| Photos (See all 17 | slideshow) |
| Najwa Nimri | ... | Ana joven | |
| Fele Martínez | ... | Otto joven (as Fele Martinez) | |
| Nancho Novo | ... | Álvaro | |
| Maru Valdivielso | ... | Olga | |
| Peru Medem | ... | Otto niño | |
| Sara Valiente | ... | Ana niña | |
| Víctor Hugo Oliveira | ... | Otto adolescente (as Victor Hugo Oliviera) | |
| Kristel Díaz | ... | Ana adolescente (as Kristel Diaz) | |
| Pep Munné | ... | Javier (as Pep Munne) | |
| Jaroslaw Bielski | ... | Álvaro Midelman (as jaroslaw Bielski) | |
| Rosa Morales | ... | Sofía | |
| Joost Siedhoff | ... | Otto Midelman | |
| Beate Jensen | ... | Madre de Otto | |
| Petri Heino | ... | Aki | |
| Outi Alanen | ... | Mensajera | |
| María Isasi | ... | Dependienta (as Maria Isasi-Isasmendi) | |
| Ángela Castilla | ... | Casera pensión (as Angela Castilla) | |
| Luz Nicolás | ... | Chica 1 | |
| Concha Salinas | ... | Chica 2 | |
| Elena Lombao | ... | Chica 3 | |
| Montse Mostaza | ... | Chica 4 | |
| rest of cast listed alphabetically: | |||
| J. Christoffer Slotte | ... | Man on street in Rovaniemi (uncredited) | |
Directed by | |||
| Julio Medem | |||
Writing credits(in alphabetical order) | ||
| Julio Medem | writer | |
Produced by | |||
| Fernando Bovaira | .... | producer | |
| Fernando de Garcillán | .... | executive producer | |
| Txarly Llorente | .... | executive producer | |
| Enrique López Lavigne | .... | producer | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| Gonzalo F. Berridi | |||
Film Editing by | |||
| Iván Aledo | |||
Casting by | |||
| Sara Bilbatúa | |||
Production Design by | |||
| Itziar Arrieta | |||
| Satur Idarreta | |||
| Estíbaliz Markiegi | |||
| Karmele Soler | |||
Art Direction by | |||
| Satur Idarreta | |||
| Montse Sanz | |||
Costume Design by | |||
| Estíbaliz Markiegi | |||
Makeup Department | |||
| Ione Gabarain | .... | assistant hair stylist | |
| Karmele Soler | .... | makeup artist | |
Production Management | |||
| Imanol Echeverría | .... | assistant unit manager | |
| Klaus Heydemann | .... | production manager: Finland | |
| Rea Pihlasviita | .... | production manager: Finland | |
| Carmen Sánchez | .... | unit production manager | |
| Fernando Victoria de Lecea | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Emma Beltrán | .... | assistant director: Spain | |
| Susana González | .... | assistant director: Spain | |
| Nacho Gutierrez | .... | assistant director | |
| Mats Kuhlefelt | .... | assistant director: Finland | |
| Antxon Zabala | .... | assistant director - Spain | |
Sound Department | |||
| Polo Aledo | .... | sound editor | |
| Antonio Alfara | .... | assistant sound editor | |
| Sergio Corral | .... | sound | |
| Manuel Corrales | .... | sound effects editor | |
| Tomás Erice | .... | boom operator | |
| Tomás Erice | .... | sound mixer | |
| Carlos Garrido | .... | sound mixer | |
| Dulce Juanita | .... | sound editor: Spain | |
| Iván Marín | .... | sound engineer | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Antonio Castillo | .... | special effects | |
| Antonio Molina | .... | special effects | |
| Juan Ramón Molina | .... | special effects supervisor | |
Visual Effects by | |||
| Pilar Cienfuegos | .... | digital effects | |
| Isaac de la Pompa | .... | digital effects | |
| Chema Marcos | .... | digital effects | |
| Alfonso Nieto | .... | digital effects | |
Stunts | |||
| Marina de Mendialdúa | .... | stunts | |
| Pablo Garaizabal | .... | stunts | |
| Jouni Kivimäki | .... | stunts: Finland | |
| Reijo Kontio | .... | stunts: Finland | |
| Ángel Plana | .... | stunt coordinator | |
| Ángel Plana | .... | stunts | |
| Ricardo Rocca | .... | stunts | |
| Merja Snellman | .... | stunts: Finland | |
Camera and Electrical Department | |||
| José Avila | .... | electrician | |
| Juan Miguel Azpiroz | .... | assistant camera (as Juanmi Azpiroz) | |
| Miguel Ángel Cárdenas | .... | gaffer | |
| Alfredo Díaz | .... | key grip | |
| Manuel Gago | .... | electrician | |
| Teresa Isasi-Isasmendi | .... | still photographer | |
| Kimmo Koskela | .... | still photographer: Finland | |
| Jani Lehtinen | .... | grip: Finland | |
| Mario Montero | .... | camera operator | |
| Imanol Nabea | .... | assistant camera | |
| Jan Nyman | .... | camera operator: second unit | |
| Rauno Ronkainen | .... | camera operator: "b" camera | |
| Maarit Soumi | .... | camera operator: "b" camera | |
| Rico Torres | .... | still photographer | |
Costume and Wardrobe Department | |||
| Anna Aromaa | .... | assistant costumer: Finland | |
| Elena Gómez | .... | assistant costumer | |
Editorial Department | |||
| Mercedes Alted | .... | assistant editor | |
| Enrique Domínguez | .... | assistant editor | |
| Isabel Ranz | .... | assistant editor | |
Music Department | |||
| José Luis Crespo | .... | music engineer | |
| José Luis Crespo | .... | music mixer | |
| Lucio Godoy | .... | music producer | |
| Mario Klemens | .... | conductor | |
| Víctor Merlo | .... | musician: bass | |
| Javier Paxariño | .... | musician: flute | |
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| The Reader | 3 Dancing Slaves | Class Trip | Toto the Hero | Europa Europa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
It's really difficult to understand European cinema after watching thousands of American-Big Studio films.
At least that's what looks clearly apparent when I read many of the comments in imdb. But for some of us, who are in contact with a different way of making films, this one excels at the visual poetry from the very start.
And from a cinematographer's point of view, as a real jewel in filmmaking. What Los Amantes is about, is love, and only that. The way this story is portrayed is quite original, in a way some directors have tried and done pretty good jobs (Alejandro González Iñárritu, for instance, in his two films: Amores Perros and 21 Grams). It's a compelling way to explain simple things in reverse. Thoughts, and internal processes are not directly understood or apparent to the viewer. Medem demands his audience to think (remember Abre los Ojos).
It's really sad to think that linear and flat plots that only demand to sit and watch are what most people see as good films. When something catches them out of balance, sometimes they refuse to stay tuned and think.
The revelation, as is with this film, comes at the very end. And it deserves a second session to go through the small details -which are plenty in Medem's work.
It's a long film... some argue. What is a long film when everything is like a whirlpool that draws you in? I don't think this is a long film. Me and many of my friends have pored through it many, many times. So many, in fact, that we had to throw away the original video. A pity, because it was in it's original widescreen version, not as the recently issued dvd that's been murderously cropped.
Whatever it is what you like to see, take a look at this film. It can open a lot of possibilities to widen your taste, and your approach to "long" films.