Welcome Back, Mr. McDonald
(1997)
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Welcome Back, Mr. McDonald
(1997)
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| Cast overview, first billed only: | |||
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Toshiaki Karasawa | ... |
Manabu Kudo, the director
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Kyôka Suzuki | ... |
Miyako Suzuki, the writer
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Masahiko Nishimura | ... |
Tatsuhiko Ushijima
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Keiko Toda | ... |
Nokko Senbon
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Jun Inoue | ... |
Hiromitsu Hirose
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Toshiyuki Hosokawa | ... |
Hamamura Jo
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Kaoru Okunuki | ... |
Sumiko Nagai
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Zen Kajiwara | ... |
Harugoro Otaguro
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Moro Morooka | ... |
Bucky, the writer
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Yoshimasa Kondô | ... |
Shiro Suzuki, Miyako's Husband
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Akira Fuse | ... |
Shuji Horinouchi
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Shunji Fujimura | ... |
Mansaku Iori
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Shirô Namiki | ... |
Suhuru Hosaka
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Hiromasa Taguchi | ... |
Makoto Tatsumi, sound mixer
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Yasukiyo Umeno | ... |
Furukawa
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A radio play is going to go on air at a Tokyo radio station. It is a weepy melodrama written by housewife Miyako, who is the winner of the competition run by the station. Suddenly, the hot-tempered lead actress Nokko decides she wants the name of her character to be Mary Jane and not Ritsuko. That leads to the chain of events which changes the play completely. Written by Anonymous
I bought the last available ticket to see Welcome Back, Mr McDonald this evening, having been unsuccessful at obtaining one for Love Letter. Maybe because I chanced upon this film, not having any expectations, I enjoyed it tremendously. Sure the film has some stock comic characters and stock comic situations and the premise (message?) may strike a chord in every struggling artiste's heart, but the grit with which this film is made is heartwarming. A novice playwright's maiden radio play gets torn to shreds by the powers that be as she hangs on, flailingly, to the emotion that she hopes to convey. A film that reminds us that our heart yearns for the underdog while our mind rationalises the behaviour of the seemingly tyrannical, this film reminds us of what movies are meant to be: an adventure where at the end you can't help but exclaim.