| Christopher Walken | ... | Fox | |
| Willem Dafoe | ... | X | |
| Asia Argento | ... | Sandii | |
| Annabella Sciorra | ... | Madame Rosa | |
| John Lurie | ... | Distinguished Man | |
| Kimmy Suzuki | ... | Asian Girl #1 (as Naoko 'Kimmy' Suzuki) | |
| Miou | ... | Asian Girl #2 | |
| Yoshitaka Amano | ... | Hiroshi | |
| Gretchen Mol | ... | Hiroshi's Wife | |
| Phil Neilson | ... | The Welshman (as Phil Nielson) | |
| Ken Kelsch | ... | The Expeditor | |
| Andrew Fiscella | ... | Sex Show Man | |
| Rachel Glass | ... | Sex Show Woman #1 | |
| Roberta Orlandi | ... | Sex Show Woman #2 (as Roberta Orlan) | |
| Erin Jermaine Serrano | ... | Sex Show Woman #3 | |
| Nicole Taggart | ... | Sex Show Woman #4 | |
| Ryûichi Sakamoto | ... | Hosaka Executive | |
| Victor Argo | ... | Portugese Business Man | |
| Anna Marie Winds | ... | German Lady (as Annamarie Wind) | |
| Joel St. Bernard | ... | Club Security | |
| Harper Simon | ... | Man at Table | |
| George Smurra | ... | One Eye George | |
| Frankie Cee | ... | Frankie Fats | |
| John 'Cha Cha' Ciarcia | ... | Cha Cha (as John Ciarcia) | |
| Echo Danon | ... | Singer #1 | |
| Kyrie Tinch | ... | Singer #2 | |
| David Shelley | ... | Maitre D' | |
| Nick Guccione | ... | Maas Security | |
| Matthew Messina | ... | Maas Security | |
| Al Croseri | ... | Maas Security | |
| John Russo | ... | Maas Security | |
| Vincent DiMarco | ... | Lab Scientist | |
| Walter Abraham | ... | Lab Scientist | |
| Sal Savino | ... | Lab Scientist | |
| Sam Canegallo | ... | Lab Scientist | |
| Tim Browning | ... | Lab Scientist | |
| M. Kelly Reynolds | ... | Shower Girl | |
| Janine Glickman | ... | Shower Girl | |
| Raymond De Felitta | ... | Lab Security (as Ray DeFelitta) |
Directed by | |||
| Abel Ferrara | |||
Writing credits(WGA) | ||
| William Gibson | (short story) | |
| Abel Ferrara | (screenplay) & | |
| Christ Zois | (screenplay) | |
Produced by | |||
| Adam Brightman | .... | co-producer | |
| Alessandro Camon | .... | executive producer | |
| Milena Cannaro | .... | associate producer | |
| Jay Cannold | .... | executive producer | |
| Willem Dafoe | .... | co-producer | |
| Christian Halsey Solomon | .... | co-executive producer | |
| Edward R. Pressman | .... | producer | |
| Christopher Walken | .... | co-producer | |
| Gregory G. Woertz | .... | executive producer | |
Original Music by | |||
| Schooly-D | (as Schoolly D.) | ||
Cinematography by | |||
| Ken Kelsch | |||
Film Editing by | |||
| Jim Mol | |||
| Anthony Redman | |||
Production Design by | |||
| Frank DeCurtis | |||
Set Decoration by | |||
| Rich Devine | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Lynn Campbell | .... | key makeup artist | |
| Deanna | .... | hair stylist | |
| Joanne Ottaviano | .... | key hair stylist: second unit | |
| Joanne Ottaviano | .... | key makeup artist: second unit | |
| Amanda Redgrave | .... | additional makeup artist | |
Production Management | |||
| Jay Cannold | .... | unit production manager | |
| Robert Warmflash | .... | post-production supervisor | |
| James A. Wolf Jr. | .... | unit manager | |
Art Department | |||
| Shirley Belwood | .... | assistant property manager (as Shirley J. Belwood) | |
| Frank DeCurtis | .... | property master | |
| Guido DeCurtis | .... | additional props | |
| Mary Duffy | .... | additional set dresser | |
| Chris Jordan | .... | additional props | |
| Heather Danielle Kane | .... | lead man | |
| Yuri Makoveychuk | .... | scenic artist | |
| Morgan Pitts | .... | additional props | |
| Raymond M. Samitz | .... | construction coordinator (as Raymond Samitz) | |
| Anthony Scalzo | .... | set dresser | |
Sound Department | |||
| Neil Bleifield | .... | boom operator (as Neil Bleifeld) | |
| Neil Cedar | .... | foley recordist | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby | |
| Philippe Desloovere | .... | sound editor | |
| Rick Dior | .... | sound re-recording mixer | |
| Ken Hahn | .... | sound re-recording mixer | |
| John Hassler | .... | foley artist | |
| David Jaunai | .... | sound re-recording mixer | |
| Grant Maxwell | .... | sound re-recording mixer | |
| Ray Palagy | .... | sound effects editor | |
| Tony Pipitone | .... | sound editor | |
| Mathew Price | .... | production sound mixer | |
| Michael Ruschak | .... | foley mixer | |
| Tony Slocum | .... | dialogue editor | |
| Randy Ward | .... | sound editor | |
| Rick Wessler | .... | foley mixer | |
Visual Effects by | |||
| Dante D. Bruno | .... | optical effects coordinator | |
| Paul Killian | .... | matte painter | |
| Kris Schumacher | .... | digital effects coordinator | |
Stunts | |||
| John R. Favre | .... | stunts | |
