The great sorcerer Merlin has returned to Camelot, a kingdom now vulnerable to ill fates and war since the theft of the Holy Grail, its greatest gift and protection. With the help of Jack, ... See full summary »
Based on the bestseller by Marion Zimmer Bradley It tells the story of the women behind King Arthur; including his mother, Igraine; his half-sister, Morgaine; his aunt Viviane, the Lady of ... See full summary »
These are the brand new adventures of Merlin, the legendary sorcerer as a young man, when he was just a servant to young prince Arthur on the royal court of Camelot who has soon become his best friend and turned Arthur into a great king and a legend.
One of the most legendary adventures in all mythology is brought to life in Jason and the Argonauts, an epic saga of good and evil. As a mere boy Jason, the heir to the kingdom of Ancient ... See full summary »
The legend of King Arthur, this time, from the perspective of the King's Wizard, Merlin. Merlin is a creature born of pagan magic, living in a world converting to Christianity. Merlin is beside Arthur as he gains Excalibur, builds Camelot and is betrayed by his wife, Guinevere. Merlin and Arthur are both menaced by the plots of Morgan Le Fey, her son by Arthur, Mordred, and their cohorts. Through it all, Merlin tries to keep Arthur from the destructive path set by fate. Written by
Michael "Rabbit" Hutchison <email@example.com>
In the scene where Igraine is giving birth to Arthur, she has a completely flat stomach. See more »
King Arthur Pendragon:
Guinevere how could you do it? Did you not think of me at all?
You left me alone for years, did you not think of me? What of my honor finding out my husband had a child by a woman called Morgan Le Fay?
Good one. Oh, come, Father, this is becoming distressingly personal.
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MERLIN finally makes some sense of the Arthurian Legend. Certainly the liberties taken here answer many of the questions wrought by other tellings of the tale (EXCALIBUR, in particular). Effects, cinematography and sound are outstanding for a TV production. However, key casting weaknesses seriously undercut the effectiveness of the tale. Sam Neil is simply dull as Merlin. It is hard to believe this is the same actor who did such a memorable job in THE HUNT FOR RED OCTOBER. Equally weak (in a small but pivotal role) is Jeffrey Sheffield as Lancelot. Where is the charm and inspiring goodness of other Lancelots? Those qualities are necessary to lend tragedy to the events of Camelot.
There ARE indeed outstanding performances on display. Miranda Richardson is simply fantastic in a dual role (Queen Mab, The Lady of the Lake). Her Mab suffers less from evil than arrested adolescence. Her powers allow her to DO evil rather than BE evil. On the other hand, the actor that plays the adult Modred is deliciously evil. Even when his ethical arguements are reasoned, his evil intent slides through, enabling us to root for Arthur. Billie Whitelaw as Auntie Ambrosia is touching and powerful. Best, perhaps of all is Martin Short, as Frick. His wonderful scenes with the equally capable Helen Bonham Carter (as Morgan Le Fay) are the best of the film. Despite the logical development of the story, I do have one small quibble. From the time of the birth of Merlin to the time of the birth of Arthur is at least 21 years. From the time of the Birth of Arthur to the time of the birth of Modred is at least 17 years. Although Modred is reputed to grow astonishingly quickly, he must have been at least 16 years to challenge Arthur. So Merlin and Nimue must have been at least 54 by the time of the battle between Arthur and Modred. Nevertheless, neither Merlin nor his love Nimue have aged since Neil and Isabella Rosselini took over the parts. Hmmm...
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