| Photos (See all 55 | slideshow) |
| Franka Potente | ... | Lola | |
| Moritz Bleibtreu | ... | Manni | |
| Herbert Knaup | ... | Vater | |
| Nina Petri | ... | Jutta Hansen | |
| Armin Rohde | ... | Herr Schuster | |
| Joachim Król | ... | Norbert von Au | |
| Ludger Pistor | ... | Herr Meier | |
| Suzanne von Borsody | ... | Frau Jäger | |
| Sebastian Schipper | ... | Mike | |
| Julia Lindig | ... | Doris | |
| Lars Rudolph | ... | Herr Kruse | |
| Andreas Petri | ... | Sanitäter | |
| Klaus Müller | ... | Croupier | |
| Utz Krause | ... | Casino-Manager | |
| Beate Finckh | ... | Casino-Kassiererin | |
| Volkhard Buff | ... | Krankenwagenfahrer (as Volkhart Buff) | |
| Heino Ferch | ... | Ronnie | |
| Ute Lubosch | ... | Mutter | |
| Dora Raddy | ... | Die Alte | |
| Monica Bleibtreu | ... | Die Blinde | |
| Peter Pauli | ... | Wachmann Supermarkt | |
| Marc Bischoff | ... | Polizist | |
| Hans Paetsch | ... | Erzähler (voice) | |
| rest of cast listed alphabetically: | |||
| J.P. Johannsen | ... | Bank clerk through door (uncredited) | |
Directed by | |||
| Tom Tykwer | |||
Writing credits(in alphabetical order) | ||
| Tom Tykwer | writer | |
Produced by | |||
| Stefan Arndt | .... | producer | |
| Gebhard Henke | .... | producer: WDR | |
| Maria Köpf | .... | executive producer | |
| Maria Köpf | .... | line producer | |
| Andreas Schreitmüller | .... | producer: ARTE | |
Original Music by | |||
| Reinhold Heil | |||
| Johnny Klimek | |||
| Tom Tykwer | |||
Cinematography by | |||
| Frank Griebe | |||
Film Editing by | |||
| Mathilde Bonnefoy | |||
Casting by | |||
| An Dorthe Braker | |||
Production Design by | |||
| Alexander Manasse | |||
Art Direction by | |||
| Attila Saygel | |||
Set Decoration by | |||
| Irene Otterpohl | |||
Costume Design by | |||
| Monika Jacobs | |||
Makeup Department | |||
| Babette Bröseke | .... | makeup artist | |
| Christa Krista | .... | hair designer: Lola | |
| Margrit Neufink | .... | makeup artist | |
| Jekaterina Oertel | .... | additional makeup artist (as Jekatarina Oertel) | |
Production Management | |||
| Ralph Brosche | .... | production manager | |
| Swantje Matthaei | .... | executive in charge of production | |
| Carsten Neumärker | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Chris Brighton | .... | assistant director | |
| Sebastian Fahr-Brix | .... | assistant director (as Sebastian Fahr) | |
Art Department | |||
| Stella-Nicoletta Drossa | .... | art department trainee | |
| Cary Gayler | .... | prop buyer | |
| Katja Kiesewetter | .... | art department trainee | |
| Micha Korok | .... | art department trainee | |
| Sonja König | .... | stand-by propwoman | |
| Francisco Escobar | .... | set dresser (uncredited) | |
Sound Department | |||
| Frank Behnke | .... | sound | |
| Normann Büttner | .... | foley recordist | |
| Nanett Creutzburg | .... | sound assistant | |
| Günther Friedhoff | .... | dialogue recordist (as Günter Friedhoff) | |
| Dirk Jacob | .... | sound designer | |
| Matthias Lempert | .... | sound re-recording mixer | |
| Markus Münz | .... | sound editor | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
| Kai Storck | .... | sound editor | |
| Marita Strotkötter | .... | sound coordinator: post-production | |
| Spencer A. Beckett II | .... | recording production assistant (uncredited) | |
| Gunther Kortwich | .... | sound equipment provider (uncredited) | |
Special Effects by | |||
| Roland Tropp | .... | special effects | |
| Gerd Voll | .... | special effects | |
Visual Effects by | |||
| Nastuh Abootalebi | .... | digital domino effects | |
| Manfred Büttner | .... | visual effects production manager | |
| George Maihöfer | .... | digital artist | |
| Claudius Schulz | .... | graphics artist | |
| Thomas Tannenberger | .... | senior effects producer | |
| Dominik Trimborn | .... | digital domino effects: das werk | |
| Andreas Schellenberg | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Rossi Alvarez | .... | stunts | |
| Micha Bornhütter | .... | pane carrier | |
| Susanne Braun | .... | sport trainer | |
| Berno Buff | .... | pane carrier | |
| Volkhard Buff | .... | stunt driver | |
| Frank Christoffer | .... | stunt driver | |
| Ralf Häger | .... | bmw guy (as Ralf Haeger) | |
| Frank Jablonski | .... | bmw guy | |
| Sascha Kuchenbuch | .... | stunt driver | |
| Stefan Manteuffel | .... | stunt driver | |
| Piet Paes | .... | stunt driver | |
| Leo Plank | .... | stunt driver | |
| Emanuel Raasch | .... | bmw guy | |
| Daniela Stein | .... | pane carrier (as Dani Stein) | |
| Andi Stein-Strauss | .... | pane carrier | |
Animation Department | |||
