Wild Bill and Cannonball arrive looking for the killer of Cannonball's father only to become involved in a family feud. A man has been charged with kidnaping the girl he plans to marry. So ...
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Guinn 'Big Boy' Williams
Horse breeders Adams and Brock are vying for the Army contract. When Adams is killed trying to ride his horse Trigger, Roy saves the horse from being shot. He trains him and then plans to ride him in the race to win the contract.
Wild Bill and Cannonball arrive looking for the killer of Cannonball's father only to become involved in a family feud. A man has been charged with kidnaping the girl he plans to marry. So this time Bill turns into a defense lawyer and among the opposition is the killer he is looking for. Only when the killer is revealed does Bill put his guns to work. Written by
Maurice VanAuken <email@example.com>
One of over 100 Columbia features, mostly Westerns, sold to Hygo Television Films in the 1950s, which marketed them under the name of Gail Pictures; opening credits were redesigned, with some titles misspelled, the credit order of the players rearranged, some names misspelled, and new end titles attached, thus eliminating any evidence of their Columbia roots. Apparently, the original material was not retained in most of the cases, and the films have survived, even in the Sony library, only with these haphazardly created replacement opening and end credits. See more »
The only bad thing about this Wild Bill western is the title
Bill Elliott got his "Wild Bill" from playing Wild Bill Hickok in an above average series of westerns for Columbia that began with a serial. This is one in the series which featured Cannonball Taylor as his sidekick. Bill Elliott was not a singing cowboy. So Cannonball, a very talented comedian and musician, added the musical entertainment by singing and playing his squeeze-box accordion. Although the title of Saturday matinée cowboy films seldom matched anything remotely related to the script, the title of this entry is almost surrealistic. The acting is good with standout performances by the two Crawley sons and my Eddie Waller (later Nugget Clark in the Rocky Lane westerns of the early 50's) as Judge Plunkett. If we had more Judges like Plunkett today, our criminal justice system would not be in such judicial chaos. I especially like the line he uses when summoning the first two rows of men as jurors, "Come forth and be the jury if you're not drunk or half-witted," or some words to that effect. Tom Moray, who played Hi Crawley, only made a few movies. Do any readers know why this was? Ditto for Mary Daily, who played Marsha Crowley. This was one of two movies she made in 1941, the only two movies she ever made. If you're a fan of the Saturday matinée cowboy genre, you should enjoy this movie.
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