An insomniac office worker, looking for a way to change his life, crosses paths with a alter-ego devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. Morpheus awakens Neo to the real world, a ravaged wasteland where most of humanity have been captured by a race of machines that live off of the humans' body heat and electrochemical energy and who imprison their minds within an artificial reality known as the Matrix. As a rebel against the machines, Neo must return to the Matrix and confront the agents: super-powerful computer programs devoted to snuffing out Neo and the entire human rebellion. Written by
When Neo is meeting with the Oracle, the music playing in the background in her apartment is Django Reinhardt's "Nuages". Following this tune can be heard Duke Ellington's "I'm Beginning to See the Light". See more »
The streets all have Chicago street names (as observed in Trivia section), including Balbo Avenue. This street name is spelled correctly on signs in the subway station where Neo fights Agent Smith, but Tank directs Trinity and Neo to go to "Balboa" (as in Rocky). The DVD captions of Tank's dialogue also show it as "Balboa." See more »
Is everything in place?
You weren't supposed to relieve me.
I know, but I felt like taking a shift.
You like him, don't you? You like watching him.
Don't be ridiculous.
We're gonna kill him. You understand that?
Morpheus believes he is the one.
[...] See more »
The opening Warner Bros. logo is green on a gray sky, and the opening Village Roadshow logo is green. See more »
A watershed moment in film-making and what a kick-ass masterpiece
** May contain spoilers **
There aren't many movies I watched in the theatre twice let alone on the same day - but immediately after the credits had rolled (and still pumped up by 'Rage against the Machine'), I queued up for the next screening of 'The Matrix'. I was so blown away by that film, I feared - and probably rightly so - that I hadn't caught every detail of what I'd just seen. I later found out that many of my friends had had a similar reaction to the film, and I know virtually no one who liked the film and didn't watch it at least twice. It's simply one of those rare films that are so rich you just have to watch them several times.
In structure, style and concept, 'The Matrix' was ground-breaking; it marked the first time the visual style of Manga comic books and Anime such as 'Akira' or 'Ghost in the Shell' had been successfully translated to a live-action film. Apart from 'Blade Runner', which has a totally different mood and pace (but is also a masterpiece and visionary film-making), there simply hadn't been anything even remotely like it. The jaw-dropping action sequences have such a raw, gripping energy they feel like an adrenalin overdose, but unlike most action films, they never overshadow the story; on the contrary - they enhance it and make complete sense within that universe.
As for the story itself, I think this is one of the most original, fascinating Sci-Fi tales you'll likely ever see on screen. Clearly inspired by Japanese Anime and Manga yet also by authors like Isaac Asimov or Philip K. Dick, the story about humanity's war against its own creation, machines of an artificial intelligence that have evolved to the point where they have become the dominant 'species' and vastly superior to their creators, could take place in the same world as 'Blade Runner' or 'The Terminator' - albeit several hundred years later. But there is also a mythical, even religious undercurrent to the story; the themes of a prophecy, a "liberator" or even a "messiah" make 'The Matrix' transcend the Science-Fiction genre and become even more unique.
'The Matrix' was a watershed moment in filmmaking in every respect and even though two inferior sequels have left a bit of a stain on the film, they can't distract from what an uncompromising and hugely influential masterpiece this is. Sci-Fi movies that were released after 'The Matrix' have tried very hard to achieve a similar look and tone, but the original still owns them all. 10 stars out of 10.