Former musician Frankie Wilde is a legend within the Ibiza club scene for being the most inspired DJ around. On top of that, he has a beautiful model wife named Sonja Slowinski, although ... See full summary »
Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others. Written by
The band that is known as ECP (Extreme Corporal Punishment), is actually the punk band 8 Bucks Experiment. See more »
When Heroin Bob is talking to Stevo while he is laying on the ground with his head resting on a block, Stevo is wearing sunglasses from the camera angle view from the sky. It then focuses on Heroin Bob talking again and then when the focus is back on Stevo, his sunglasses have disappeared. See more »
[about the "beat the shit" out of a guy who was having sex with his female friend]
It wasn't that I loved Sandy, I knew that we had an understanding. But I discovered then that Chris was right, all things had systems, even me. I was about to beat the living shit out of this guy because he had invaded my territory. It was MY territory, no question about it, just like in the wild. I was following nature, and nature was order and order is the system.
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Kiss Me Deadly
Performed by Generation X
Written by Billy Idol / Tony James
Courtesy of Chrysalis Records, A Division of EMI
Under license from EMI-Capitol Special Markets
Published by Chrysalis Music / BoneIdol Music (ASCAP) See more »
Pretty good snapshot of some parts of the 80's post-punk scene
OK first the disclaimer:
Punk rock died the day it was blessed with its moniker, I think somewhere around 1979/1980. I think part of the reason it died was because everyone was trying to strictly define what Punk meant, kinda defeating the purpose. The idea of anyone claiming to be "punk" now or at any point during the 90s or even the 80s is patently ridiculous. It's death, however, did serve to allow many people in different places to cadge together their own ideas about what "punk" was and reshape their own local counter-culture scene into something somewhat resembling that. Let's face it, the entire idea behind Anarchy is that of Iconoclasm; the destruction of images and false constructs, for example pop culture trends such as PUNK.
I came in as part of the punk revival (2nd wave) in the mid-80s, growing up in a mid-sized Midwestern city. The punk scene was very alive there and I immediately identified with it, but stuck with the non-conformist nature of it rather than filing off into a splinter group and wearing a uniform. This movie recalled a lot of my own experiences, ideas and feelings from that time. Uncomfortably so. Of course there was a lot of BS too, but the BS was part and parcel of the scene since everyone was co-opting "punk" into their own little social circles.
I didn't learn anything from this movie, which to my mind illustrates its accuracy as a decent, digestible snapshot of what was going on within that world where each of us knew a Heroin Bob, a crazy Belgian Mark, an intense nerdy Mike who just might go off the deep end and start a fight with the cops, a slutty Sandie, and armchair philosophers galore. And of course drugs, booze, filth and bad music.
A previous reviewer scolded this film for not following the "true punk" philosophy and went on to talk about how the Midwest "doesn't have a punk scene." Wrong. Buddy, reading books or watching videos about the history of that movement won't tell you anything. It was not deep, profound, or incredibly thoughtful. Don't read too much into it.
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