Ten years after a worldwide series of ape revolutions and a brutal nuclear war among humans, Caesar must protect survivors of both species from an insidious human cult and a militant ape faction alike.
J. Lee Thompson
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society, but one man believes them to be a threat to the human race.
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
It is the year 2029: Astronaut Leo Davidson boards a pod cruiser on a Space Station for a "routine" reconnaissance mission. But an abrupt detour through a space time wormhole lands him on a strange planet where talking apes rule over the human race. With the help of a sympathetic chimpanzee activist named Ari and a small band of human rebels, Leo leads the effort to evade the advancing Gorilla Army led by General Thade and his most trusted warrior Attar. Now the race is on to reach a sacred temple within the planet's Forbidden Zone to discover the shocking secrets of mankind's past - and the key to its future. Written by
After seeing Tim Burton's excellent Sleepy Hollow, and superlative Ed Wood, I was expecting much more of a character driven movie, with the characterization and spiritual philosopies that elevated the original movie out of the pure science fiction genre and into a cerebral adventure film with acutely observed social comments.
Unfortunately, the film suffers from poor script and direction right from the minute the astronaut crashlands.
They knew from the outset that they would never produce an ending to rival the original, and any cinema-goer in their right minds would never expect one. But they could have at least got the beginning right. Neither Mark Wahlberg's character nor the tension is ever developed, so when he is confronted by the apes: we feel nothing.
The humans, though they have the benefit of increased intelligence and speech, are poorly utilized. And Kris Kristofferson is criminally wasted.
The make-up and effects are, as you would expect, fantastic. However, despite improved flexibility in the make-up, there is little warmth in either the performances or direction that made millions of kids go ape-nuts in the seventies. Bonham-Carter's Ari, whilst convincing, is not a patch on Kim Hunter's Zira. Roth's quite brilliant performance as Thade virtually carries this film and makes it the one reason to stick with it to the end.
Did I say end? Well, the less said about that the better.
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