A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
In an alternate 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Jackie Earle Haley,
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
The third entry in 'The Crow' series follows Alex Corvis, who was framed for the murder of his girlfriend and is executed. he is then brought back from the dead by a crow when the legend says 'Love is stronger than death'. He returns to discover that a corrupt police force is behind her murder and for him to go after the killers, he must find out the mystery behind everything that happened. Written by
This is the only Crow film in which the Crow features are not created with the use of face paint; in this film, the lines bisecting each eye and at the corners of the mouth to form the smile are formed out of burnt skin. See more »
Alex Corvis still has a full head of hair when he is being placed in the electric chair. Normally electrocution victims have their heads shaved this helps to insure a proper connection also so that if anything should go wrong their heads won't catch fire. See more »
Great plot and nice ideas in an underdeveloped movie
"The Crow: Salvation," the fourth installment in the popular series of murdered men brought back from the dead to avenge their deaths, is certainly a step in the right direction after the travesty of previous entries. The first Crow, which is best known for being the film in which Brandon Lee was killed (duh), is a cult classic directed by Alex "Dark City" Proyas, and even today, it is regarded as probably the greatest of the gothic/action/modern noir films. It's sequel, "The Crow: City of Angels," starred Vincent Perez, and while it featured some nice ideas and beautiful images, it was nothing more but a poor remake of the first film lacking all the heart of the original. "The Crow: Stairway to Heaven" came next, and it was two episodes of the TV show of the same name re-edited into a motion picture and released as a sequel to the first film. Instead of being a remake in disguise as a sequel like "City of Angels," "Stairway" goes ahead and just literally remakes the first film with the same characters, basically the same plotline, and none of the magic (though Mark Ducascos as the title character certainly demonstrates a type of charisma in his martial arts).
Now comes "The Crow: Salvation." Eric Mabius stars as Alex Corvez, who is wrongly executed for the murder of his girlfriend and returns from the dead to take out the real killers, with the help of his dead girlfriend's sister and a lawyer friend. As a sequel, it thankfully works because it has a premise completely different from the first film (something the other sequels failed to pull off) and it stands on its own, introducing its own magic and its own intruiging plot elements. It certainly is a good film and a good sequel, and while some points in the movie seem contrived, what film nowadays doesn't have at least a few obvious plot points?
The bad: Much of the film is underdeveloped, especially many characters. While the plotline is good, it seems rushed much of the time, and the viewer has to draw their own conclusions about many things. Some of the dialogue is also atrocious.
The good: Well well, there's much more of that. Eric Mabius as the central character shines throughtout. For the first time, we have a character in one of these movies *not* ripping off Brandon Lee, but instead, bringing his own qualities and characterizations to the character. The results are an effective performance that makes us forget about Lee altogether...at least until the film comes to a close. The plot, something of a murder mystery, would have made a good film even if it hadn't been a Crow film, and the images and notions presented only add to the appeal, especially with the character of the Crow itself, which at the beginning, acts as if this is just a routine thing to bring someone back to the dead, and that he's done it before. Later, however, it genuinely gets intruigued by Corvis' vendetta and begins aiding him more.
All in all, this is certainly much more acceptable that previous entries, and it succeeds where the others failed: Introducing new elements into a Crow franchise that, so far, has been nothing more but rip offs of the first film.
*** out of ****
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