Two Irish actors (Jimeoin McKeown, Alan McKee) flee from 1988 Belfast after a violent confrontation with a leader (Robert Morgan) of the IRA and illegally enter Australia. Seeking acting ... See full summary »
Bad boy movie star Derrick Stone books himself as an extra as a prank. When he arrives on set, no one recognizes him as Derrick Stone, they just think he looks like Derrick Stone. Finding ... See full summary »
Tyrone Power Jr.,
A Melbourne family is very happy living where they do, near the Melbourne airport (according to Jane Kennedy, it's "practically their back yard"). However, they are forced to leave their ... See full summary »
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, ... See full summary »
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Two Irish actors (Jimeoin McKeown, Alan McKee) flee from 1988 Belfast after a violent confrontation with a leader (Robert Morgan) of the IRA and illegally enter Australia. Seeking acting work, the two fear immigration officers. McKeown happens to get selected as the bachelor on a TV dating game and wins a trip to Queensland just as the pair's apartment is raided by immigration. McKee escapes just in time and joins his friend. Meanwhile, the IRA leader is sent to Australia in a witness protection program after he gives up some of his former colleagues. The two then spend the remainder of the movie being pursued by the immigration officers and the vengeful IRA head. Written by
John Sacksteder <email@example.com>
The aboriginal boy gives his name as Ron Barassi. Ron Barassi was a champion Australian Rules football player and coach. He played for Melbourne. The aboriginal boy wears a Melbourne jumper with Ron Barassi's number (31) on it. See more »
This first major screen effort for Irish comedian Jimeoin has a few genuine belly laughs, but it's generally like the man's stand-up act: lots of smirks, smiles and the odd giggle with quite a few slow patches in the middle. It has an almost 'Crocodile Dundee' feel to it, ie. using plot devices to show off the wild Australian outback to a (hopefully) overseas audience. Not a totally disagreeable way to spend an hour and a half, but it's no comedic classic.
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