A woman tries to kill herself and ends up in the hospital. She escapes and wanders into the desert. There she comes upon a roadside bar where she gets extremely drunk with the locals and a ... See full summary »
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
Beautiful and successful television news anchor Melanie Adams falls in love with renowned heart transplant surgeon Peter Hallam. After a whirlwind courtship, they marry. Each has children ... See full summary »
The residents of a town displaced by an industrial accident agree to take over a failing mining base on the Moon as their new place to live and work. Their first big test comes in the form of a wave of radiation from a massive solar flare.
Lee David Zlotoff
Brad Stadler is a high flying property developer who spends too much time at work, is unfaithful to his wife (Carol) and has no time for son Josh's baseball games. So one day, the God ... See full summary »
[after Tony has tied Jane to a chair]
Tony, why are you doing this?
You asked me to.
No, I mean why are you looking after me?
Yeah, but why you?
I ain't got nothing better to do.
[points to her TV]
Does this thing work?
[stares at Tony]
My guardian angel.
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Maybe it's just that it was made in 1997, or maybe whoever managed to get this up to a 7 has a soft spot for kids with AIDS. But really people, the maniacal laughter & mayhem during the withdrawal scene? Did you not see that coming? I'm surprised there was no baby crawling across the ceiling and sickboy addressing the camera. The acting was fine, sure. But to me this is just one example of a movie from a time when situations and subject matter could pass for cinematic language. Things happen, but that's it. There's no glue or motive that can be detected on screen, allowing the subject matter to use pre-existing emotional connections to furthur the plot, without the script doing it like it's supposed to.
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