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| Index | 16 reviews in total |
8 out of 8 people found the following review useful:
thank you, Japan, for making us laugh, 18 June 2005
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Author:
Lee Eisenberg (eisenberg.lee@gmail.com) from Portland, Oregon, USA
Are one of those people who believes that Japan can only make movies
about the Yakuza, or such topics? Then look no further than "Rajio no
jikan" (called "Welcome Back, Mr. McDonald" in English)! A radio
station in Tokyo is broadcasting a love story. It goes smoothly at
first, but then they keep rewriting it. From there, their broadcast
gets progressively crazier and crazier.
Boy! How they came up with that stuff is beyond me, but they did it.
The English title comes from...well, I don't want to spoil that scene.
The point is that you gotta see this movie if you can find it anywhere.
It hearkens back to movies like "It's a Mad, Mad, Mad, Mad World" and
"The Russians are Coming, The Russians are Coming", with the way that
something seemingly small branches out into total lunacy. Absolutely
hilarious.
8 out of 8 people found the following review useful:
10/10 Japanese Comedy, 30 May 2000
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Author:
mainstay from Boulder, CO
Being a fan of Juzo Itami, I went to see "Welcome Back Mr. McDonald" (English title) expecting a dark comedy. I was pleasantly surprised. Though Mitani's film is much lighter than Itami's "Marusa no Onna" for example, I still was laughing out loud along with everyone else in the theatre over scenes like the Gameboy(tm)-playing security guard teaching frantic techies how to create the sound of a dam breaking over a mountain village with rice and a styrofoam cup. This is a cleverly filmed, intelligently written, and well-acted movie. I just wish recent films from Japan like "Rajio no Jikan", "Mononoke Hime" and "After Life" were given the credit they deserve in the United States.
7 out of 7 people found the following review useful:
A real hoot., 5 February 2000
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Author:
D.A. Gorson (dreamalert) from Denver, Colorado, USA
"Welcome Back, Mr. McDonald" in English. This account of a live radio drama gone awry has universal appeal, while also poking fun at contemporary Japanese culture. There are some wonderfully frantic comic scenes in it. Everything that can go wrong with a young writer's first drama script happens, which is how a love story about a Japanese girl saved by a fisherman turns into the tale of a Chicago trial lawyer rescued by an astronaut who's subsequently lost in space, etc. I give it eight ho's out of ten.
4 out of 4 people found the following review useful:
what movies are meant to be, 6 September 1999
Author:
Shourav Lahiri (shar-15) from Singapore
I bought the last available ticket to see Welcome Back, Mr McDonald this evening, having been unsuccessful at obtaining one for Love Letter. Maybe because I chanced upon this film, not having any expectations, I enjoyed it tremendously. Sure the film has some stock comic characters and stock comic situations and the premise (message?) may strike a chord in every struggling artiste's heart, but the grit with which this film is made is heartwarming. A novice playwright's maiden radio play gets torn to shreds by the powers that be as she hangs on, flailingly, to the emotion that she hopes to convey. A film that reminds us that our heart yearns for the underdog while our mind rationalises the behaviour of the seemingly tyrannical, this film reminds us of what movies are meant to be: an adventure where at the end you can't help but exclaim.
2 out of 2 people found the following review useful:
A great movie about radio., 19 December 2006
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Author:
ronsayles from Milwaukee, Wisconsin
This is the greatest movie about radio that I have ever had the pleasure of watching. It is the story of what can and does happen when changes are made to the script just before air time and while on the air. How the story gets wildly out of control and how sound effects are created, on the spot, by an ex-sound effects man who is now the security guard for the radio station. If you like radio as it once was, you will like this movie. It is a 1988 release with English subtitles, but don't let the fact that it has subtitles scare you away. They are in yellow and easy to read. As an added bonus one of the stars is Watanabe Ken who was nominated for a best supporting acting award for the movie "The Last Samurai."
