| Photos (See all 17 | slideshow) |
| Najwa Nimri | ... | Ana joven | |
| Fele Martínez | ... | Otto joven (as Fele Martinez) | |
| Nancho Novo | ... | Álvaro | |
| Maru Valdivielso | ... | Olga | |
| Peru Medem | ... | Otto niño | |
| Sara Valiente | ... | Ana niña | |
| Víctor Hugo Oliveira | ... | Otto adolescente (as Victor Hugo Oliviera) | |
| Kristel Díaz | ... | Ana adolescente (as Kristel Diaz) | |
| Pep Munné | ... | Javier (as Pep Munne) | |
| Jaroslav Bielski | ... | Álvaro Midelman (as jaroslaw Bielski) | |
| Rosa Morales | ... | Sofía | |
| Joost Siedhoff | ... | Otto Midelman | |
| Beate Jensen | ... | Madre de Otto | |
| Petri Heino | ... | Aki | |
| Outi Alanen | ... | Mensajera | |
| María Isasi | ... | Dependienta (as Maria Isasi-Isasmendi) | |
| Ángela Castilla | ... | Casera pensión (as Angela Castilla) | |
| Luz Nicolás | ... | Chica 1 | |
| Concha Salinas | ... | Chica 2 | |
| Elena Lombao | ... | Chica 3 | |
| Montse Mostaza | ... | Chica 4 | |
| rest of cast listed alphabetically: | |||
| J. Christoffer Slotte | ... | Man on street in Rovaniemi (uncredited) | |
Directed by | |||
| Julio Medem | |||
Writing credits(in alphabetical order) | ||
| Julio Medem | writer | |
Produced by | |||
| Fernando Bovaira | .... | producer | |
| Fernando de Garcillán | .... | executive producer | |
| Enrique López Lavigne | .... | producer | |
| Txarly Llorente | .... | executive producer | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| Gonzalo F. Berridi | |||
Film Editing by | |||
| Iván Aledo | |||
Casting by | |||
| Sara Bilbatúa | |||
Production Design by | |||
| Itziar Arrieta | |||
| Satur Idarreta | |||
| Estíbaliz Markiegi | |||
| Karmele Soler | |||
Art Direction by | |||
| Satur Idarreta | |||
| Montse Sanz | |||
Costume Design by | |||
| Estíbaliz Markiegi | |||
Makeup Department | |||
| Ione Gabarain | .... | assistant hair stylist | |
| Karmele Soler | .... | makeup artist | |
Production Management | |||
| Imanol Echeverría | .... | assistant unit manager | |
| Klaus Heydemann | .... | production manager: Finland | |
| Rea Pihlasviita | .... | production manager: Finland | |
| Carmen Sánchez | .... | unit production manager | |
| Fernando Victoria de Lecea | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Emma María Beltrán | .... | assistant director: Spain | |
| Susana González | .... | assistant director: Spain | |
| Nacho Gutierrez | .... | assistant director | |
| Mats Kuhlefelt | .... | assistant director: Finland | |
| Antxon Zabala | .... | assistant director - Spain | |
Sound Department | |||
| Polo Aledo | .... | sound editor | |
| Antonio Alfara | .... | assistant sound editor | |
| Sergio Corral | .... | sound | |
| Manuel Corrales | .... | sound effects editor | |
| Tomás Erice | .... | boom operator | |
| Tomás Erice | .... | sound mixer | |
| Carlos Garrido | .... | sound mixer | |
| Dulce Juanita | .... | sound editor: Spain | |
| Iván Marín | .... | sound engineer | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Antonio Castillo | .... | special effects | |
| Antonio Molina | .... | special effects | |
| Juan Ramón Molina | .... | special effects supervisor | |
Visual Effects by | |||
| Pilar Cienfuegos | .... | digital effects | |
| Isaac de la Pompa | .... | digital effects | |
| Chema Marcos | .... | digital effects | |
| Alfonso Nieto | .... | digital effects | |
Stunts | |||
| Marina de Mendialdúa | .... | stunts | |
| Pablo Garaizabal | .... | stunts | |
| Jouni Kivimäki | .... | stunts: Finland | |
| Reijo Kontio | .... | stunts: Finland | |
| Ángel Plana | .... | stunt coordinator | |
| Ángel Plana | .... | stunts | |
| Ricardo Rocca | .... | stunts | |
| Merja Snellman | .... | stunts: Finland | |
Camera and Electrical Department | |||
| José Avila | .... | electrician | |
| Juan Miguel Azpiroz | .... | assistant camera (as Juanmi Azpiroz) | |
| Miguel Ángel Cárdenas | .... | gaffer | |
| Alfredo Díaz | .... | key grip | |
| Manuel Gago | .... | electrician | |
| Teresa Isasi-Isasmendi | .... | still photographer | |
| Kimmo Koskela | .... | still photographer: Finland | |
| Jani Lehtinen | .... | grip: Finland | |
| Mario Montero | .... | camera operator | |
| Imanol Nabea | .... | assistant camera | |
| Jan Nyman | .... | camera operator: second unit | |
| Rauno Ronkainen | .... | camera operator: "b" camera | |
| Maarit Soumi | .... | camera operator: "b" camera | |
| Rico Torres | .... | still photographer | |
Costume and Wardrobe Department | |||
| Anna Aromaa | .... | assistant costumer: Finland | |
| Elena Gómez | .... | assistant costumer | |
Editorial Department | |||
| Mercedes Alted | .... | assistant editor | |
| Enrique Domínguez | .... | assistant editor | |
| Isabel Ranz | .... | assistant editor | |
Music Department | |||
| José Luis Crespo | .... | music engineer | |
| José Luis Crespo | .... | music mixer | |
| Lucio Godoy | .... | music producer | |
| Mario Klemens | .... | conductor | |
| Víctor Merlo | .... | musician: bass | |
| Javier Paxariño | .... | musician: flute | |
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| The Reader | 3 Dancing Slaves | Class Trip | Toto the Hero | Europa Europa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
"Lovers Of The Arctic Circle" When "Map Of The Human Heart" is one of my favorite movies, I can't fault this film for almost stealing the entire concept. A Spanish language film about two children who meet at school and fall in love with each other. Through the years, the two manage to carry out a sexual relationship even as their respective parents marry each other and outside forces try to separate them. The rest of the film is nearly a scene by scene recreation of 1993's "Map". But I stress that I liked this film. Cinematographer Gonzalo F. Berridi and Director Julio Medem make a very specific effort to make their film visually memorable. Some of the shots on display here are breathtaking. Leads Najwa Nimri and Fele Martinez do a wonderful job as the two lovers. Their scenes of courtship are fascinating to watch and Medem sharply chooses to show both sides of the story. By understanding the two perspectives on this plot, the film is that much more satisfying. I enjoyed this story. I applaud the effort the filmmakers made to not tell this story in any way I might have suspected. It's a slippery slope when it comes to melodramatic romance, yet the film is graceful and competent. ---------------- 8