched camera angles. It's a "film noir" you see...so diagonal shots on an ordinary scene are standard.
Composer Craig Armstrong was obviously hired at the last minute when the director heard the score for Romeo and Juliet to provide a superficial (that word again) soundtrack. It sounds like it belongs in a totally different movie. But perhaps this is a good thing. There isn't much theme but the music does evoke some weird feelings from us. Much like the feelings the characters have. It's cool and I wish more scores were this way.
The "twist" wasn't too obvious to me. Once it occurs it takes away all the tension and stress right away and will relieve you big time. It even manages to change the tone of the whole movie to light-hearted.
In case your wondering my girlfriend lists this as number 2 in her top 3 movies. Number 1 is Devils Advocate and 3 is Moonwalker...ugh!
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