Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ... See full summary »
Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from the legendary residence, the Chelsea Hotel, in the heart of New York. Once considered an ... See full summary »
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
Strippers in Manhattan are being stalked and murdered by a psycho. A hard-nosed police detective and a conflicted ex-boxer-turned-private-eye, hired by the strip club owners, set out to find him before he strikes again.
Billy Dee Williams,
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for the Maas Corporation. Fox has accepted an offer to persuade Hiroshi to go over to the Hosaka Corporation. Sandii is a little Italian girl from Japan and she should be the way to get to Hiroshi. X is the man who should train Sandii to break Hiroshi's Heart. But if X falls in love with Sandii? And if the Hosaka Corporation breaks the agreement? And if Sandii is not a little Italian girl? Written by
Baldinotto da Pistoia
Come on, you know this better than anybody, right? There's a full-scale subterranean war being waged for every shred of information. And the corporate suits are killing each other off by the thousands each year. I mean it's like the holocaust in the 20th century. Everybody knows about it, and nobody says anything about it. And government is as culpable as any corporation.
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This movie seem to go all out for the ambience of what it could be like in the near future, giving us a look of the cold and bleak world that is set out for us. It doesn't quite succeed like in Blade Runner, probably due to its small budget, limited settings, which were mostly indoors, but it gave it a good run for the money.
On the plot side, I think it might have been better if the flashback method of the original story were used. This will avoid the replay of the first 2/3 of the film onto the final 1/3. Plus it would have also lead us to see how X (William Dafoe), being a person who frequents high caliber hotels all over the world, ended up in a porta-crypt.
Also, there seem to be too many ambiguous plot lines or cues that's either meaningless or completely open to interpretation. What's the significance of the tattoo on Sandii's (Asia Argento) belly? Was her deception both ways toward X? If it was, it was not implied at the end.
Christopher Walken, William Dafeo were both good in the film, with Walken putting his quirky improvisations to his character and Dafeo serious and troubled as usual. The surprise was Asia Argento, who's sultry performance proves that not all non English speaking actresses has to act as if they are reading lines like the way Penelope Cruz does.
Overall, a satisfactory film, giving a good visual and feel, but not dense enough in plot to make complete sense or to fill out the 90 minutes the movie takes.
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