Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
During an attack on a pack of Iguanodon, an egg is separated and ends up with the possession of a group of lemurs. The lemurs care for this egg and the young creature born from it, which they call Aladar. When a meteor shower hits earth, Aladar and his family must leave their homeland. Away from home and as close to danger as they have ever been, they meet up with a huge group of dinosaurs, led by Kron and Bruton. All together they are trying to reach the nesting grounds, but it's not going to be easy. Written by
In some official sources, the elderly Styracosaurus Eema is revealed to be one hundred years old, while Baylene, the Brachiosaurus, is said to be in her sixties. See more »
Many scenes contain grass. Grass didn't evolve until the early Cenozoic era, shortly after the dinosaurs died out. However, recent discoveries indicate that grass did, in fact, exist in at least the Cretaceous period. Naturally, according to science at the time of the production, it was still incorrect. See more »
Some things start out big, and some things start out small, very small. But sometimes the smallest thing can make the biggest changes of all.
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Could have been the best. As it is, its the prettiest.
When i heard that the original screenplay o this film planned no dialogue at all for the characters, i became even more disappointed at the end result. While a very good film Dinosaur certainly is, it could have been incredible. The visual effects alone are a sight to behold, never more so than in the opening sequence. This is probably the best stretch in the whole film for me; it's unsanitised by talking animals and genuinely feels like a prehistoric world (ignoring the multitude of historical inaccuracies like grass in the Mesozoic era, particular dinosaurs living side by side). Once the animals start to talk the film is bogged down by the shortcomings of the script, which is idealistic and morally exposition heavy, for the sake of the target audience. It also detracts from the illusion the film so effortlessly produces on the screen at the start; it all just becomes so standard an routine when it seemed to be so much more. With a weak script, the visuals no longer arrest like they did before and would have done had nobody talked. Without the amazing cgi, this could have almost been straight to video.
I say almost because despite the shortcomings Dinosaur is a good movie; it's at times thrilling, exhilarating, touching and surprisingly intense, for a movie with a such a routine story. Had it had a better script it could have been great. Had it had no dialogue at all it could have been a classic and perhaps one of Disney's finest. The era of risk taking and inventiveness for the company seems to be at an end, or at least under suppression. Damn you Eisner! They were onto something this time.
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