The Invisible Life of Thomas Lynch' is a dark comedy about a lonely small time hit man. Shot documentary style, the film reveals a pathetically empty and misguided man and the callousness ... See full summary »
Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country ... See full summary »
Michael A. Goorjian,
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, and yes, shopping malls and stadium shows... See full summary »
Rupert is a small time crook trying to do the right thing. But when his younger brother gets in trouble and needs a new liver, Rupert gets together his old gang and they plan a heist on New... See full summary »
Two college roommates go out and party, resulting in bad grades. They learn of the clause that says, "If your roommate dies, you get an A," and decide to find someone who is on the verge, so to speak, to move in with them.
Tom Everett Scott,
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family... See full summary »
A graduate student preparing his thesis on mythology leads his friends on a research expedition to an old plantation estate on the outskirts of the Big Easy. The site is reputed to mysteriously cause madness and death to all who enter it.
Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others. Written by
When the boy flips off the camera in the mall and says "Anarchy in the UK!" the voice is actually the director James Merendino dubbing it over, because he felt that the boy didn't say it right. See more »
In the party scene the song "Rose Garden" by the Suicide Machines is being played in the background... the Suicide Machines were formed in March of 1991 - the movie takes place in 1985. See more »
[on whether punk music started in England or America]
I don't know who started it and I don't give a fuck. The one thing I do know is that we did it harder, we did it faster, and we definitely did it with more love, baby. You can't take that away from us.
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She's The One
Performed by Ramones
Written by Joey Ramone (as Jeffrey Hyman), Johnny Ramone (as John Cummings), Dee Dee Ramone (as Douglas Colvin) & Tommy Ramone (as Thomas Erdelyi)
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
Published by Bleu Disque Music, Inc. (ASCAP) & Taco Tunes (ASCAP)
Administered by Warner Bros. Music Corp. (ASCAP) See more »
Pretty good snapshot of some parts of the 80's post-punk scene
OK first the disclaimer:
Punk rock died the day it was blessed with its moniker, I think somewhere around 1979/1980. I think part of the reason it died was because everyone was trying to strictly define what Punk meant, kinda defeating the purpose. The idea of anyone claiming to be "punk" now or at any point during the 90s or even the 80s is patently ridiculous. It's death, however, did serve to allow many people in different places to cadge together their own ideas about what "punk" was and reshape their own local counter-culture scene into something somewhat resembling that. Let's face it, the entire idea behind Anarchy is that of Iconoclasm; the destruction of images and false constructs, for example pop culture trends such as PUNK.
I came in as part of the punk revival (2nd wave) in the mid-80s, growing up in a mid-sized Midwestern city. The punk scene was very alive there and I immediately identified with it, but stuck with the non-conformist nature of it rather than filing off into a splinter group and wearing a uniform. This movie recalled a lot of my own experiences, ideas and feelings from that time. Uncomfortably so. Of course there was a lot of BS too, but the BS was part and parcel of the scene since everyone was co-opting "punk" into their own little social circles.
I didn't learn anything from this movie, which to my mind illustrates its accuracy as a decent, digestible snapshot of what was going on within that world where each of us knew a Heroin Bob, a crazy Belgian Mark, an intense nerdy Mike who just might go off the deep end and start a fight with the cops, a slutty Sandie, and armchair philosophers galore. And of course drugs, booze, filth and bad music.
A previous reviewer scolded this film for not following the "true punk" philosophy and went on to talk about how the Midwest "doesn't have a punk scene." Wrong. Buddy, reading books or watching videos about the history of that movement won't tell you anything. It was not deep, profound, or incredibly thoughtful. Don't read too much into it.
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