Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ...
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A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years ... See full summary »
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for the Maas Corporation. Fox has accepted an offer to persuade Hiroshi to go over to the Hosaka Corporation. Sandii is a little Italian girl from Japan and she should be the way to get to Hiroshi. X is the man who should train Sandii to break Hiroshi's Heart. But if X falls in love with Sandii? And if the Hosaka Corporation breaks the agreement? And if Sandii is not a little Italian girl? Written by
Baldinotto da Pistoia
Plans for an adaptation of William Gibson's story were made as far back as 1989, with Kathryn Bigelow originally attached to direct. See more »
Come on, you know this better than anybody, right? There's a full-scale subterranean war being waged for every shred of information. And the corporate suits are killing each other off by the thousands each year. I mean it's like the holocaust in the 20th century. Everybody knows about it, and nobody says anything about it. And government is as culpable as any corporation.
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New Rose Hotel is to Ferrara what Videodrome was for David Cronenberg. Gibson's world works as a mirror, through which we're thrown in a maelstrom (vortex) of pain which I consider to be the essence of Ferrara's films. I think that New Rose Hotel is a film about love. About the essence of love. But also a film about regret and frienship. Great actors. Expecially Asia Argento, who lights up the screen with her exotic beauty and electric performance. Abel Ferrara is a great talent, misunderstood by his own country. Shame on America!
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