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Aimee & Jaguar (1999)
"Aimée & Jaguar" (original title)

7.3
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Ratings: 7.3/10 from 4,719 users   Metascore: 72/100
Reviews: 50 user | 60 critic | 21 from Metacritic.com

Berlin 1943/44 ("The Battle of Berlin"). Felice, an intelligent and courageous Jewish woman who lives under a false name, belongs to an underground organization. Lilly, a devoted mother of ... See full summary »

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Title: Aimee & Jaguar (1999)

Aimee & Jaguar (1999) on IMDb 7.3/10

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Nominated for 1 Golden Globe. Another 8 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Felice Schragenheim (Jaguar)
...
Lilly Wust (Aimée)
...
Ilse
...
Klärchen
Elisabeth Degen ...
Lotte
Detlev Buck ...
Günther Wust
Inge Keller ...
Lilly Wust (1997)
Kyra Mladeck ...
Ilse (1997)
Sarah Camp ...
Frau Kappler
Klaus Manchen ...
Herr Kappler
Margit Bendokat ...
Frau Jäger
Jochen Stern ...
Werner Lause
Peter Weck ...
Chefredakteur Keller
Lia Dultzkaya ...
Dani Levy ...
Fritz Borchert
Edit

Storyline

Berlin 1943/44 ("The Battle of Berlin"). Felice, an intelligent and courageous Jewish woman who lives under a false name, belongs to an underground organization. Lilly, a devoted mother of four, though an occasional unfaithful wife, is desperate for love. An unusual and passionate love between them blossoms despite the danger of persecution and nightly bombing raids. The Gestapo is on Felice's trail. Her friends flee, she decides to sit out the war with Lilly. One hot day in August 1944, the Gestapo is waiting in Lilly's flat... Written by L.H. Wong <lhw@sfs.org.sg>

Plot Summary | Plot Synopsis

Plot Keywords:

love | gestapo | friend | jewish | bombing | See All (260) »

Taglines:

A Love Larger Than Death

Genres:

Romance | Drama | War

Certificate:

See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

11 February 1999 (Germany)  »

Also Known As:

Aimee & Jaguar  »

Box Office

Budget:

DEM 15,000,000 (estimated)

Opening Weekend:

$42,919 (USA) (11 August 2000)

Gross:

$927,107 (USA) (9 March 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Germany's entry to the Academy Awards, in the category of Best Foreign Language Film (1999). See more »

Quotes

Nazi Editor: Now that the Jewish mania for destruction has shown itself in the deeds of those aerial pirates even the weak and cowardly among us have realised that National Socialism is our peoples greatest and only hope. The world can mock us but it will tremble when it realises what tremendous feats this people is capable of.
See more »

Connections

Referenced in Unfaithful (2002) See more »

Soundtracks

Oh Donna Klara
Music by Jerzy Petersburski
Lyrics by Beda
Wiener Boheme Verlag (BMG UFA)
See more »

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User Reviews

Even the blackest storms bring forth flowers.
25 June 2003 | by (United States) – See all my reviews

This is a beautiful story and a haunting film, set in crumbling Berlin near the end of Germany's second run at world domination. Felice is a young stenographer hiding her Jewish identity and passing stealthily through bombed-out Berlin. She runs with a pack of party-girls, lesbians all, who butterfly their nights away living for the moment in the face of destruction, persecution, and death.

Lilly is a German housewife with four children and a husband on the Russian front. She is introduced, however, as a mistress to a Nazi officer, and the viewer sees immediately that Lilly is simply lost...dutifully serving out her role(s) to the men in her life, yet stricken with a suspicion that love has escaped her.

Then she meets Felice...

The affair transforms both women. Lilly finds love and discovers who she really is, while Felice finds a reason to stop running.

It's easy to forget that bravery in wartime is not reserved solely fo combat soldiers. In these two women, we see courage, hope, and beauty emerge from ruin and desperation. As one of the minor characters points out late in the film, love should be appreciated wherever it can take root---especially when times and situations seem impossibly chaotic.

This director offers an underlying gentleness that makes the movie all the more effective. The performances are passionate and inspired. War news via radio broadcasts is masterfully woven in to frame the film while giving the viewer a sense that time is running out in Berlin. One knock on the film might be that there are too few sympathetic male characters. But, given the setting, maybe that was to be expected.


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