| Gil Alkabetz | .... | animation designer | |
| Ralf Bohde | .... | animator | |
| Robert Mack | .... | film exposure: animation | |
| Thomas Meyer-Herrmann | .... | executive producer: animation | |
Casting Department | |||
| Nessie Nesslauer | .... | casting consultant | |
| Barbara Schernthaner | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ingrid Buhrmann | .... | wardrober | |
| Sabine Groh | .... | apprentice costumer | |
Editorial Department | |||
| Harald Ehinger | .... | colorist: animation (as Hari Ehinger) | |
| Anne Fabini | .... | assistant editor | |
| Nurit Israeli | .... | post-production: animation | |
| Martin Licht | .... | post-production trainee | |
| Sonja Müller | .... | colorist: animation | |
| Ruth Raatz | .... | color timer | |
| Cornelia Schumann | .... | negative cutter (as Cornelia Schühmann) | |
| Armin Vetter | .... | post-production: animation | |
| Johannes Weuthen | .... | assistant editor | |
| Joe Gawler | .... | video colorist (uncredited) | |
Music Department | |||
| Stefan Broedner | .... | music supervisor | |
| Klaus Frers | .... | music supervisor | |
| Shiro Gutzie | .... | soundtrack executive consultant | |
| Franka Potente | .... | composer: theme song "I Wish" and others | |
Transportation Department | |||
| Jens Schlemmer | .... | property driver | |
| Stefan Schuster | .... | production driver | |
| Hannes Staehle | .... | production driver | |
Other crew | |||
| Achim | .... | traffic blocker | |
| Michael Alert | .... | set equipment | |
| Mirko Andreas | .... | caterer | |
| Ute Bergien | .... | production trainee | |
| Bernhard | .... | traffic blocker | |
| Carsten | .... | traffic blocker | |
| Christian | .... | traffic blocker | |
| Folker | .... | traffic blocker | |
| Didier Franque | .... | caterer | |
| Grete | .... | traffic blocker | |
| Carsten Gutschmidt | .... | apprentice lighting technician | |
| Dorit Günter | .... | cleaning woman: Schmitz | |
| Susanne Hahn | .... | production assistant | |
| Jan Hoffmann | .... | aerial photography: helicopter | |
| Liane Jessen | .... | project development | |
| Jörgen | .... | traffic blocker | |
| Norbert Keil | .... | opticals | |
| Thomas Lechner | .... | provider: walkie talkies | |
| Renate Leisering | .... | laboratory coordinator | |
| Gisela Liesenfeld | .... | production secretary | |
| René Löw | .... | location manager | |
| Hans-Joachim Rabs | .... | laboratory manager | |
| Ralph Remstedt | .... | assistant location manager | |
| René | .... | traffic blocker | |
| Robert | .... | traffic blocker | |
| Kathrin Rohm | .... | assistant location manager | |
| Sarni | .... | traffic blocker | |
| Klaus-Peter Schultze | .... | opticals | |
| Uta Seibicke | .... | apprentice director | |
| Jörg Treutmann | .... | location manager | |
| Usch | .... | traffic blocker | |
| Katja Wessels | .... | apprentice location manager | |
| Thomas Wilk | .... | titles | |
| Willy | .... | traffic blocker | |
| Sabine Zimmer | .... | continuity | |
| Sabine Zimmer | .... | script girl | |
Thanks | |||
| Wolfgang Becker | .... | special thanks | |
| Liane Jessen | .... | special thanks | |
| Undine Zamani | .... | special thanks | |
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| Day of the Wacko | The Bird with the Crystal Plumage | Gun Crazy | Spider-Man 3 | The Departed |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Germany section |
The concepts are simple. How do our actions affect our own lives, as well as those whom we touch? What part do chance and random events play in determining an outcome? Can we select a different result by making different choices? In short, what is reality? Well, maybe it isn't all that simple, but while others have plowed these same fertile fields, as recently as the film "Go", and also in "The Music of Chance", based on Paul Auster's novel, no one has dealt with such cosmic existential questions with more brilliant originality, fast paced action, and a pulsing score than in this German cinematic masterpiece.
In a compact ninety minutes, combining snips of animation, cinema verité, quirky characters, situations and dialogue, and a pace that makes most music videos look like they've been filmed in slow motion, three versions of the same story sequence unfold, and each time conclude with a jolting finish that defies convention, and keeps the viewer guessing until the final frame.
This is one of those rare cinematic events that is entertaining, satisfying, and absorbing, as well as flawlessly acted, staged, edited, produced and directed. I thought that Lola ran her race with flair and style, and left all others way behind in the dust.