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How I Spent My Summer Vacation (1997)
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Overview
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Plot:
Two black college students, Perry and Stephanie, tell the story of their two-year romantic relationship. | Add synopsis »
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Cast
(in credits order) | RonReaco Lee | ... | Perry |
 | Deanna Davis | ... | Stephanie |
 | Deanna Dawn | ... | Stephanie (as DeAnna Davis) |
 | Jade Dixon | ... | Tammy (as Jade Jenise Dixon) |
 | E. Roger Mitchell | ... | Joseph |
 | Sahr Ngaujah | ... | D'Angelo (as Michael Ngaujah) |
| Darren Law | ... | Nolan |
| Maude Bond | ... | Monica |
| T'Erika Jenks | ... | Kim |
| rest of cast listed alphabetically: | |||
 | Maisha Dyson | ... | Rhonda |
 | Felice Heather Monteith | ... | Helen (as Felice Heather Monteith) |
 | Roberto 'Sanz' Sanchez | ... | Concert patron (uncredited) |
Directed by | |||
| John Fisher | |||
Writing credits(in alphabetical order) | ||
| John Fisher | ||
Produced by | |||
| Alan James Gay | .... | producer | |
| Christopher Mills | .... | producer | |
Original Music by | |||
| Johnny Barrow | |||
Cinematography by | |||
| Charles Mills | |||
Film Editing by | |||
| Alan James Gay | |||
| Norman Todd | |||
Casting by | |||
| Shay Griffin | |||
Art Direction by | |||
| Tim Dempsey | |||
Costume Design by | |||
| D'Carol Randle | |||
| Wayne Van Nuygen | |||
Makeup Department | |||
| Kathleen Freeman | .... | additional hair stylist | |
| Kathleen Freeman | .... | additional makeup artist | |
| Crash Guzman | .... | makeup artist | |
| Lisa Guzman | .... | key hair stylist | |
| Lisa Guzman | .... | key makeup artist | |
Production Management | |||
| Norman Todd | .... | second post-production supervisor | |
| Lonnie Vickers | .... | post-production supervisor | |
Art Department | |||
| James Carmody | .... | property master | |
| Frank Simotics | .... | art lead man | |
Sound Department | |||
| Mick Davies | .... | boom operator | |
| Brendan Davis | .... | sound mixer | |
| Whit Norris | .... | sound (as Palmer 'Whit' Norris) | |
| Lonnie Vickers | .... | sound editor | |
Camera and Electrical Department | |||
| Jeremy Bowdoin | .... | grip | |
| Stephen Crocker | .... | additional first assistant camera | |
| Mark Davis | .... | additional second assistant camera | |
| Mark Griffin | .... | best boy grip | |
| Randy Halpern | .... | key grip | |
| Sylvia Jackson | .... | second assistant camera | |
| Rick Johnson | .... | gaffer | |
| Dennis Reynolds | .... | first assistant camera | |
| Nancy Segler | .... | additional first assistant camera | |
| Jack Shepard | .... | generator operator | |
| Keith Slade | .... | best boy electric | |
| Mike Smith | .... | Steadicam operator | |
| Chris Ward | .... | grip | |
| Hyun Woo | .... | camera production assistant | |
Costume and Wardrobe Department | |||
| Natalie Brown | .... | wardrobe | |
| Kelley Dunagin | .... | wardrobe | |
Editorial Department | |||
| Bob Fredrickson | .... | color timer | |
Music Department | |||
| Mick Davies | .... | composer: additional music cues | |
| Mick Davies | .... | music arranger | |
| Mick Davies | .... | music supervisor | |
Transportation Department | |||
| John Dingler | .... | driver | |
| Kerry Rawlins | .... | transportation captain | |
| Bob Robinson | .... | driver | |
| Kerry Rollins | .... | driver | |
Other crew | |||
| Chris Antignane | .... | production assistant | |
| John Charles | .... | software engineer: TriCoast Studios | |
| Dan Cooper | .... | caterer | |
| Carmon Emery | .... | titles & effects | |
| Lisa Flores | .... | script supervisor | |
| Laurie Garner | .... | production coordinator | |
| Jeremy Herschfield | .... | production assistant | |
| Anya Martin | .... | unit publicist | |
| Matt Meyer | .... | production assistant | |
| Shelley Moore | .... | craft service | |
| Brian Murtha | .... | production assistant | |
| Jannett Roberts | .... | production assistant | |
| Ben Roman | .... | production assistant | |
| Mike Samuels | .... | marketing | |
Production CompaniesDistributors
- Cinema Guild, The
- Xenon Pictures (1998) (USA) (DVD)
Additional Details
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Runtime:
73 min
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Normally I avoid "relationships" movies, but this sharply written little indie entertained me and even had me laughing. A new director and a cast of fresh faces bring energy and inventiveness to the material. It's always rewarding to see a film succeeding without the big budget crutch (and familiar faces) that Hollywood relies on.