Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
Thomas A. Anderson is a man living two lives. By day he is an average computer programmer and by night a hacker known as Neo. Neo has always questioned his reality, but the truth is far beyond his imagination. Neo finds himself targeted by the police when he is contacted by Morpheus, a legendary computer hacker branded a terrorist by the government. Morpheus awakens Neo to the real world, a ravaged wasteland where most of humanity have been captured by a race of machines that live off of the humans' body heat and electrochemical energy and who imprison their minds within an artificial reality known as the Matrix. As a rebel against the machines, Neo must return to the Matrix and confront the agents: super-powerful computer programs devoted to snuffing out Neo and the entire human rebellion. Written by
When Neo fights Morpheus in the construct, the three pieces of music that play on the score are termed the "Bow Whisk Orchestra" by composer Don Davis. It consists of a semi-improvisational piece with Asian instruments by Davis, the song "Leave You Far Behind" by Lunatic Calm, and another piece by Davis called "Switch or Break Show". Both "Bow Whisk Orchestra" and "Switch Or Break Show" are anagrams of "Wachowski Brothers". Also, when Neo, Morpheus, and Trinity return to the building after visiting the Oracle, the piece of music that plays is called "Threat Mix". Later, when in the same building Morpheus fights Agent Smith, the musical piece is called "Exit Mr. Hat". Both "Threat Mix" and "Exit Mr. Hat" are anagrams of "The Matrix". See more »
When Neo and Trinity board the helicopter to go after Morpheus, Trinity is not wearing any gloves. A minute later, when Trinity is piloting away from the building with Neo and Morpheus dangling from the helicopter, Trinity's hands are shown on the controls and she's wearing gloves. See more »
Is everything in place?
You weren't supposed to relieve me.
I know, but I felt like taking a shift.
You like him, don't you? You like watching him.
Don't be ridiculous.
We're gonna kill him. You understand that?
Morpheus believes he is the one.
[...] See more »
At the end of all the credits, the URL for the (now defunct) website of the film is given, www.whatisthematrix.com, along with a password, 'steak'. There's a 'secret' link on the page that requests a password. See more »
The story of a reluctant Christ-like protagonist set against a baroque, MTV backdrop, The Matrix is the definitive hybrid of technical wizardry and contextual excellence that should be the benchmark for all sci-fi films to come.
Hollywood has had some problems combining form and matter in the sci-fi genre. There have been a lot of visually stunning works but nobody cared about the hero. (Or nobody simply cared about anything.) There a few, though, which aroused interest and intellect but nobody 'ooh'-ed or 'aah'-ed at the special effects. With The Matrix, both elements are perfectly en sync. Not only did we want to cheer on the heroes to victory, we wanted them to bludgeon the opposition. Not only did we sit in awe as Neo evaded those bullets in limbo-rock fashion, we salivated.
But what makes The Matrix several cuts above the rest of the films in its genre is that there are simply no loopholes. The script, written by the Wachowski brothers is intelligent but carefully not geeky. The kung-fu sequences were deftly shot -- something even Bruce Lee would've been proud of. The photography was breathtaking. (I bet if you had to cut every frame on the reel and had it developed and printed, every single frame would stand on its own.) And the acting? Maybe not the best Keanu Reeves but name me an actor who has box-office appeal but could portray the uneasy and vulnerable protagonist, Neo, to a T the way Reeves did. But, come to think of it, if you pit any actor beside Laurence Fishburne, you're bound to confuse that actor for bad acting. As Morpheus, Mr. Fishburne is simply wicked! Shades of his mentor-role in Higher Learning, nobody exudes that aura of quiet intensity than Mr. Fishburne. His character, battle-scarred but always composed Morpheus, is given an extra dose of mortality (He loves Neo to a fault.) only Mr. Fishburne can flesh out.
People will say what they want to say about how good The Matrix is but the bottomline is this: finally there's a philosophical film that has cut through this generation. My generation. The Wachowski brothers probably scribbled a little P.S. note when they finished the script saying: THINK FOR A MOMENT ABOUT YOUR EXISTENCE. What is the Matrix, you ask? Something that's closer to reality than you think.
Either that or it's my personal choice for best film of all-time.
607 of 703 people found this review helpful.
Was this review helpful to you?