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PNYC: Portishead - Roseland New York (Video 1998)

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Ratings: 7.4/10 from 425 users  
Reviews: 6 user | 1 critic

Portishead concert in the Roseland Ballroom, New York City, on the 24th July 1997 with tracks from the albums "Dummy" and "Portishead" played by the band and a 30 piece orchestra.

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Title: PNYC: Portishead - Roseland New York (Video 1998)

PNYC: Portishead - Roseland New York (Video 1998) on IMDb 7.4/10

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Cast

Credited cast:
Portishead ...
Themselves
Geoff Barrow ...
Himself - Portishead
Beth Gibbons ...
Herself - Portishead
Adrian Utley ...
Himself - Portishead
Dave MacDonald ...
Himself - Portishead
Rest of cast listed alphabetically:
John Baggott ...
Himself (keyboards)
Alfred Brown ...
Himself (viola)
Harold Coletta ...
Himself (viola)
Clive Deamer ...
Himself (drums)
David Finck ...
Himself (bass)
Susan Follari ...
Herself (viola)
Will Gregory ...
Himself (oboe, baritone saxophone)
Joyce Hammann ...
Herself (violin)
Nick Ingman ...
Himself (conductor, bass)
Suzie Katayama ...
Herself (cello)
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Storyline

Portishead concert in the Roseland Ballroom, New York City, on the 24th July 1997 with tracks from the albums "Dummy" and "Portishead" played by the band and a 30 piece orchestra. Written by Marco Radke <radke@krypta.aball.de>

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Documentary | Music

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10 November 1998 (USA)  »

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User Reviews

No one sentence can summarize its brilliance.
28 October 1999 | by (New York) – See all my reviews

I am a Portishead freak. I doubt you would have come to this particular corner of the IMDb if you weren't either. If you have seen this tape, I'm winking as I type. If you haven't, make all the necessary, desperate attempts you can manage to make in your new life mission to get it. Beth Gibbons is like a New Age Shirley Bassey, squeezing all the OOMPH! she can out of every lyric and hissing it into the mic, she prowls Roseland with her intensity. Geoff Barrow, Adrian Utley, and Dave McDonald assist Miss Gibbons in her quest to touch souls with dead on choices. No song from either of their first two albums sound as good as they do when performed on PNYC. When assembled as one, the songs are musical paintings of relationship despair, like Beth's tragic torch songs to the boyfriend that failed to keep her. Every artistic motive is made to compensate from making a simple one shot of the band doing their thang, but in actuality, when you're dealing with what I consider (for my money) to be the greatest album of all time, all you need is a camera, an audience, and a couple of geniuses who call themselves Portishead.


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