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|Index||117 reviews in total|
This was great. People exaggerate the amount of roles where Hugh Grant
the loveable Englishman. There's only been 3 to my knowledge. I don't
care anyway, as he is brilliant in that role. DeNiro, John Wayne, Morgan
Freeman etc generally play the same role in their films and it doesn't put
the viewer off.
This wasn't up to Four Weddings or Notting Hill standard. The story line let it down, but only slightly. You need to be of a certain intelligence level to find the satire & dry wit of these films, funny. Give me that anyday to the sex & masturbation gags in most films or the childish braindead crap from Adam Sandler or Jim Carrey that that mistakenly falls into the genre of 'humour.'
It's such an easy film to watch and enjoy. There's more humour at the beginning than the end of Mickey Blue Eyes, but it has at least half a dozen laugh out loud scenes and is worthy of a mark far superior than 5.8/10.
Highly recommendable, a very high ...
Just happened to rent this one on a whim, mainly due to the cast - Hugh Grant and James Caan - and was surprised to find a much better than average comedy. When the world of a sophisticated English-born art auctioneer in a Tony Manhattan auction house collides with the world of the New York mob, one expects a universe of comic opportunities, and the movie pays off in spades. James Caan is becoming one of those rare actors who is as adept at comedy as at heavier roles. The script is intelligently funny, and the movie is loaded with riotously incongruous situations. The scene where Caan attempts to teach the debonair Hugh Grant how to say "fuggedaboutit" in a hood's accent is alone worth the price of the movie. An overlooked delight.
This is a comedy all the way, and one of the funnier "gangster" comedies
I've seen, in tone reminds me a lot of "Analyze This." Hugh Grant is the
boyfriend and Jeanne Tripplehorn is his girl, but she refuses when he
proposes because her father is a mobster (James Caan, in a perfect role) and
she knows they would suck in her innocent auctioneer. The writing is
refreshingly good and Grant's delivery makes it go. Here I disagree strongly
with critic Ebert who thinks Grant was not right for the role.
My favorite scene, I laughed so hard I had to back it up and watch again, Grant has to pretend in a restaurant that he is "Mickey Blue Eyes" from a Kansas City gang, and his poor imitation of NYC gangster talk is hilarious. This film has no lasting value but is very entertaining, enough so that I think it deserves an "8". I saw it on DVD, nothing remarkable about the presentation, but nothing wrong either.
The whole idea of the movie is pretty creative, but near the end of the
movie, the story got a little predictable (that's all I'll say about the
plot... so no I'm not spoiling anything.)
However, I laughed to the point I was literally in pain. A lot of pain. Especially during "the restaurant scene". Even after the movie I was still giddy, and I started laughing hysterically in the parking lot of the movie theater. An aftershock I guess?
If you're looking for a good laugh you should go see it. If you're looking for a strong plot, save your time and money.
This was an entertaining comedy, similar to several other films I've
seen in which an innocent-appearing nice guy gets caught up in the
middle of a mob family. (i.e. Matthew Broderick in "The Freshman.")
In this film, it's Hugh Grant who winds up in mobster James Caan's clan. The latter isn't known for his comedy but he's good at it. Sometimes just the facial expressions on Caan's face brought out big laughs with me.
Joe Viterelli is perfect for any Mafia-type story, as is Burt Young. It was a little strange, though, to see Young look like such a shriveled up old man. Jeanne Tripplehorn provides the romantic interest in here.
My only complaints were too much usage of God's name in vain, especially for a comedy, and the typical on again-off again marriage plans you've seen so many times in movies for many decades. Overall, however, a good lighthearted comedy that should please a lot of people.
It took only a few movies for Hugh Grant to become a caricature of himself.
He first gained notice as the hopeless romantic in "Four Weddings and a
Funeral." Audiences fell in love with his good looks, deadpan delivery and
ability to convey hurt. He was even better in "Notting Hill," and added
just the right note of foppishness. But in "Mickey Blue Eyes"-perhaps
because he is miscast-all of these once-endearing traits now seem annoying.
