When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family... See full summary »
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
Two college roommates go out and party, resulting in bad grades. They learn of the clause that says, "If your roommate dies, you get an A," and decide to find someone who is on the verge, so to speak, to move in with them.
Tom Everett Scott,
The Invisible Life of Thomas Lynch' is a dark comedy about a lonely small time hit man. Shot documentary style, the film reveals a pathetically empty and misguided man and the callousness ... See full summary »
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others. Written by
When the boy flips off the camera in the mall and says "Anarchy in the UK!" the voice is actually the director James Merendino dubbing it over, because he felt that the boy didn't say it right. See more »
Some buildings in the aerial shots of Salt Lake City did not exist in 1985. See more »
She Loved Like Diamonds
Performed by Spandau Ballet
Written by Gary Kemp
Courtesy of Chrysalis Records, A Division of EMI
Under license from EMI-Capitol Special Markets
Published by Reformation Inc. (BMI) See more »
If you pick this up at the video store, you'll probably expect the wrong thing: kind of a goofy, teen-oriented, mock angst trip by a couple of overdone punks through Salt Lake City's holy land. That's not even close to the heart of this film, which is smarter and more vital than most.
Essentially a monologue by the main character, Steve or Steve-o, SLC Punk starts, ends, and runs with energy and insight, all without the ponderous pronouncements you'll find in most films focused on one character. The central character and his interesting entourage are not the caricatures you see on the box, they're the genuine, multi-dimensional people you went to school with if you were lucky.
The visuals are savvy and professional, opening up what could be a stage show to the wider world. A classic experimental 3-D pan shot done with over a hundred one-shot cameras would be hailed as groundbreaking, had this film not been released concurrently with The Matrix.
Film hounds will catch the theme and scene parallels with Easy Rider, particularly a drug trip much richer than the exaggerated freak out in that film.
Funny, smart, immediately engaging, dangerous, and often more textured and subtle than it appears at first glance, you will understand why SLC Punk (released by Sony Pictures Classics) has such a loyal following.
This is the film I wish Kevin Smith had made instead of Clerks. Yes, that's a compliment for Smith, who admits he has grown a lot as a filmmaker, and a mild slam on Clerks, which was what it was -- interesting characters wrapped in a poorly done film.
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