| Videos (see all 2) |
| Christopher Walken | ... | Fox | |
| Willem Dafoe | ... | X | |
| Asia Argento | ... | Sandii | |
| Annabella Sciorra | ... | Madame Rosa | |
| John Lurie | ... | Distinguished Man | |
| Kimmy Suzuki | ... | Asian Girl #1 (as Naoko 'Kimmy' Suzuki) | |
| Miou | ... | Asian Girl #2 | |
| Yoshitaka Amano | ... | Hiroshi | |
| Gretchen Mol | ... | Hiroshi's Wife | |
| Phil Neilson | ... | The Welshman (as Phil Nielson) | |
| Ken Kelsch | ... | The Expeditor | |
| Andrew Fiscella | ... | Sex Show Man | |
| Rachel Glass | ... | Sex Show Woman #1 | |
| Roberta Orlandi | ... | Sex Show Woman #2 (as Roberta Orlan) | |
| Erin Jermaine Serrano | ... | Sex Show Woman #3 | |
| Nicole Taggart | ... | Sex Show Woman #4 | |
| Ryûichi Sakamoto | ... | Hosaka Executive | |
| Victor Argo | ... | Portugese Business Man | |
| Anna Marie Winds | ... | German Lady (as Annamarie Wind) | |
| Joel St. Bernard | ... | Club Security | |
| Harper Simon | ... | Man at Table | |
| George Smurra | ... | One Eye George | |
| Frankie Cee | ... | Frankie Fats | |
| John 'Cha Cha' Ciarcia | ... | Cha Cha (as John Ciarcia) | |
| Echo Danon | ... | Singer #1 | |
| Kyrie Tinch | ... | Singer #2 | |
| David Shelley | ... | Maitre D' | |
| Nick Guccione | ... | Maas Security | |
| Matthew Messina | ... | Maas Security | |
| Al Croseri | ... | Maas Security | |
| John Russo | ... | Maas Security | |
| Vincent DiMarco | ... | Lab Scientist | |
| Walter Abraham | ... | Lab Scientist | |
| Sal Savino | ... | Lab Scientist | |
| Sam Canegallo | ... | Lab Scientist | |
| Tim Browning | ... | Lab Scientist | |
| M. Kelly Reynolds | ... | Shower Girl | |
| Janine Glickman | ... | Shower Girl | |
| Raymond De Felitta | ... | Lab Security (as Ray DeFelitta) |
Directed by | |||
| Abel Ferrara | |||
Writing credits(WGA) | ||
| William Gibson | (short story) | |
| Abel Ferrara | (screenplay) & | |
| Christ Zois | (screenplay) | |
Produced by | |||
| Adam Brightman | .... | co-producer | |
| Alessandro Camon | .... | executive producer | |
| Milena Cannaro | .... | associate producer | |
| Jay Cannold | .... | executive producer | |
| Willem Dafoe | .... | co-producer | |
| Christian Halsey Solomon | .... | co-executive producer | |
| Edward R. Pressman | .... | producer | |
| Christopher Walken | .... | co-producer | |
| Gregory G. Woertz | .... | executive producer | |
Original Music by | |||
| Schooly-D | (as Schoolly D.) | ||
Cinematography by | |||
| Ken Kelsch | |||
Film Editing by | |||
| Jim Mol | |||
| Anthony Redman | |||
Production Design by | |||
| Frank DeCurtis | |||
Set Decoration by | |||
| Rich Devine | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Lynn Campbell | .... | key makeup artist | |
| Deanna | .... | hair stylist | |
| Joanne Ottaviano | .... | key hair stylist: second unit | |
| Joanne Ottaviano | .... | key makeup artist: second unit | |
| Amanda Redgrave | .... | additional makeup artist | |
Production Management | |||
| Jay Cannold | .... | unit production manager | |
| Robert Warmflash | .... | post-production supervisor | |
| James A. Wolf Jr. | .... | unit manager | |
Art Department | |||
| Shirley Belwood | .... | assistant property manager (as Shirley J. Belwood) | |
| Frank DeCurtis | .... | property master | |
| Guido DeCurtis | .... | additional props | |
| Mary Duffy | .... | additional set dresser | |
| Chris Jordan | .... | additional props | |
| Heather Danielle Kane | .... | lead man | |
| Yuri Makoveychuk | .... | scenic artist | |
| Morgan Pitts | .... | additional props | |
| Raymond M. Samitz | .... | construction coordinator (as Raymond Samitz) | |
| Anthony Scalzo | .... | set dresser | |
Sound Department | |||
| Neil Bleifield | .... | boom operator (as Neil Bleifeld) | |
| Neil Cedar | .... | foley recordist | |
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby | |
| Philippe Desloovere | .... | sound editor | |
| Rick Dior | .... | sound re-recording mixer | |
| Ken Hahn | .... | sound re-recording mixer | |
| John Hassler | .... | foley artist | |
| David Jaunai | .... | sound re-recording mixer | |
| Grant Maxwell | .... | sound re-recording mixer | |
| Ray Palagy | .... | sound effects editor | |
| Tony Pipitone | .... | sound editor | |
| Mathew Price | .... | production sound mixer | |
| Michael Ruschak | .... | foley mixer | |
| Tony Slocum | .... | dialogue editor | |
| Randy Ward | .... | sound editor | |
| Rick Wessler | .... | foley mixer | |
Visual Effects by | |||
| Dante D. Bruno | .... | optical effects coordinator | |
| Paul Killian | .... | matte painter | |
| Kris Schumacher | .... | digital effects coordinator | |