The floppish hair once endearing in Notting Hill now seems to be a
distraction. His repeated use of the word "right," just right in Notting
Hill, seems annoying here. Perhaps the problem is that the previous two
films were fresh and well written. "Mickey Blue Eyes" is neither. Perhaps
it's time for Grant's character to move in a new direction and to once again
display the talent he showed in "Remains of the Day."
"Mickey Blue Eyes'" plot about an auctioneer about to become engaged to what turns out to be a Mafia princess is okay. And the idea of using an auction to launder money is fresh. But the second half of the film goes down hill quickly. And the supposed tragic ending is too obviously a ruse.
The only two saving graces in the movie are James Caan and Scott Thompson. It's been fascinating to watch Caan move from pretty boy ("Lady in a Cage" and "El Dorado") to real life and screen tough guy ("The Godfather") and now to comedian. Watch Caan's eyes-they seem to be in conflict with the rest of his body, letting us know that he knows a lot more than he's letting on.
Thompson, of the "Kids in the Hall" troupe, shines here as an FBI agent. He steals every scene he's in.
The previews that I saw for this movie promised it to be a very funny
movie...and for the most part it was but it could have been
The movie is about a conservative British fellow (Hugh Grant) that runs an auction house in New York. He decides to propose to his girlfriend (Jeanne Tripplehorn) but she has reservations about marriage as her father has connections to the mafia. In her opinion, this marriage will not work as Grant's character will invariably be sucked into the organized crime life. He assures her that he won't and they decide to go ahead with the marriage. As you guessed it, Grant does become entangled and what ensues is a humorous "fish-out-of-water" comedy as Grant tries to get himself out of a mess.
For the most part, the characters were well played. Hugh Grant does a good job, albiet familiar to other characters that he's played recently (and probably not too unlike his real self) but it was nonetheless well played. Most of the humor revolves around his character and his ability to deliver the lines and timing is very well done. The same cannot be said for Jeanne Tripplehorn's character. She seemed to overact some scenes and others it seemed that she wasn't quite sure how to portray the character. At times, it almost made me feel uncomfortable trying to watch her find her role. James Caan did a very good job of playing the father and in some cases, he stole some scenes. The rest of the actors played their roles fairly well although many of these actors have been typecast as the mafia type character.
Although the movie was fairly amusing, there were places that it seemed to drag a little bit. A sign of a good movie for me is how much my mind wanders and this did happen in some places. In my opinion it could have been even funnier but in general it was pretty good. Overall, I found it to be entertaining and genuinely funny...7/10.
Key Words: Cute / Funny / Stumbles & Mumbles / Nice Ending
This often-told tale of accidently getting involved with the Mob ("Family") is well done here with lots of humor. Hugh stumbles and mumbles as he tries to walk the thin line of getting wed to his sweetheart without getting sucked in by the Mob that her father works for. There are some really well crafted humorous scenes, and the ending is more complex and surprising that I had expected. The Italian music that runs through the flic will have you humming along after the credits roll. I thoroughly enjoyed this light bit of fluff...........
So perhaps this isn't the best romantic comedy out there, but it certainly did have a few interesting twists, and some generally funny moments to it. Hugh Grant was the bumbling and charming Brit he always is, Jimmy Caan was great as the mob member daddy to Jeanne Tripplehorn. It's a fun film to watch and I think most people will enjoy it.
Better than average comedy/farce with a lot of good laughs, many at the
expense of the overworn Italian Mafia stereotype. James Caan plays the
spoof as well as he did the original (look for a brief reprise of his "Kiss
Me Goodbye" role); Hugh Grant comes across better than usual; and Jeanne
Tripplehorn is well cast as are all the other supporting Mafia types you
have seen in the more dramatic Mafia films.
A good two hours of laughs and escapism.
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