Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
Pavel's mother hates his fiancee. When Pavel serves in the Army she writes him that Nastya is no longer faithful to him. Pavel decides not to return to his native town. But many years later... See full summary »
Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
The lead of Tarkovsky's ANDREI RUBYLOV and SOLARIS as the long suffering author, oppressed by debt and memories, going from the funeral of his dear ones to struggle with his crooked publisher's deadline. This one is the artist as victim biography taken to extremes.
Things do pick up with the recruiting of a young stenographer which gives an excuse to drop excerpts of "The Gambler" into the production, as it is being written. She stalls the bailiff.
The tasteful period filming was the Soviet industry at it's then most accomplished. The limitations of their laboratory work were evident in the copies circulating - is there a nice, new, low fade Eastman print off the negative anyplace?
The Russian art movies were less compromised by political content than original subjects and it is to be regretted that a piece as substantial as this has been allowed to sink into screenings limbo.
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