The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her ... See full summary »
Thriller about Guy Luthan (Hugh Grant), a British doctor working at a hospital in New York who starts making unwanted enquiries when the body of a man who died in his emergency room ... See full summary »
Sarah Jessica Parker
A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
The new season of "American Dreamz," the wildly popular television singing contest, has captured the country's attention, as the competition looks to be between a young Midwestern gal (Moore) and a showtunes-loving young man from Orange County (Golzari). Recently awakened President Staton (Quaid) even wants in on the craze, as he signs up for the potential explosive season finale.
Chantal, an advocate involved in defending homeless illegal immigrant, decides to refurbish her flat. Following her convictions she calls Columbian workers led by an unforeseeable architect... See full summary »
An art-house auctioneer finds himself getting in deeper and deeper with the mob after learning that his teacher girlfriend is the daughter of a major mobster. Things get worse when a godfather decides to launder his no-talent son's gory paintings through the art house and gets the FBI into the picture. Everything then falls apart when the son is accidentally shot. Written by
John Sacksteder <email@example.com>
Near the end of the film, during the wedding scene, an FBI agents' earphone is shown on the left side of his head, and in the next shot with him it's shown on the right side of his head. See more »
[after Gina becomes desperate]
Well, no. I'm sorry but I've waited all my life to find someone I love as much as I love you. And I'm just not going to let this or anyone come between us. Not Vito "The Butcher" or Vinnie "The Baker" or anyone involved in any kind of food preparation. That's it, end of story.
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As the movie ends, "THE THE END" is displayed on the screen. This refers to Frank's restaurant, The La Trattoria, which translates to The The Trattoria. See more »
It took only a few movies for Hugh Grant to become a caricature of himself. He first gained notice as the hopeless romantic in "Four Weddings and a Funeral." Audiences fell in love with his good looks, deadpan delivery and ability to convey hurt. He was even better in "Notting Hill," and added just the right note of foppishness. But in "Mickey Blue Eyes"-perhaps because he is miscast-all of these once-endearing traits now seem annoying. The floppish hair once endearing in Notting Hill now seems to be a distraction. His repeated use of the word "right," just right in Notting Hill, seems annoying here. Perhaps the problem is that the previous two films were fresh and well written. "Mickey Blue Eyes" is neither. Perhaps it's time for Grant's character to move in a new direction and to once again display the talent he showed in "Remains of the Day."
"Mickey Blue Eyes'" plot about an auctioneer about to become engaged to what turns out to be a Mafia princess is okay. And the idea of using an auction to launder money is fresh. But the second half of the film goes down hill quickly. And the supposed tragic ending is too obviously a ruse.
The only two saving graces in the movie are James Caan and Scott Thompson. It's been fascinating to watch Caan move from pretty boy ("Lady in a Cage" and "El Dorado") to real life and screen tough guy ("The Godfather") and now to comedian. Watch Caan's eyes-they seem to be in conflict with the rest of his body, letting us know that he knows a lot more than he's letting on.
Thompson, of the "Kids in the Hall" troupe, shines here as an FBI agent. He steals every scene he's in.
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