The Invisible Life of Thomas Lynch' is a dark comedy about a lonely small time hit man. Shot documentary style, the film reveals a pathetically empty and misguided man and the callousness ... See full summary »
Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country ... See full summary »
Michael A. Goorjian,
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, and yes, shopping malls and stadium shows... See full summary »
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family... See full summary »
Two college roommates go out and party, resulting in bad grades. They learn of the clause that says, "If your roommate dies, you get an A," and decide to find someone who is on the verge, so to speak, to move in with them.
Tom Everett Scott,
Rupert is a small time crook trying to do the right thing. But when his younger brother gets in trouble and needs a new liver, Rupert gets together his old gang and they plan a heist on New... See full summary »
A graduate student preparing his thesis on mythology leads his friends on a research expedition to an old plantation estate on the outskirts of the Big Easy. The site is reputed to mysteriously cause madness and death to all who enter it.
Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others. Written by
Matthew Lillard's character, Stevo was originally to have bleached blond hair. However, when getting the bleach job, the peroxide burned Lillard's scalp, leaving a hideous mess. Dying his hair blue was a way of hiding it. See more »
In the scene involving the school cop chasing Sean across the football field, the tire marks from the camera trolley can be seen behind the actors. See more »
The sun never sets on the British Empire... well the sun never sets on my asshole.
See more »
Beat My Guest
Performed & Written by Adam Ant
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Published by MCA Music Publishing, A Division of Universal Studios, Inc./MCA Music Ltd./Antmusic (Top Notch) Publishing Ltd. (ASCAP) See more »
I did not expect much from this movie and was pleasantly surprised, and having been to Salt Lake City a few times, I was particularly amused. I was there in 1980, at the outset of the decade in which the movie takes place. That visit turned out to be the one and only time I set foot in a disco club. It is a good thing I didn't run into Stevo and Bob, the twin protagonists of "SLC Punk!" They would have kicked my butt because they hate mods, hippies and rednecks. Whether or not to pound on a disco-goer wouldn't even be a question. At one point, Bob asks a British punk band's lead singer why he would never come back to SLC. "Too bleeding violent," says the bruised singer. "Thank you!" says Bob.
Stevo and Bob are anarchists. Not philosophical anarchists like Kropotkin, Goodman and Goldman (Peter, Paul and Emma), but more like Leon Czolgosz, the guy who assassinated President William McKinley. Except Czolgosz had more direction in his life. Aside from throwing darts at pictures of President Ronald Reagan, Stevo and Bob just get drunk and high. Correction, only Stevo smokes grass while "Heroin" Bob is ironically nicknamed because he is afraid of needles and anything stronger than booze.
The story is picaresque in both senses of the term: it is about a couple of semi-likeable rogues, and it is less a story than a series of vignettes. I thought that each vignette more or less stood on its own, but there is something of an overarching theme, too. These young men grow up physically if not emotionally. Though angry and feeling not a little betrayed by society, they can't be Salt Lake City punks for the rest of their lives, or can they? The narrator, Stevo, is haunted by the fear that he or Bob or both of them might be the worst thing there is: a poser, a phony punk.
This movie also features one of my favorite under-rated actresses, Annabeth Gish, as Trish who runs a head shop. Bob sells himself to her for thirty-six dollars. As decadent as that might seem, there turns out to be something sweet about it, much to Stevo's disgust!
Like wearing a blue-green mohawk, "SLC Punk!" might not be for everyone, but I mainly enjoyed it. My favorite scene is the one in which Stevo's parents sit him down and try to get him to go to Harvard. What a scathing satire on my self-righteous and self-satisfied boomer generation!
19 of 24 people found this review helpful.
Was this review helpful to you?