| Photos (See all 42 | slideshow) |
Directed by | |||
| Joe Johnston | |||
Writing credits(WGA) | ||
| Homer H. Hickam Jr. | (book "Rocket Boys") | |
| Lewis Colick | (screenplay) | |
Produced by | |||
| Peter Cramer | .... | executive producer | |
| Larry J. Franco | .... | producer (as Larry Franco) | |
| Charles Gordon | .... | producer | |
| Marc Sternberg | .... | executive producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Fred Murphy | (director of photography) | ||
Film Editing by | |||
| Robert Dalva | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| Barry Robison | |||
Art Direction by | |||
| Tony Fanning | |||
Set Decoration by | |||
| Chris L. Spellman | (as Chris Spellman) | ||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Lynn Barber | .... | makeup supervisor | |
| Gloria Belz | .... | key makeup artist | |
| Julie Callihan | .... | makeup artist | |
| Susan Mills | .... | key hair stylist | |
| Michelle Vanderpool-Kohrs | .... | hair stylist (as Michealle Vanderpool-Kohrs) | |
| Beka Wilson | .... | hair stylist | |
| Leigh Ann Yandle | .... | makeup artist | |
| Jeff Goodwin | .... | special makeup maker (uncredited) | |
| Rachel Kick | .... | makeup artist (uncredited) | |
Production Management | |||
| Zane Weiner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Betsy Magruder | .... | first assistant director | |
| Rusty Mahmood | .... | second second assistant director | |
| Matt Marshall | .... | additional second assistant director | |
| Jonathan McGarry | .... | second assistant director | |
Sound Department | |||
| Charlie Ajar Jr. | .... | sound recordist (as Charlie Ajar) | |
| Thom Brennan | .... | foley editor | |
| Michael C. Casper | .... | sound re-recording mixer (as Michael Casper) | |
| Mary H. Ellis | .... | production sound mixer (as Mary Ellis) | |
| Bill Fibben | .... | boom operator | |
| Stephanie Flack | .... | dialogue editor | |
| Michael Geisler | .... | sound designer | |
| Howell Gibbens | .... | supervising sound editor | |
| Aaron Glascock | .... | sound effects editor | |
| Hilda Hodges | .... | foley artist | |
| Alan Holly | .... | adr mixer | |
| Elizabeth Kenton | .... | supervising adr editor | |
| Mary Jo Lang | .... | foley mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Daniel Leahy) | |
| Greg W. Lowe | .... | adr recordist (as Greg Lowe) | |
| James Morioka | .... | assistant sound editor | |
| John Roesch | .... | foley artist (as John B. Roesch) | |
| Carolyn Tapp | .... | foley recordist | |
| Mark Zimbicki | .... | cable person | |
Special Effects by | |||
| Joe Digaetano | .... | special effects supervisor (as Joey DiGaetano) | |
| Bill Johnson | .... | special effects makeup | |
| Richard E. Perry | .... | special effects | |
| Gary Pilkinton | .... | special effects (as Gary L. Pilkinton) | |
| Dave Rigsby | .... | special effects (as Dave Rigbsy) | |
| Kathleen Tonkin | .... | special effects | |
| Robert Vazquez | .... | special effects foreman | |
| Robert L. Girard | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Joel Aron | .... | sequence supervisor: ILM | |
| Okan Ataman | .... | sabre artist: ILM | |
| Brent Bowers | .... | CG technical support: ILM | |
| Sean M. Casey | .... | visual effects still photographer: ILM (as Sean Casey) | |
| Theresa Corrao | .... | visual effects coordinator: ILM | |
| Julie D'Antoni | .... | visual effects production assistant: ILM | |
| Krystyna Demkowicz | .... | visual effects producer: Matte World Digital | |
| Pablo Helman | .... | sabre supervisor: ILM | |
| Kela Hicks | .... | CG technical support: ILM | |
| Patrick Jarvis | .... | digital painter: ILM | |
| Michael McGovern | .... | visual effects editor: ILM (as Mike McGovern) | |
| Fred Meyers | .... | visual effects principal engineer: ILM | |
| Mark S. Miller | .... | visual effects producer: ILM | |
| Kristen Millette | .... | CG technical support: ILM | |
| Jim Mitchell | .... | visual effects supervisor: ILM | |
| Michelle Motta | .... | CG technical support: ILM | |
| Bruce Vecchitto | .... | digital timing supervisor: ILM | |