| Phil Neilson | .... | stunt coordinator (as Phil Nielson) | |
| Brian Smyj | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Fran Bradfield | .... | wardrobe assistant | |
| John Corbo | .... | wardrobe supervisor | |
| Dain I. Kalas | .... | assistant costume designer (as Dain Kalas) | |
| Joan Kaufman | .... | assistant costume designer | |
Editorial Department | |||
| Rodney Evans | .... | assistant editor | |
| Fred Hyde | .... | color timer | |
| David Kirchner | .... | assistant editor: avid | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Joe Violante | .... | color coordinator | |
Music Department | |||
| Eric Hurvitz | .... | music mixer | |
| Jim Mol | .... | music editor | |
| Cat Power | .... | composer: song "In This Hole" | |
| Schooly-D | .... | music mixer | |
Transportation Department | |||
| Mike Easter | .... | transportation co-captain (as Michael Easter) | |
| Kenny Gaskins | .... | transportation captain | |
Other crew | |||
| Cezhan Ambrose | .... | craft service (as Cez Hancoor) | |
| Percy Lee Anderson | .... | parking production assistant | |
| Eve Applebaum | .... | assistant location manager | |
| Michael Bederman | .... | production accountant | |
| Hilary Bowers | .... | assistant: Mr. Ferrara | |
| Jesse Burden | .... | set production assistant | |
| Manny Centeno | .... | office production assistant | |
| Brett Colombo | .... | location scout | |
| Juliet D'Annibale | .... | production coordinator | |
| Mary Ann Daugherty | .... | cue card production assistant | |
| Luis DeLeon | .... | parking production assistant | |
| Priamo Fermi | .... | parking production assistant | |
| Raymond Hofmeister | .... | assistant post-production accountant | |
| Joni M. Huth | .... | additional stitcher (as Joni Huth) | |
| Jeff Israel | .... | set production assistant | |
| Rodney 'Bear' Jackson | .... | set production assistant | |
| Roger Kass | .... | legal services | |
| Simone Lageoles | .... | script supervisor | |
| Patrick Jack Lee | .... | production financing | |
| Jeffrey Mann | .... | location scout | |
| Ademola McMullen | .... | key set production assistant | |
| Scott Meyer | .... | office production assistant | |
| Stuart Miller | .... | assistant: Mr. Pressman | |
| Jo Mocrozo | .... | parking production assistant | |
| Martina Pozzi | .... | location scout | |
| Saskia Rifkin | .... | assistant production office coordinator | |
| Kristi Savino | .... | assistant: Mr. Pressman | |
| Zach Schiff-Abrams | .... | office production assistant | |
| Claude Shaw | .... | office production assistant | |
| Steven Simpson | .... | post-production accountant | |
| Joseph Stephans | .... | location manager | |
| Tom Torii | .... | post-production accountant | |
| Rachel Uchitel | .... | craft service | |
| Alyson Wellins | .... | assistant production accountant | |
| Sarah Wright | .... | assistant: Mr. Pressman | |
| Ann Yamamoto | .... | location manager | |
| Ithiell Yisrael | .... | production assistant | |
| John Michael Sudol | .... | assistant to director (uncredited) | |
|
|
|
|
|
| Minority Report | Paprika | Original Sin | Avatar | King of New York |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This movie seem to go all out for the ambience of what it could be like in the near future, giving us a look of the cold and bleak world that is set out for us. It doesn't quite succeed like in Blade Runner, probably due to its small budget, limited settings, which were mostly indoors, but it gave it a good run for the money.
On the plot side, I think it might have been better if the flashback method of the original story were used. This will avoid the replay of the first 2/3 of the film onto the final 1/3. Plus it would have also lead us to see how X (William Dafoe), being a person who frequents high caliber hotels all over the world, ended up in a porta-crypt.
Also, there seem to be too many ambiguous plot lines or cues that's either meaningless or completely open to interpretation. What's the significance of the tattoo on Sandii's (Asia Argento) belly? Was her deception both ways toward X? If it was, it was not implied at the end.
Christopher Walken, William Dafeo were both good in the film, with Walken putting his quirky improvisations to his character and Dafeo serious and troubled as usual. The surprise was Asia Argento, who's sultry performance proves that not all non English speaking actresses has to act as if they are reading lines like the way Penelope Cruz does.
Overall, a satisfactory film, giving a good visual and feel, but not dense enough in plot to make complete sense or to fill out the 90 minutes the movie takes.