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The Matrix (1999)

R  |   |  Action, Sci-Fi  |  31 March 1999 (USA)
8.7
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Ratings: 8.7/10 from 1,083,365 users   Metascore: 73/100
Reviews: 3,589 user | 308 critic | 35 from Metacritic.com

A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers.

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(as The Wachowski Brothers) , (as The Wachowski Brothers)

Writers:

(as The Wachowski Brothers) , (as The Wachowski Brothers)
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Title: The Matrix (1999)

The Matrix (1999) on IMDb 8.7/10

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Top 250 Movies #18 | Won 4 Oscars. Another 33 wins & 40 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Neo
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Choi (as Marc Gray)
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Storyline

Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. Morpheus awakens Neo to the real world, a ravaged wasteland where most of humanity have been captured by a race of machines that live off of the humans' body heat and electrochemical energy and who imprison their minds within an artificial reality known as the Matrix. As a rebel against the machines, Neo must return to the Matrix and confront the agents: super-powerful computer programs devoted to snuffing out Neo and the entire human rebellion. Written by redcommander27

Plot Summary | Plot Synopsis

Taglines:

In a world of 1s and 0s...are you a zero, or The One? See more »

Genres:

Action | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sci-fi violence and brief language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

31 March 1999 (USA)  »

Also Known As:

Matrix  »

Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend:

$27,788,331 (USA) (2 April 1999)

Gross:

$653,151 (Europe) (23 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The first trace program gives a view of the City's area code, but the camera zooms in before it can be completely determined, leaving the phone number as (3?2) 555-0690. Three locations exist in the United States with similar codes: Chicago (312), Delaware (302), and the northwestern Florida peninsula (352). Since the original script indicates that the number is #312-555-0690 and there are numerous other references to Chicago in the film, we can assume that the area code is 312. See more »

Goofs

When Neo is flushed from his cubicle and fished up with the claw from a hatch in the Nebuchadnezzar he is passed out. But as he enters the ship he clearly moves his feet to avoid hitting the rim of the hatch. See more »

Quotes

[first lines]
[phone rings]
Cypher: Yeah.
Trinity: Is everything in place?
Cypher: You weren't supposed to relieve me.
Trinity: I know, but I felt like taking a shift.
Cypher: You like him, don't you? You like watching him.
Trinity: Don't be ridiculous.
Cypher: We're gonna kill him. You understand that?
Trinity: Morpheus believes he is the one.
[...]
See more »

Crazy Credits

At the end of all the credits, the URL for the (now defunct) website of the film is given, www.whatisthematrix.com, along with a password, 'steak'. There's a 'secret' link on the page that requests a password. See more »

Connections

Spoofed in Josie and the Pussycats (2001) See more »

Soundtracks

Wake Up
Written by Zack De La Rocha, Brad Wilk, Tim Commerford, and Tom Morello
Performed by Rage Against the Machine
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The benchmark for all sci-fi films to come
19 September 2000 | by (Manila, R.P.) – See all my reviews

The story of a reluctant Christ-like protagonist set against a baroque, MTV backdrop, The Matrix is the definitive hybrid of technical wizardry and contextual excellence that should be the benchmark for all sci-fi films to come.

Hollywood has had some problems combining form and matter in the sci-fi genre. There have been a lot of visually stunning works but nobody cared about the hero. (Or nobody simply cared about anything.) There a few, though, which aroused interest and intellect but nobody 'ooh'-ed or 'aah'-ed at the special effects. With The Matrix, both elements are perfectly en sync. Not only did we want to cheer on the heroes to victory, we wanted them to bludgeon the opposition. Not only did we sit in awe as Neo evaded those bullets in limbo-rock fashion, we salivated.

But what makes The Matrix several cuts above the rest of the films in its genre is that there are simply no loopholes. The script, written by the Wachowski brothers is intelligent but carefully not geeky. The kung-fu sequences were deftly shot -- something even Bruce Lee would've been proud of. The photography was breathtaking. (I bet if you had to cut every frame on the reel and had it developed and printed, every single frame would stand on its own.) And the acting? Maybe not the best Keanu Reeves but name me an actor who has box-office appeal but could portray the uneasy and vulnerable protagonist, Neo, to a T the way Reeves did. But, come to think of it, if you pit any actor beside Laurence Fishburne, you're bound to confuse that actor for bad acting. As Morpheus, Mr. Fishburne is simply wicked! Shades of his mentor-role in Higher Learning, nobody exudes that aura of quiet intensity than Mr. Fishburne. His character, battle-scarred but always composed Morpheus, is given an extra dose of mortality (He loves Neo to a fault.) only Mr. Fishburne can flesh out.

People will say what they want to say about how good The Matrix is but the bottomline is this: finally there's a philosophical film that has cut through this generation. My generation. The Wachowski brothers probably scribbled a little P.S. note when they finished the script saying: THINK FOR A MOMENT ABOUT YOUR EXISTENCE. What is the Matrix, you ask? Something that's closer to reality than you think.

Either that or it's my personal choice for best film of all-time.


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