A successful Japanese movie director in his 60s becomes increasingly ill while working on his latest film. His family, friends, and doctor try to keep the secret of his terminal cancer from... See full summary »
Goro's supermarket is not doing well; the rival "Bargains Galore" threatens his business. A chance encounter with Hanako, an energetic woman he knew in grade school, results in big retail ... See full summary »
A grand old Japanese hotel is trying to get a prestigious contract as the site of a summit meeting of important foreign officials. Unfortunately, this hotel is quite popular with the Yakuza... See full summary »
At the beginning of the film the father-in-law of the protagonist dies unexpectedly of a heart attack. The remainder of the film is episodic, moving from one incident to another over the ... See full summary »
A sendup of the stereo-typical Japanese family: dad is a salaryman jerk, unable to relate to anyone; mom is a hopeless housewife; the older son is a moderate academic success; but the ... See full summary »
The film is set in a small town near Warsaw, to which a young and coming director comes to produce a classic play (Wyspianski "Wyzwolenie") with a modern vein. Everyone in the production ... See full summary »
Itami's final film is not easy to locate outside of Japan, but Marutai no Onna (Woman in Witness Protection) is worth the extra effort. Miyamoto portrays a vain, shallow, middle-aged actress who witnesses a brutal murder and chooses to stand up to a deadly cult and its thoroughly slimy defense attorney. Realizing that the very public life of the woman makes their sole witness vulnerable to the killers, the police provide her with specially trained witness protection officers until the trial. In the interim, the lives of the actress and everyone surrounding her are changed in unexpected ways.
Masahiko Nishimura, familiar to fans of "Welcome Back, Mr. McDonald," plays an uptight police officer assigned to guard the unconventional witness. His transformation provides the funniest moments in the film. In a couple of brief scenes, Daisuke Ryu (Kagemusha, Ran, Gojoe) is sufficiently menacing as the cult's bad-ass leader. And Toru Emori creates a real bottom feeding defense lawyer, complete with the worst comb-over on the planet.
This isn't a brilliant or moving film, but Marutai is good entertainment, and it does suggest that it's never too late to become a better and/or more interesting person.
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