| Daniel Bell | ... | Himself | |
| Nathan Glazer | ... | Himself | |
| Irving Howe | ... | Himself | |
| Irving Kristol | ... | Himself | |
| Alan Rosenberg | ... | Narrator |
Directed by | |||
| Joseph Dorman | |||
Writing credits(in alphabetical order) | ||
| Joseph Dorman | writer | |
Produced by | |||
| Joseph Dorman | .... | producer | |
| Arnold Labaton | .... | executive producer | |
| Gail Segal | .... | associate producer | |
Original Music by | |||
| Adam Guettel | |||
Cinematography by | |||
| Barrin Bonet | |||
| Peter Brownscombe | |||
| Richard Chisolm | |||
| Wayne De la Roche | |||
| Boyd Estus | |||
| Tom Kieffer | |||
| Vaughn Kilgore | |||
| Oren Rudavsky | |||
Film Editing by | |||
| Jonathan Oppenheim | |||
Art Department | |||
| Clive Helfet | .... | graphic designer | |
Sound Department | |||
| John Cameron | .... | sound | |
| Quentin Chiappetta | .... | sound editor | |
| Nick Clark | .... | sound | |
| Carrie Giunta | .... | sound editor | |
| Jeff Hansell | .... | sound | |
| Peter Karl | .... | sound | |
| John McCormick | .... | sound | |
| Haven McKinney | .... | sound | |
| Rick Mills | .... | sound | |
| Beo Morales | .... | sound re-recording mixer | |
| Caleb Mose | .... | sound | |
| Jeff Pullman | .... | sound | |
| Saul Rouda | .... | sound | |
| Mark Roy | .... | sound | |
| Dale Whitman | .... | sound | |
Animation Department | |||
| George Ball | .... | animator | |
| Chris Kogler | .... | animator | |
| Peter Longauer | .... | animator | |
Editorial Department | |||
| Alvin Bowens | .... | on-line editor | |
Other crew | |||
| Deborah Dash Moore | .... | academic advisor | |
| Morris Dickstein | .... | academic advisor | |
| John Patrick Diggins | .... | academic advisor | |
| Debra Gitterman | .... | production coordinator | |
| Maurice Isserman | .... | academic advisor | |
| Russell Jacoby | .... | academic advisor | |
| Tina Keswani | .... | intern | |
| Libby Kreutz | .... | researcher | |
| Abigail List | .... | production assistant | |
| Celeste Main | .... | intern | |
| Jennifer Marony | .... | intern | |
| Monika McClure | .... | production coordinator | |
| William O'Neill | .... | academic advisor | |
| Ronald Radosh | .... | academic advisor | |
| Marjorie Scheer | .... | production assistant | |
| Tom Schnaibt | .... | production assistant | |
| Suzanne Smith | .... | project consultant | |
| Rennanah Weinstein | .... | intern | |
Thanks | |||
| Eleanor Dorman | .... | special thanks | |
| Jack Dorman | .... | special thanks | |
| Bill Griffin | .... | special thanks | |
| Neil Jumonville | .... | special thanks | |
| Carol Peek | .... | special thanks | |
| Tamara E. Robinson | .... | special thanks | |
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| The Way We Were | An Inconvenient Truth | Berkeley in the Sixties | The Contender | The Times of Harvey Milk |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This is about left-wing eggheads from the 30's who are now bureaucratic right wingers. They seem to beat-up on Tom Hayden because he was from the rock and roll 60's. At that time they were the professors and writers who wanted to ignore the Vietnam situation because it didn't relate to their life and career. They weren't draftable. I think this is a good display of what youthful ideals and enlightened self-interest are really about. I was from the 60's but wasn't a radical. The music, though, gave me a feeling of change that was possible in an America that had been cheated by following a tight-lipped closed-minded patriotism. The thing about communism and marxism is that dictatorship of the proletariat will never lead to full communism, altruism and brotherly love are not a basic human characteristic but greed and love of power is.