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The Life and Death of 9413, a Hollywood Extra (1928)

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This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »

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(concept), (concept)
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1 win. See more awards »

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Cast

Complete credited cast:
Jules Raucourt ...
9413 (as Raucourt)
Voya George ...
The Star (as Voya)
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Storyline

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead), after which he dies and goes on to Heaven where the number is removed. Written by George Schneiderman

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Plot Keywords:

avant garde | number in title | See All (2) »

Genres:

Short | Drama

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Details

Country:

Release Date:

17 June 1928 (USA)  »

Also Known As:

A Hollywood Extra  »

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Technical Specs

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Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Connections

Remade as Hollywood Boulevard (1936) See more »

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User Reviews

 
An experimental avant guard silent short
1 March 2007 | by (United States) – See all my reviews

For more detailed information on this 11 minute silent film short from 1928 see the IMDb comments submitted by another reviewer here who described this film very educational detail. I recently saw this experimental film and found it very strange and oddly entertaining. It stars unknown actor George Voya as The Star and Jules Raucourt as 9413. Raucourt had a brief film career in lead roles and became a character actor and ironically an extra himself in the later stages of his career. Here Raucourt is a Hollywood extra with the number 9413 penned across his forehead. Voya who never launched an acting career is ironically The Star with a star drawn on his forehead. Adriane Marsh is a Hollywood extra that makes good. Director/producer/writer Robert Florey is the cigar chomping, telephone talking casting director in close up of his mouth and hands only. A black background with shadowing is used with paper cutouts and masks used as props and scenery. Florey and special effects/ writer/ director/editor Slavo Vorkapich co-wrote and co-directed this film. It was also the third and final film that young cinematographer Gregg Toland worked on with Florey and Vorkapich. Toland would go on to photograph such films as Wuthering Hwights. Intermezzo, The Grapes of Wrath, The Outlaw, Citizen Kane, The Best Years of Our Lives and The Bishops Wife among the many films in his talented career that earned him an Academy Award and six nominations before his untimely death at the age of 44 from heart disease in 1948. It's interesting here to see the early work of the budding genius of Toland. Florey enjoyed a long career as a director of B movies before moving into television in the 50's and 60's and directing dozens of popular series episodes like The Twilight Zone, Alfred Hitchcock Presents, Outer Limits and Thriller. Again it's interesting to the work of a man like Florey who had a 40 plus year career in film early in that career and on a small budget. This film has been selected for preservation by the National Film Registry and deemed culturally significant by the Library of Congress. It's worth 11 minutes of your time to check it out if you are interested in the history and evolution of film. It's an experimental film and I would give this a 7 out of 10.


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