Stunts | |||
| John R. Favre | .... | stunts | |
| Phil Neilson | .... | stunt coordinator (as Phil Nielson) | |
| Brian Smyj | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Fran Bradfield | .... | wardrobe assistant | |
| John Corbo | .... | wardrobe supervisor | |
| Dain I. Kalas | .... | assistant costume designer (as Dain Kalas) | |
| Joan Kaufman | .... | assistant costume designer | |
Editorial Department | |||
| Rodney Evans | .... | assistant editor | |
| Fred Hyde | .... | color timer | |
| David Kirchner | .... | assistant editor: avid | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Joe Violante | .... | color coordinator | |
Music Department | |||
| Eric Hurvitz | .... | music mixer | |
| Jim Mol | .... | music editor | |
| Cat Power | .... | composer: song "In This Hole" | |
| Schooly-D | .... | music mixer | |
Transportation Department | |||
| Mike Easter | .... | transportation co-captain (as Michael Easter) | |
| Kenny Gaskins | .... | transportation captain | |
Other crew | |||
| Cezhan Ambrose | .... | craft service (as Cez Hancoor) | |
| Percy Lee Anderson | .... | parking production assistant | |
| Eve Applebaum | .... | assistant location manager | |
| Michael Bederman | .... | production accountant | |
| Hilary Bowers | .... | assistant: Mr. Ferrara | |
| Jesse Burden | .... | set production assistant | |
| Manny Centeno | .... | office production assistant | |
| Brett Colombo | .... | location scout | |
| Juliet D'Annibale | .... | production coordinator | |
| Mary Ann Daugherty | .... | cue card production assistant | |
| Luis DeLeon | .... | parking production assistant | |
| Priamo Fermi | .... | parking production assistant | |
| Raymond Hofmeister | .... | assistant post-production accountant | |
| Joni M. Huth | .... | additional stitcher (as Joni Huth) | |
| Jeff Israel | .... | set production assistant | |
| Rodney 'Bear' Jackson | .... | set production assistant | |
| Roger Kass | .... | legal services | |
| Simone Lageoles | .... | script supervisor | |
| Patrick Jack Lee | .... | production financing | |
| Jeffrey Mann | .... | location scout | |
| Ademola McMullen | .... | key set production assistant | |
| Scott Meyer | .... | office production assistant | |
| Stuart Miller | .... | assistant: Mr. Pressman | |
| Jo Mocrozo | .... | parking production assistant | |
| Alex Panagakis | .... | unit publicist | |
| Martina Pozzi | .... | location scout | |
| Saskia Rifkin | .... | assistant production office coordinator | |
| Kristi Savino | .... | assistant: Mr. Pressman | |
| Zach Schiff-Abrams | .... | office production assistant | |
| Claude Shaw | .... | office production assistant | |
| Steven Simpson | .... | post-production accountant | |
| Joseph Stephans | .... | location manager | |
| Tom Torii | .... | post-production accountant | |
| Rachel Uchitel | .... | craft service | |
| Alyson Wellins | .... | assistant production accountant | |
| Sarah Wright | .... | assistant: Mr. Pressman | |
| Ann Yamamoto | .... | location manager | |
| Ithiell Yisrael | .... | production assistant | |
| John Michael Sudol | .... | assistant to director (uncredited) | |
|
|
|
|
|
| Minority Report | Paprika | Original Sin | Avatar | King of New York |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I saw the reviews different people have given this movie, and there seems to be a rather diverse opinion of this movie going around. From people loving it, to absolutely hating it.
IHOP i believe this movie was a beautifully filmed tale, that uses the medium of film to its fullest extent. The movie takes an intriguing approach, very drastically different from mainstream hollywood movies, in that there is no buildup of traditional suspense, or tension so to speak. The majority of the movie leads up to the seduction and eventual defection of Hiroshi, without actually having a single frame of Hiroshi in first person perspective. A typical hollywood recipe would be to set up the plot (if they can manage it...if not, the heck with it!) and carry out the con frame by frame throughout the movie, tediously building up suspense along the way...(if there was lots of things blowing up everywhere, all the better). Here however, we are merely informed of Asia's progress as a background occurrence, or an aside. It almost seems as if her success or failure is irrelevant, since that is an entirely different story altogether. It is a background story, because Hiroshi himself is part of the background. The story focuses on Walken and Dafoe as they correspond back and forth.
A truly intriguing film, of a quality and style i have very rarely seen.