In the early 1980s Stevo and Heroin Bob are the only two dedicated punks in conservative Salt Lake City.

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Cast

Cast overview, first billed only:
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Bob
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Sandy
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Stevo's Dad
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...
...
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John the Mod (as Jimmy Duval)
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Brandy
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Jennifer
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Chris
Christina Karras ...
Jamie
Russell Peacock ...
Jones (as Russ Peacock)
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Storyline

Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others. Written by Christian Sarnes

Plot Summary | Add Synopsis

Taglines:

God bless America...they're going to need it.

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for pervasive language, drug use, violent anti-social behavior and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 April 1999 (USA)  »

Also Known As:

SLC Punk  »

Filming Locations:

 »

Box Office

Opening Weekend:

$36,218 (USA) (16 April 1999)

Gross:

$299,200 (USA) (11 June 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Towards the end of the movie Stevo wears a badge reading "God is an American", a line from the popular David Bowie song "I'm Afraid of Americans". See more »

Goofs

After Stevo yells at the kid with the Union Jack patch, the kid is walking away in the background and his jacket has the Operation Ivy logo on it, a band that was formed in 1987, even though the movie takes place in 1985. See more »

Quotes

[handing Stevo a bag of weed]
Mark: Here you go, but be careful, that stuff'll make you stupid.
[Someone throws a beer can at Stevo]
Stevo: FUCK YOU.
Mark: Well, stupider than you already are.
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Connections

References A Clockwork Orange (1971) See more »

Soundtracks

Gangsters
Performed by The Specials
Written by Jerry Dammers (as Dammers) / Terry Hall (as Hall) / Horace Panter (as Panter) / Lynval Golding (as Golding) / John Bradbury (as Bradbury) / Neville Staple (as Staples) / Roddy Byers (as Byers)
Courtesy of Chrysalis Records, A Division of EMI
Under license from EMI-Capitol Special Markets
Published by Plangent Visions Music Ltd.
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Frequently Asked Questions

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User Reviews

 
Pretty good snapshot of some parts of the 80's post-punk scene
2 October 2006 | by (United States) – See all my reviews

OK first the disclaimer:

Punk rock died the day it was blessed with its moniker, I think somewhere around 1979/1980. I think part of the reason it died was because everyone was trying to strictly define what Punk meant, kinda defeating the purpose. The idea of anyone claiming to be "punk" now or at any point during the 90s or even the 80s is patently ridiculous. It's death, however, did serve to allow many people in different places to cadge together their own ideas about what "punk" was and reshape their own local counter-culture scene into something somewhat resembling that. Let's face it, the entire idea behind Anarchy is that of Iconoclasm; the destruction of images and false constructs, for example pop culture trends such as PUNK.

End disclaimer.

I came in as part of the punk revival (2nd wave) in the mid-80s, growing up in a mid-sized Midwestern city. The punk scene was very alive there and I immediately identified with it, but stuck with the non-conformist nature of it rather than filing off into a splinter group and wearing a uniform. This movie recalled a lot of my own experiences, ideas and feelings from that time. Uncomfortably so. Of course there was a lot of BS too, but the BS was part and parcel of the scene since everyone was co-opting "punk" into their own little social circles.

I didn't learn anything from this movie, which to my mind illustrates its accuracy as a decent, digestible snapshot of what was going on within that world where each of us knew a Heroin Bob, a crazy Belgian Mark, an intense nerdy Mike who just might go off the deep end and start a fight with the cops, a slutty Sandie, and armchair philosophers galore. And of course drugs, booze, filth and bad music.

A previous reviewer scolded this film for not following the "true punk" philosophy and went on to talk about how the Midwest "doesn't have a punk scene." Wrong. Buddy, reading books or watching videos about the history of that movement won't tell you anything. It was not deep, profound, or incredibly thoughtful. Don't read too much into it.


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