35 years after The Rocky and Bullwinkle Show's cancellation, our two TV heroes have been living off the finances of their reruns on TV. To make matters worse, Rocky has lost his ability to fly, and the trees in Frostbite Falls have all been cut down. Meanwhile, over in Pottsylvania, home of Rocky and Bullwinkle's arch enemies Fearless Leader, Boris, and Natasha, the Iron Curtain has fallen, leading the villains to leave Pottsylvania, and dig through a tunnel all the way to the TV of a Hollywood Producer, Minnie Mogul. She signs a contract, giving her the rights to produce the Rocky and Bullwinkle Movie, and accidentally pulls the three villains out of the TV, turning them into humans! Now, they have an evil plan to hypnotize America, using RBTV (Really Bad TeleVision), making everyone's mind mush, so he can go on to the TV, and get everyone to vote him President of the USA! However, new FBI Agent Karen Sympathy has an assignment--get the only ones who could ever defeat the villains- ... Written by
At the R.B.T.V. Station, when a security guard is tossed from Bullwinkle's antlers, the glass shatters before the guard is thrown through it. See more »
[over stock footage of various historical events in a parody of a newsreel]
1964, a crucial moment in American history: Lyndon Johnson is re-elected to the presidency by a landslide, the New York World's Fair introduces a bright new future...
[scene cuts to show an animated Bullwinkle pull Rocky from his hat]
and after five scintillating years on the air...
The Rocky & Bullwinkle Show is abruptly cancelled.
[...] See more »
There are no opening credits following the title. See more »
Cryptik Souls Crew
Written by Marc Costenzo, Phil Rae, Tony Cammillo
Performed by Len
Courtesy of Epic Records/Work
By Arrangement with Sony Music Licensing
Contains a sample of "Dynomite"
Performed by Daguera
Courtesy of A&M Records
Under licesne from Universal Music Enterprises
Contains a sample of "Let's Have Some Fun"
Performed by the Barkays
Courtesy of Island Def Jam Music Group
Under license from Univer Music Enterprises See more »
The Rocky and Bullwinkle Show was set up as a low-budget parody of television and film animation. It was rife with in-jokes, sardonic comments on the media, bad puns, occasional feints at adult humor. It was not your average kids show. It wore its poverty-row production on its sleeve. It mocked all our expectations, and a good many of our cultural shibboleths - contemporary academia and small-town middle-America both felt its sting.
Having avoided this film for a decade (presuming that Hollywood would bollix it up the way they had with the Warner Bros. cartoon characters and Casper the ghost), I at last found a cheap copy and said what the heck. Well, I was very much - and very pleasantly - surprised. The film is quite true to the original program. I love it when Whoopi Goldberg is referred to as "the honorable Judge Cameo". I love the sun bouncing up and down at sunrise and sunset. I am glad they dealt with Rocky's 'fear of flying' again (and getting over it) without any sentimentality. The in-jokes and sarcastic cultural references and media lampoons are all intact - those who complain about the animation and special effects miss the several remarks on the poor animation from the characters themselves - the animation and SFx are supposed to be borderline, that's part of the joke! So too the over-the-top characterizations and acting.
(The real illusion of cinema's 'art of illusion' is that generated by an audience expecting the illusions to 'look real' - it is this illusion - the audience's - that the Rocky and Bullwinkle Show, and now the movie, mock.)
The Rocky and Bullwinkle Show was kinda like Jazz - you either got it or you didn't. The low rating on this film only indicates that this is true for the movie as well.
The original show largely survived because of its low cost, and through syndication allowing it to be re-edited for marginal time slots, e.g., 5 am. It was only years after it ceased production that it's real strengths began endearing it to millions. In like manner, I suspect this film is on its own quiet, gradual way to becoming a cult classic. Parents will play it for their kids who will wonder "WTF?!" - then, ten years later the light-bulb will click on for those same kids, and they will 'get it' - and another generation of Rocky and Bullwinkle fans will come of age.
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