Misan Sagay (writer)
O.O. Sagay (writer)
26 November 1999 (UK) more
Fascinating. more (12 total)
| Colin Firth | ... | Matthew Field | |
| Nia Long | ... | Nimi Da Silva | |
| Dan Lett | ... | John | |
| Joke Silva | ... | Nene | |
| Ariyon Bakare | ... | Rev. Fola | |
| Joy Elias-Rilwan | ... | Mama Fola | |
| Hakeem Kae-Kazim | ... | Dr. Ade | |
| Bella Enahoro | ... | Madame Rosa | |
| Fissy Roberts | ... | Sammy | |
| Rakie Ayola | ... | Talking Drum | |
| Caroline Goodall | ... | Jenny Field | |
| Ellen Thomas | ... | Bitter Leaf | |
| Thomas Baptiste | ... | Papa Fola | |
| Willie Jonah | ... | Old uncle | |
| Ho Yi | ... | Chen | |
| Kemi Baruwa | ... | Sugar | |
| Mike Koohafkan | ... | Jean Claude Delgado | |
| Nichole Blanchet | ... | Mrs Delgado | |
| Maddalena Milani | ... | Inez | |
| Catherine Koohafkan | ... | Teacher (as Catherine Koohefkan) | |
| Frank Bellorti | ... | Frederick |
Directed by | |||
| Peter Schwabach | |||
Writing credits(in alphabetical order) | ||
| Misan Sagay | writer | |
| O.O. Sagay | writer | |
Produced by | |||
| Janet E. Cuddy | .... | associate producer (as Janet E. Cudy) | |
| Michael Dreyer | .... | line producer | |
| Gareth Jones | .... | executive producer | |
| Michael MacDonald | .... | line producer | |
| Misan Sagay | .... | producer | |
| Jon Slan | .... | producer | |
Original Music by | |||
| Yves Laferrière | |||
Cinematography by | |||
| Martin Fuhrer | |||
Film Editing by | |||
| Michael Pacek | |||
Casting by | |||
| Daniel Hubbard | |||
| John Hubbard | |||
Production Design by | |||
| Christopher J. Bradshaw | |||
Art Direction by | |||
| Tristan Peatfield | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Louise Stjernsward | |||
Makeup Department | |||
| Petrona Winton | .... | makeup artist | |
Production Management | |||
| Gilles Normandin | .... | production manager: French | |
| Charlene Olson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ben Burt | .... | assistant director | |
| Xavier Gens | .... | trainee assistant director | |
| Sallie Anne Hard | .... | second assistant director | |
| Michael MacDonald | .... | second unit director | |
| Simon Moseley | .... | first assistant director | |
| Phil Stoole | .... | assistant director | |
| Rebecca Sutton | .... | assistant director | |
Art Department | |||
| Michel Rollant | .... | property buyer | |
| Bill Pearson | .... | special props (uncredited) | |
Sound Department | |||
| Ray Campbell | .... | assistant sound effects editor | |
| Keith Elliott | .... | sound re-recording mixer | |
| Alan Geldart | .... | sound effects editor | |
| Jim Greenhorn | .... | sound mixer | |
| Steve Mayer | .... | boom operator | |
| Daniel Pellerin | .... | sound re-recording mixer | |
Special Effects by | |||
| Graham Hills | .... | special effects technician | |
| Graham Longhurst | .... | special effects supervisor | |
Stunts | |||
| Richard Bradshaw | .... | stunt double: Colin Firth | |
| Amanda Foster | .... | stunt performer | |
| Alan Stuart | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sam Garwood | .... | focus puller | |
| Ross Grainger | .... | electrician | |
| Larry S. Prinz | .... | gaffer | |
| Nick Wall | .... | still photographer | |
Casting Department | |||
| Samia Fadli | .... | extras casting: South of France | |
Costume and Wardrobe Department | |||
| Suzy Freeman | .... | costume supervisor | |
Editorial Department | |||
| Chris Blunden | .... | editor: director's cut | |
| John Cameron | .... | first assistant editor | |
| Alfredo Frasson | .... | film color timer | |
| Lori A. Waters | .... | director of post-production: Paragon/Handmade (uncredited) | |
Other crew | |||
| Bart Bailey | .... | production runner | |
| Cherry Fiddaman | .... | production accountant | |
| Andrew Jack | .... | dialogue coach | |
| Gavin Ricketts | .... | assistant to producer | |
| Andrew Rosen | .... | production assistant: Paragon/Handmade | |
| Paula Jack | .... | language coach (uncredited) | |
99 min
2.35 : 1 more
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section | Add this title to MyMovies |
I've seen this movie twice already and am very impressed with it.
The conversations between Nimi and her mother plus Nimi and Matthew are very touching. The Nigerian community is shown very truthfully and as colourfully as it usually is.
Although certain things could have done with a bit more explanation; if we knew why Matthew was in the South of France in the first place, the scenes following Matthew being found in his car would be more understandable.
Luckily, Optimum Releasing have a website that has detailed production notes that help to make such scenes better to understand.
I would go and see it again but unfortunately it had a limited release in London and is not longer available to see. I hope the video release gets it to a bigger audience because the film deserves it.