In the tiny kingdom of Euphrania, the King and his court are most anxious to get Prince Edward wed. But Edward wants to marry for love. Meanwhile, young Cinderella finds life drastically ... See full summary »
When 'Cinderella (1957) (TV)' aired on 31 March 1957, it was watched by more than 107 million people. By comparison, if the show had been presented in one of New York's largest theaters, the 3,000 seat City Center, it would have taken 80 years, at eight performances a week, to reach an audience of the same size. See more »
When performing the duet with the Queen of the reprise of "Do I Love You Because You're Beautiful?", Jon Cypher as the Prince, accidentally sings a line of the song that was meant to be sung by the Queen, played by Dorothy Stickney. This occurs after he sings the line "Do I want you because you're wonderful?" The camera shifts to the Queen and you can see her open her mouth to sing her line "Or is she wonderful because you want her?" but she remains silent when the Prince goes ahead and mistakenly sings the line from his point of view. According to the interview with Jon Cypher on the DVD release, he didn't realize that he had made the mistake of singing over Dorothy Stickney's line until it was too late, and because it was during a live broadcast, there was nothing either of them can do. If you listen closely, you can also hear that at that point, the orchestra has to catch up with Jon's singing to make up for the mistake. See more »
Are you the sweet invention of a lover's dream or are you really as beautiful as you seem?
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Simply marvelous--Great adult and family entertainment
I sincerely hope that many parents and other grownups will share this wonderful, witty musical with their kiddos and kiddo friends. Start them early with quality fare like this, and don't let them develop a prejudice against black & white viewing, or intelligent creations.
It really is a shame that later television CINDERELLAs messed with the script, and particularly that they cut the ball- and banquet-planning scene with the King, Queen, Chef, Tailor and...I forget who else. The King and Queen are such stronger roles here than in the later versions. Actually, all the roles seem stronger here, as directed and played. (I don't mean to bash the later two TV CINDERELLAs, both of which have their good points, and good intentions, but end up falling so short of the original, for all their larger budgets, full color, more ethnically diverse casting--the last a plus in my book. A shame they didn't stick with the many strengths of this original script, and build and embellish from there. It also helps to have a Cinderella with a gorgeous, majestic voice.)
Besides the wit, humor and intelligence of this musical's book, the big, winning ingredient is the basic sense of love and good will, strong but not cloying. A very Hammerstein element, which, for the most part, he wielded deftly throughout his works. There is an unfortunate tendency to screw with that strong ingredient when people try to adapt and "improve" Rodgers & Hammerstein shows. For a particularly heinous example of this, see the ABC TV, Glenn Close SOUTH PACIFIC. Better yet, don't subject yourself to that horrible desecration of a beautiful work. Watch the good stuff, like this original Cinderella.
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