Former musician Frankie Wilde is a legend within the Ibiza club scene for being the most inspired DJ around. On top of that, he has a beautiful model wife named Sonja Slowinski, although ... See full summary »
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through ... See full summary »
Callum Keith Rennie,
Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others. Written by
Matthew Lillard's character, Stevo was originally to have bleached blond hair. However, when getting the bleach job, the peroxide burned Lillard's scalp, leaving a hideous mess. Dying his hair blue was a way of hiding it. See more »
When Stevo and his friends are shown driving to Wyoming, they're actually driving west on Interstate 80 toward Nevada. See more »
You see life is like that. We change, that's all. You see, the guy I am now is not the guy I was then. If the guy I was then met the guy I am now he'd beat the shit out of me. Those are the facts.
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Performed by The Stooges
Written by David Alexander (as David M. Alexander), Ron Asheton (as Ronald Asheton), Scott Asheton & Iggy Pop
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Special Products
Published by Bug Music (BMI) & Warner Tamerlane Publishing Corp. (BMI)
o/b/o/ Itself & Stooge Staffel Music (BMI) See more »
Pretty good snapshot of some parts of the 80's post-punk scene
OK first the disclaimer:
Punk rock died the day it was blessed with its moniker, I think somewhere around 1979/1980. I think part of the reason it died was because everyone was trying to strictly define what Punk meant, kinda defeating the purpose. The idea of anyone claiming to be "punk" now or at any point during the 90s or even the 80s is patently ridiculous. It's death, however, did serve to allow many people in different places to cadge together their own ideas about what "punk" was and reshape their own local counter-culture scene into something somewhat resembling that. Let's face it, the entire idea behind Anarchy is that of Iconoclasm; the destruction of images and false constructs, for example pop culture trends such as PUNK.
I came in as part of the punk revival (2nd wave) in the mid-80s, growing up in a mid-sized Midwestern city. The punk scene was very alive there and I immediately identified with it, but stuck with the non-conformist nature of it rather than filing off into a splinter group and wearing a uniform. This movie recalled a lot of my own experiences, ideas and feelings from that time. Uncomfortably so. Of course there was a lot of BS too, but the BS was part and parcel of the scene since everyone was co-opting "punk" into their own little social circles.
I didn't learn anything from this movie, which to my mind illustrates its accuracy as a decent, digestible snapshot of what was going on within that world where each of us knew a Heroin Bob, a crazy Belgian Mark, an intense nerdy Mike who just might go off the deep end and start a fight with the cops, a slutty Sandie, and armchair philosophers galore. And of course drugs, booze, filth and bad music.
A previous reviewer scolded this film for not following the "true punk" philosophy and went on to talk about how the Midwest "doesn't have a punk scene." Wrong. Buddy, reading books or watching videos about the history of that movement won't tell you anything. It was not deep, profound, or incredibly thoughtful. Don't read too much into it.
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