A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.
- Director
- Writers
- Stars
- Awards
- 1 win & 10 nominations total
Verona Pooth
- Nina
- (as Verona Feldbusch)
Jasmin Wagner
- Ingrid
- (as Jasmine Wagner)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Well, I had very low expectations to Driven, but it surprised me. The racing scenes is pretty cool, and the overall atmosphere is also good. Sly's acting is better than usual, but the plot is pretty predictable. A fairly good movie, better if you like F1(as I do), but don't expect a great and surprising movie. I would rate it 6/10.
Utter and complete tripe - a film that is without any credibility, if for no other reason that it had the absolute temerity to think it could upstage Frankenheimer's 1966 masterpiece GRAND PRIX, on which it is so loosely yet obviously, based! Working on the assumption that 90% of viewers would never have seen (let alone heard of) GRAND PRIX, Stallone wrote himself a ROCKY on the racetrack.
Cornball script, z-grade fx....well thats to be expected, the Formula 1 people were never going to allow a loser like Harlin and his production flunkies anywhere near near the real thing, unlike the latitude extended to John Frankenheimer during GRAND PRIX's filming in 1965.
Look, I'm not even wasting more words on this affront to cinematic good taste. If you liked THE FAST AND THE FURIOUS you might be suitably underwhelmed by this crap!
Cornball script, z-grade fx....well thats to be expected, the Formula 1 people were never going to allow a loser like Harlin and his production flunkies anywhere near near the real thing, unlike the latitude extended to John Frankenheimer during GRAND PRIX's filming in 1965.
Look, I'm not even wasting more words on this affront to cinematic good taste. If you liked THE FAST AND THE FURIOUS you might be suitably underwhelmed by this crap!
This movie was so bad that the producers owe us another movie just to bring the rating up to zero. It is an insulting slap in the face to every race fan who ever lived and I would suggest that viewers immediately initiate a class action lawsuit to recover the money they wasted on this picture and compensation for the time spent watching it. The ONLY technical aspect of racing that they got right was the fact that the cars, at least SOME of the time, had four wheels. Otherwise, it was obvious that the writer knew absolutely nothing about motor racing. I would suggest that Sylvester Stallone should have at least watched an Indy car race before he wrote this piece of junk.
The computer-generated images were so bad that they probably set back the acceptance of CGI in movies another 50 years. The acting was about as real as the cartoon-like car crashes and all the actual Indy car drivers should have had their agents collectively sue to have their names replaced in the credits by "Allan Smithee."
I would watch this movie again only if forced to, and only for the pleasure of walking out of it and demanding my money back again.
The computer-generated images were so bad that they probably set back the acceptance of CGI in movies another 50 years. The acting was about as real as the cartoon-like car crashes and all the actual Indy car drivers should have had their agents collectively sue to have their names replaced in the credits by "Allan Smithee."
I would watch this movie again only if forced to, and only for the pleasure of walking out of it and demanding my money back again.
This is definitely one of Sly's better movies. He has disappointed us with his last couple of movies but this one is a winner. it has a great plot, good action scenes and a kick ass soundtrack. Definitely ranks up there with Rocky and Rambo 2.
This film is a shining example of why I always like to watch deleted scenes or alternate endings. Stallone actually wrote the screenplay and after watching what was cut (incl. some scenes that were never even finished) I realize Director Renny Harlin killed this film. The cut scenes and commentary show that this was supposed to be a racing version of "Rocky." All kinds of deep dialogue and development of not only characters, but individual relationships was cut because the Director wanted to dedicate more time to the race scenes and slow-motion shots. No wonder this film seemed hollow. Some scenes just made no sense regardless, but I now know that some of them didn't make sense because the backstory that would've made it make sense was cut. I hate when film makers treat the audience like we're all simple minded and need constant eye candy to keep us watching.
Did you know
- TriviaThe trick that Sylvester Stallone's character (Joe Tanto) performs with the three coins is reminiscent of a trick real-life Formula One driver, Juan Manuel Fangio of Argentina used to perform. The four-wheel drift enthusiast did it to test himself.
- GoofsJoe and Jimmy could not have taken the race cars from the party as easily as they did. CART cars do not have onboard starters, so they can't be started simply from the cockpit. You would need a crew member with a starter motor at the back of the car to fire the engine. Most "racing cars" at shows and parties like this are usually dummy display models, without "real" engines or other heavy, and expensive, mechanical components. Moreover, if the cars actually had been authentic (and somehow could have been started), they likely would have had virtually no fuel aboard; most city fire departments have strict regulations on this for a show or display car, especially inside a hotel.
- Alternate versionsIn the original version of the film when Memo Heguy's (de la Fuente) car wrecks and is thrown upside down in the river, Joe Tanto (Stallone) jumped into the river with Jimmy Bly (Pardue) to save him. Beau Brandenburg (Schweiger) was not involved in this scene at all originally. But director Renny Harlin thought that it made the Beau Brandenburg character look totally heartless. So Stallone rewrote the scene taking his character Joe Tanto out of it completely. He instead put his character in the pits the entire time. The scene was partly reshot in a similar location in California, instead of returning to Germany where the original scene was filmed. Stallone wrote that the Brandenburg character turns his car around and helps save Memo from drowning. Parts of the original scene featuring Joe Tanto, were for the most part not reshot. Digital Effects company Pixel Magic digitally erased Tanto out of the scene. Aside from this scene, other scenes involving Beau Brandenburg were rewritten during filming to make his character more likable and misunderstood. Some of these scenes include the ending of the film and a scene where Brandenburg denies a female fan a kiss.
Sylvester Stallone's Most Iconic Roles
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Alta Velocidad
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $94,000,000 (estimated)
- Gross US & Canada
- $32,720,065
- Opening weekend US & Canada
- $12,174,504
- Apr 29, 2001
- Gross worldwide
- $54,744,738
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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