| Jonathan Wank | .... | sabre artist: ILM | |
| Craig Barron | .... | visual effects supervisor: Matte World (uncredited) | |
| Brett Northcutt | .... | digital matte artist (uncredited) | |
| Paul Rivera | .... | digital composite supervisor: Mate World Digital (uncredited) | |
Stunts | |||
| Chris Bennett | .... | stunts | |
| Cliff Cudney | .... | stunt coordinator | |
| John Fagan | .... | stunts | |
| Jeff Galpin | .... | stunts | |
| Robert Girard | .... | stunts | |
| David Brian Martin | .... | stunts | |
| Peter Peterson | .... | stunts | |
| Chad Rose | .... | stunts | |
| Mike Smith | .... | stunts | |
| Russell Towery | .... | stunts | |
| Robert Vazquez | .... | stunts | |
| Cliff Cudney | .... | stunt double: Jake Gyllenhaal (uncredited) | |
Casting Department | |||
| Jo Doster | .... | location casting | |
| Diana Jaher | .... | casting associate | |
| Kim Petrosky | .... | extras casting | |
| Owen J. Rice | .... | extras casting assistant | |
| Kim McCray | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Brown | .... | costumer | |
| Fumie H. Carrera | .... | seamstress | |
| Stephen K. Randolph | .... | key set costumer | |
| Kelly Anne Ross | .... | set costumer (as Kelly Ross-Wilson) | |
| Marciann Shapiro | .... | costume supervisor | |
Editorial Department | |||
| Steve Ansell | .... | second assistant editor | |
| Andi Kasen Bergman | .... | assistant editor (as Andi Kasen) | |
| Gary Burritt | .... | negative cutter | |
| Todd Busch | .... | first assistant editor | |
| Anthony J. Camaioni | .... | assistant editor (as Anthony Joseph Camaioni) | |
| Eric Rigney | .... | avid technician | |
| Mike Stanwick | .... | color timer | |
| Robb Sullivan | .... | assistant editor | |
| Dale Jones | .... | avid technician (uncredited) | |
Music Department | |||
| Thomas A. Carlson | .... | music editor (as Tom Carlson) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Peter Doell | .... | assistant score recordist (as Pete Doell) | |
| Janice Hayen | .... | music preparation | |
| Stephen Krause | .... | score mixer | |
| Stephen Krause | .... | score recordist | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| Frank Macchia | .... | music preparation | |
| Sid Page | .... | musician: solo violin | |
| Joe E. Rand | .... | music editor | |
| Chris Ridenhour | .... | assistant music preparation | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
Transportation Department | |||
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation coordinator | |
| Mike Robinson | .... | special driver | |
Thanks | |||
| John J. Duncan Jr. | .... | special thanks: U.S. Representative | |
| Anne B. Pope | .... | special thanks: Tennessee Film, Entertainment and Music Commission, Executive Director (as Anne Pope) | |
| Don Sundquist | .... | special thanks: Tennessee Governor | |
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| Full cast and crew | Company credits | External reviews |
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This is a fine drama and a nice change of pace from today's more hectic and loud films. It is another solid based-on-a-true store, which still means much of it could be made up for dramatic purposes. Frankly, I don't know but I liked the story.
The story is about a young man back in the Fifties who gets interested in rocketry and wants to enter that field instead of working in the coal mines as everyone else, including his father, does in this West Virginia town. The big problem is the conflict it causes between the boy and his father, which I think was overdone. I would like to have a little less tension between the two.
The young man, still a boy, is played by Jake Gyllenhaal, one of his first staring assignments, I think. He's likable, as are his school buddies in here. It's nice to see nice kids in a modern-day film. The two other key actors in the movie are Chris Cooper (the dad) and Laura Dern (the kid's teacher who encourages him all the time.)
The cinematography is decent the 1950s soundtrack is fun to hear. Once again: I wish there more of these kind of films made today.