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La philosophie dans le boudoir (1971) More at IMDbPro »


Overview

User Rating:
6.1/10   23 votes
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Down 33% in popularity this week. See why on IMDbPro.
Director:
Writers:
Jean-Pierre Deloux (screenplay)
Jacques Scandelari (screenplay)
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Release Date:
March 1971 (USA) more
Genre:
Plot Keywords:
User Reviews:
Yikes! Russ Meyer meets deSade in Sex Hell! more (2 total)

Cast

  (Cast overview, first billed only)
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Additional Details

Also Known As:
Beyond Love and Evil (USA)
De Sade 76 (France)
Sade 76 (France) (alternative title)
The Philosophy of the Bedroom (International: English title)
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Runtime:
92 min
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Language:
Color:
Color | Color (Eastmancolor)
Sound Mix:
Certification:

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6 out of 7 people found the following review useful.
Yikes! Russ Meyer meets deSade in Sex Hell!, 29 March 2000
Author: Son of Cathode from New England

A young man follows his fiance to a house where sexual anarchy reigns. If you assigned a pretentious French director to make a movie out of DeSade's "Philosophy in the Bedroom" (which is the film's title in France), and use touches of Fellini, "2001: A Space Odyssey", "Beyond the Valley of the Dolls" and "Modesty Blaise," you might end up with something like this absurd, kinetic, free-form, fun-n-furious piece of mod, sexy, kaleidoscopic Eurotrash. This wonderfully silly mash of "Laugh-In" and DeSade consists of, but is not limited to: unending orgies by naked people with painted faces, edited abruptly and artily; snakes, porcupines, rabbits and other animals laying about during sex; big black men hopping into bed with small white women; outrageous homosexuals; a woman masturbating with live fish and squid; folks watching a madman rape a chick in a dungeon; women prisoners sent screaming, semi-naked into the woods, to be chased down by wild dogs; people laying about erotically in strange, art-deco/op-art/futuristic rooms while moaning; a wedding is followed by a screw-for-all; a nude conga line; a downbeat ending in which the straight hero suffers a torturous fate straight from the Inferno. Like a child trying to be sexy but not succeeding, this film is more silly, charming and even endearing than dirty, but has a hell of a good time while trying to be very, very bad. It could even be argued than Russ Meyer must have seen this right before smoking some weed and co-scripting his epic of the age, "Beyond the Valley of the Dolls". Either way, there sure was something in the air. A quasi-surreal, all-nude masterpiece: "Your world is repulsive to me; I prefer to ignore it."

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