2 out of 2 people found the following review useful:
Best Japanese comedy since Itami, 8 December 1999
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Author:
Guy Mariner Tucker from United States
At a time when Japanese movies are becoming less and less
imaginative and more and more standardized, THE RADIO HOUR
stands as one of the happiest surprises from their industry in
many years. Koki Mitani's script and direction are beautifully
assured, and the actors, particularly the hilarious Jun Inoue as
the cheerful, prankish Hiromitsu, couldn't be better. Mitani
doesn't bother directly explaining anything to the audience;
rather, he expertly shows a wide range of human behavior, each
quirk of which leads to yet another bizarre twist in the ongoing
live-broadcast drama. Fortunately, Mitani likes all his
characters, and with marvelous economy, sees that we well
understand why they behave the way they do. In fact as the story
unfolds, one begins to see Mitani's story as something of an
allegory for the filmmaking process, or the process of any
endeavor, including the theater or the radio, that involves a
broad number of collaborators. There's the actor who'll go along
with anything, and the actor who won't; the actress who demands
a star turn (but mainly because she feels underappreciated); the
technicians who've seen it all before, and scramble to
improvise; and, finally, the playwright herself, increasingly
weirded out by what's becoming a perversion of everything she
intended. But, finally, was what she intended any better than
what what the rest of the team threw together? They needed her
to get started; she needed them for the same reason.
Collaboration means interdependence, and if the audience is
finally happy, as Mitani ultimately suggests, then what better
outcome could there be? There is not a finer or more cheerful
film to come out of Japan since the last works of Juzo Itami,
and it is fitting that his widow, the great actress Nobuko
Miyamoto, contributes a (nearly invisible) cameo, to one of the
few Japanese films to emulate the spirit of her late husband's
art. And like Itami's films, THE RADIO HOUR is that rare
Japanese comedy that audiences anywhere can enjoy
3 out of 4 people found the following review useful:
Watch this film, 15 September 2006
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Author:
larry-raynor from United States
"Welcome Back, Mr. McDonald" is funny, sweet, surprising, and laugh out loud funny. Character development is marvelous. The plot twists and turns in a delightful manner. Fast paced, yet connected. The characters are so well developed, it might well be better the second time around. The strength of the film is related to it's insightful view of how a group of individuals interact when time is precious. The film itself is a precious gem. The presentation is fresh, clear, and funny without attention to the "cute factor". I could certainly be labeled a "screwball comedy", but is much more than that. It is sensitive, it is gentle, it is so real.Grab the popcorn and your favorite squeeze, and have a ball.
3 out of 4 people found the following review useful:
Great Movie!!, 16 November 2000
Author:
snaffulafugus from PJ, Malaysia
Despite cliche slapstick scenes (which are little and tolerable), "Radio No Jikan" is a refreshing comedy for someone who is tired of mainstream cinema blockbusters. It had my sister and I in tears during the second half of the movie when things really turn chaotic. Unforgettable characters were the tiresome Bucky and the charismatic Mr. Horinouchi. I give it an 8 out of 10 !
1 out of 1 people found the following review useful:
Clever and insightful, 1 August 2007
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Author:
planktonrules from Bradenton, Florida
*** This review may contain spoilers ***
The film begins as a rehearsal is ending. A radio play is to be put on
only hours later and everyone is congratulating a housewife for the
script--which was a winning entry in a script-writing contest. From all
appearances, the final live radio show should be a "cake walk".
However, a monkey wrench is thrown into the equation when a very
temperamental actress asks for "just a few small changes in the
script". Unfortunately, the changes aren't small, as they have a major
cascading impact on the script. Plus, the other voice actors are
jealous and want changes to be made as well. Soon the original simple
tale of a lady who works into a pachinko parlor in Japan is morphed
into a tale involving a lawyer and her astronaut boyfriend that it set
in gangster-infested Chicago!! And with each "little" change, the
original script becomes less and less evident. Additionally, each
change seems to set off a cascade of script revisions. Again and again,
impossibilities become realities in this wacky script--such as scenes
involving the mountains in Chicago (it's actually one of the flattest
major cities on Earth) and a boyfriend who has just been named "Donald
McDonald"--thanks to inspiration one voice actor who happens to be
eating McDonald's food!!
The film starts off pretty slowly and is only mildly funny at
first--you need to stick with it. Over time, it starts to take off and
become seriously funny--mostly thanks to a great ensemble cast and
writing that somehow makes the entire cast quite endearing. In
particular, the minor supporting characters were great--I particularly
loved the cowboy trucker. A truly original film that is sure to please
anyone who has a sense of humor. Good stuff.
4 out of 7 people found the following review useful:
DVD here at last!, 24 March 2003
Author:
noirfilm from United States
I'm glad to see this movie is finally available in the US on DVD. I saw this years ago in a Los Angeles theater and have been looking for it on tape or DVD ever since. There was an expensive DVD version available in Japan and also an Asian VCD version with poorly-visible subtitles. The English sub-titles on the US DVD are large and clear. The movie has a nice ensemble cast and is very funny! There is a long tracking shot at the beginning which introduces most of the characters. The other reviews will give you more details.
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